In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances op. 46 for violoncello and piano. The Czech composer Jirà Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák s ideal sound Gemrot based his arrangements on the composer's orchestral score. Dvorák s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of AntonÃn Dvorák , Volume IV/3 (Compositions for Violoncello). First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jirà Gemrot Includes Dvorák s own arrangement of Dance no. 8 With fingering and bowing by Tomá JamnÃk Foreword (Cz/Eng/Ger) by Eva Velická
SKU: BR.OB-5273-19
ISBN 9790004332511. 10 x 12.5 inches.
In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.
SKU: BR.PB-5273
ISBN 9790004210079. 10 x 12.5 inches.
In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.The Slavonic Dances Op. 46, which began to conquer the world's concert halls in 1878, made a major contribution to Dvorak's international breakthrough. The Urtext edition is based on the main sources, mainly on the autograph score and the first edition.
SKU: BR.OB-5273-15
ISBN 9790004332498. 10 x 12.5 inches.
SKU: BR.OB-5273-30
ISBN 9790004332542. 10 x 12.5 inches.
SKU: BR.OB-5273-23
ISBN 9790004332528. 10 x 12.5 inches.
SKU: BR.OB-5273-27
ISBN 9790004332535. 10 x 12.5 inches.
SKU: BR.OB-5273-16
ISBN 9790004332504. 10 x 12.5 inches.
SKU: BR.OB-5291-27
Oh the tempi, how terrible! Dvorak often complained bitterly about tempi, and with good reason, as the respected Dvorak expert Klaus Doge discovered while preparing his edition of the Eighth.
ISBN 9790004337547. 10 x 12.5 inches.
Oh the tempi, how terrible! Dvorak often complained bitterly about tempi, and with good reason, as the respected Dvorak expert Klaus Doge discovered while preparing his edition of the Eighth.The composer's conducting score, which also served as the engraver's copy, has resurfaced again and offers sensational findings for performers. The copy contains an entire series of added tempo entries that were not all incorporated into the first edition. Doge's edition now sheds light into the previously misleading tempo markings. Breitkopf's new edition is also the first performing material to this key work of late-romantic orchestral literature that can be purchased in its entirety as sales material. Following the New World Symphony, the Slavonic Dances op. 46 and the Violoncello Concerto, Dvorak's fourth major orchestral work is now available in Breitkopf's customary high quality.Oh the tempi, how terrible! Dvorak often complained bitterly about tempi, and with good reason, as the respected Dvorak expert Klaus Doge discovered while preparing his edition of the Eighth.
SKU: BR.OB-5291-30
ISBN 9790004337554. 10 x 12.5 inches.