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Prelude To A Celebration (SPARKE PHILIP)
Concert band
[Score and Parts]
-
Intermediate/advanced
Anglo Music
Par SPARKE PHILIP. Philip Sparke a composé cette oeuvre à l’occasion du 40e ...
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Par SPARKE PHILIP. Philip Sparke a composé cette oeuvre à l’occasion du 40e anniversaire de l’Orchestre d’Harmonie Izumiotsu City Band d’Osaka au Japon. La création a eu lieu le 19 novembre 2006 par la formation dédicataire sous la direction de Kazuyoshi Uemura. La composition débute avec un majestueux Lento, basé sur une fanfare d’ouverture, exposée par les trompettes. S’ensuit un Vivace virevoltant, qui reprend le thème initial sur un ostinato rythmique. Un changement de tonalité introduit la très ample ligne mélodique du trio, avant de reprendre le thème premier. Cette ultime reprise annonce la réexposition de la fanfare d’ouverture qui clôt l’oeuvre avec brio. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie
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Sad You Became Happy (GUIN FRANCOIS)
3 Trombones Ténor et 1 Trombone Basse 1 Piano 1 Co
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Par GUIN FRANCOIS. Une composition de François GUIN, de la collection 'LES FOUR...
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Par GUIN FRANCOIS. Une composition de François GUIN, de la collection 'LES FOUR BONES' - Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Trombones et Rythmique : 3 Trombones Ténor and 1 Trombone Basse 1 Piano 1 Contrebasse 1 Batterie - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 4 mn 05 s - Style Musical : Jazz, Pédagogique - Catégorie : Composition Originale - Compositeur : François GUIN - / Niveau : Intermédiaire à Avancé / Jazz, Pédagogique / Recueil / 3 Trombones Ténor et 1 Trombone Basse 1 Piano 1 Co
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Romances Sans Paroles Op. 102 No. 3 (MENDELSSOHN-BARTHOLDY FELIX)
2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Cha...
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Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Quintette - Instrumentation : 2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en Ut - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 1 mn 35 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en
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Romances Sans Paroles Op. 30 No. 2 (MENDELSSOHN-BARTHOLDY FELIX)
2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Cha...
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Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Quintette - Instrumentation : 2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en Ut - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 2 mn 10 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en
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Romances Sans Paroles Op. 30 No. 1 (MENDELSSOHN-BARTHOLDY FELIX)
Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Cha...
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Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 4 mn 15 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part
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Sonate (HINDEMITH PAUL)
Quintette à vent
[Score and Parts]
-
Intermediate/advanced
Schott
Par HINDEMITH PAUL. Paul Hindemiths Sonaten gehören in das Repertoire vieler In...
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Par HINDEMITH PAUL. Paul Hindemiths Sonaten gehören in das Repertoire vieler Instrumentalisten. Da Hindemith mit der Kleinen Kammermusik für Bläserquintett nur ein einziges Werk für diese Besetzung schrieb, lag nahe, eine seiner Sonaten dafür zu bearbeiten. Paul Leonard Schäffer behält in seiner Bearbeitung der Sonate für Flöte den Solopart bei und verteilt die Klavierbegleitung auf die verbleibenden Instrumente. / Niveau : Intermédiaire à Avancé / Répertoire / Quintette à vent
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Symphonic March (SMETANA BEDRICH)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par SMETANA BEDRICH. / Niveau : 5 / Marche / Répertoire / Concert Band
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Toccata Festiva (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dut...
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Par VAN DER ROOST JAN. ‘Toccata Festiva’ was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the ‘Toccata Festiva’: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century). / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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Slavia (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. Jan Van der Roost originally composed each and every note...
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Par VAN DER ROOST JAN. Jan Van der Roost originally composed each and every note of ‘Slavia’ (as in case in ‘Puszta’, ‘Rikudim’ and ‘A Highland Rhapsody’). Consequently, ‘Slavia’ does not contain any arrangement of existing tunes, but is an original composition ‘in the style of…’. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this ‘Slavonic Rhapsody’ a spell-binding experience to the very last note. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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Tequila
Concert band
[Score]
-
Intermediate/advanced
De Haske Publications
Arr. Masato Myokoin. Das bekannte Tequila wurde von Masato Myokoin für Blasorch...
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Arr. Masato Myokoin. Das bekannte Tequila wurde von Masato Myokoin für Blasorchester arrangiert. Die 'swingende' Bearbeitung verleiht Ihrem Konzert eine fröhliche, mexikanisch angehauchte Atmosphäre! / Niveau : 4 / Musique légère originale / Répertoire / Concert Band ou Harmonie
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The Kiss (SMETANA BEDRICH)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Arr. Wil Van Der Beek. Par SMETANA BEDRICH. / Niveau : 4 / Répertoire / Conce...
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Arr. Wil Van Der Beek. Par SMETANA BEDRICH. / Niveau : 4 / Répertoire / Concert Band
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Symphonic Variations (DE HAAN JACOB)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par DE HAAN JACOB. This composition is based on a passacaglia theme, in which ar...
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Par DE HAAN JACOB. This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the 'Symphonic Variations' are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J. S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band
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Spirit Of Independence (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par VAN DER ROOST JAN. ‘Spirit of Independence’ was commissioned by the Koni...
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Par VAN DER ROOST JAN. ‘Spirit of Independence’ was commissioned by the Koninklijke Fanfare ‘Onafhankelijkheid’ (‘Independence’) from Wiekevorst (Belgium) on the occasion of its 25th anniversary. The piece depicts an enthusiastic amateur music club, practicing and making music together in an attentive and companionable atmosphere. The conductor has the good habit of trying to improve the sound of the fanfare by means of practicing chorales and hymns. Jan Van der Roost has used these facts in the dynamic concert piece ‘Spirit of Independence’: a chorale-like middle section is surrounded by music bubbling full of energy. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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The Enemy God And The Dance Of The Spirits (PROKOFIEV SERGEI)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par PROKOFIEV SERGEI. The Russian ballet director Sergei Diaghilev commissioned ...
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Par PROKOFIEV SERGEI. The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being 'uncivilised'. Prokofiev himself wrote after this first performance '. . . The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, createdby the blaring brass, on account of his sick wife and three children. . . '. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Wings (SWERTS PIET)
Concert Band ou Harmonie et Piano
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par SWERTS PIET. Wings (“Les ailes”) est une flânerie aérienne d’une gra...
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Par SWERTS PIET. Wings (“Les ailes”) est une flânerie aérienne d’une grande expressivité à travers trois espaces sonores. La structure de ce concerto pour Piano et Orchestre d’Harmonie est traditionnelle dans sa forme (une sonate en forme libre ; une romance ; une toccata). / Niveau : 6 / Pièce de concert / Date parution : 1905-06-25/ Répertoire / Concert Band ou Harmonie et Piano
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The Abduction From The Seraglio (MOZART WOLFGANG AMADEUS)
Concert band
[Score]
-
Intermediate/advanced
De Haske Publications
Die Entführung aus dem Serail. Par MOZART WOLFGANG AMADEUS. Zu Mozarts Lebzeite...
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Die Entführung aus dem Serail. Par MOZART WOLFGANG AMADEUS. Zu Mozarts Lebzeiten war Die Entführung aus dem Serail die erfolgreichste Oper außerhalb Wiens und noch heute wird sie oft gespielt. Tohru Takahashi schuf ein lebendiges Arrangement der Ouvertüre in der ursprünglichen Tonart C-Dur. Wenn Ihr Blasorchester über Schlaginstrumente aus der türkischen Musik verfügt, können Sie damit den Klang noch ausschmücken. Ein großes klassisches Meisterwerk, das nun auf die Interpretation Ihres Blasorchesters wartet. / Niveau : 5 / Répertoire / Concert Band ou Harmonie
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The Abduction From The Seraglio (MOZART WOLFGANG AMADEUS)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Die Entführung aus dem Serail. Par MOZART WOLFGANG AMADEUS. “Wonderful! But, ...
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Die Entführung aus dem Serail. Par MOZART WOLFGANG AMADEUS. “Wonderful! But, aren’t there too many notes?” asked the emperor Joseph II. “No, all notes are necessary. This is new music, ” replied Mozart. This is a famous anecdote about the premiere of the opera Die Entführung aus dem Serail (The Abduction from the Seraglio), which took place on July 16, 1782 at the Burgtheater Wien (Vienna). It illustrates Mozart’s ambition and self-confidence. Throughout Mozart’s lifetime, Die Entführung aus dem Serail was his most successful work outside of Vienna. It is still a much-performed opera. Tohru Takahashi has made a lively arrangement of the overture in its original key, C major. It will sound even better if your band has Turkish percussioninstruments at its disposal. / Niveau : 5 / Répertoire / Concert Band
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Yamanobe No Michi (SAKAI ITARU)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par SAKAI ITARU. “Yamanobe no Michi” (road at the foot of a mountain) is loc...
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Par SAKAI ITARU. “Yamanobe no Michi” (road at the foot of a mountain) is located east of the Yamato basin. It is the oldest road in Japan and is about 35km (21. 5 miles) long. The oldest market and positions used for trading merchandise over the centuries are found along this road. While composing this work the composer visualised the activity along “Yamanobe no Michi” imagining the solemn procession of the aristocracy, as well as the chaos that traffic often presents. He also kept in mind the tumultuous history that this road has seen and still represents today. / Niveau : 5 / Marche / Répertoire / Concert Band ou Harmonie
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The Book Of Urizen (DE HAAN JACOB)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par DE HAAN JACOB. The Book of Urizen is a work for concert band, solo soprano, ...
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Par DE HAAN JACOB. The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one, and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion, ” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together. ” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals. ” His vision is rejected, and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury, ” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep, ” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In the second movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world. ” Orc is fed at Enitharmon’s breast, which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race. The Web, third movement of The Book of Urizen is now available: DHP 1125252 / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Whispering Wind (AULIO MAXIME)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par AULIO MAXIME. « N’écoutez les conseils de personne, sinon du vent qui pa...
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Par AULIO MAXIME. « N’écoutez les conseils de personne, sinon du vent qui passe et nous raconte l’histoire du monde. » Claude Debussy / Depuis la nuit des temps, le vent a toujours occupé une place importante dans les civilisations. Dieu vénéré ou égérie des poètes, force motrice ou messager aérien, il emprunte toutes les formes, selon les peuples ou les époques. Les chemins du vent sont ceux qui ne sont pas tracés d’avance ; ils nous racontent mille histoires venues d’ailleurs. Les murmures du vent sont les sentiers diaphanes de l’âme, les couleurs de l’éphémère, la poésie des sons. Avec Claude Debussy, la musique écoutait les voix de la nature et l'imagination retrouvait auprès d'elleses droits primitifs. Chaque instrument semblait fait d’impressions et de suggestions. La partition cessait d'être développement pour devenir enveloppement. C’est cette sensibilité toute française que Debussy contribua à façonner, que nous retrouvons dans Whispering Wind (“Les Murmures du Vent”) de Maxime Aulio. Des climats en suspens, des traits vaporeux, des couleurs lumineuses. Le vent caresse la toile, suggère, évoque seulement, mais avec une éblouissante précision. Le vent est une parole nomade qui voyage dans notre intérieur très longtemps. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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The Gipsy Baron (STRAUSS JOHANN (FILS))
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Overture 'Der Zigeunerbaron'. Par STRAUSS JOHANN (FILS). À mi-chemin entre l’...
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Overture 'Der Zigeunerbaron'. Par STRAUSS JOHANN (FILS). À mi-chemin entre l’opérette et l’opéra-comique, Le Baron tzigane de Johann Strauss renferme tous les ingrédients d’un succès annoncé : un livret romanesque à souhait, des idées musicales originales, des airs merveilleux et une adroite fusion entre les sublimes danses viennoises et les rythmes pétillants de la musique hongroise. L’ Ouverture plonge le public dans l’univers musical du pays où se déroule l’intrigue : la Hongrie. / Niveau : 4 / Transcription / Répertoire / Concert Band ou Harmonie
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Stonehenge (VAN DER ROOST JAN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Arr. Tohru Takahashi. Par VAN DER ROOST JAN. Dans le sud-ouest de l’Angleterre...
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Arr. Tohru Takahashi. Par VAN DER ROOST JAN. Dans le sud-ouest de l’Angleterre, se dresse, depuis plus de 3 500 ans, un impressionnant cercle de blocs de grès. En dépit de multiples recherches et calculs scientifiques, on ne connaît toujours pas la signification exacte de ce site. Au fil des siècles, de nombreuses suppositions et spéculations ont été avancées quant à la fonction de Stonehenge, lieu de cérémonies religieuses, lieu de rituels et d’adoration, mais aucune de ces hypothèses n’a pu être démontrée de façon probante à ce jour. Actuellement, on s’accorde à penser que Stonehenge est un calendrier géant. La disposition particulière des blocs permet d’observer le lever du soleil ou le coucher de la lune, de prédire lessolstices d’été et d’hiver, de déterminer les positions de la lune à travers les diagonales, etc. En résumé, ce mystérieux monument de pierre permet d’observer les changements de saison. Stonehenge est une mise en musique d’images et d’impressions atmosphériques ; un paysage sonore dont la trame ne suit aucun scénario précis, mais dont les images sont réelles. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band
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Sinfonia (YAGISAWA SATOSHI)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Par YAGISAWA SATOSHI. English-German-French-Dutch / Niveau : 5 / Pièce de con...
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Par YAGISAWA SATOSHI. English-German-French-Dutch / Niveau : 5 / Pièce de concert / Date parution : 1905-06-28/ Répertoire / Concert Band
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The Banquet Of Light (SAKAI TAKAMASA)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Concert March. Par SAKAI TAKAMASA. Concert March / Niveau : 4 / Date parution ...
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Concert March. Par SAKAI TAKAMASA. Concert March / Niveau : 4 / Date parution : 1905-06-28/ Répertoire / Concert Band
168.10 EUR - Sold by LMI-partitions
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Seaside Road (SAKAI ITARU)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Concert March. Par SAKAI ITARU. Cette marche du jeune compositeur japonais Itaru...
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Concert March. Par SAKAI ITARU. Cette marche du jeune compositeur japonais Itaru Sakai débute avec fougue. La musique s’apaise et le ton devient plus léger. Le solo de clarinette basse à la fin du trio reprend le matériel thématique exposé précédemment par les euphoniums. Après ce passage fluide et calme, la mélodie se développe et s’intensifie pour aboutir à un vif tutti, qui trouve son aboutissement dans un court solo de piccolo menant à un finale majestueux. / Niveau : 4 / Marche / Répertoire / Concert Band
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The King's Swing (BLANKEN JOHN)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Swing it William!. Par BLANKEN JOHN. The King's Swing basiert auf der niederlän...
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Swing it William!. Par BLANKEN JOHN. The King's Swing basiert auf der niederländischen Nationalhymne Wilhelmus. John Blanken präsentiert diese aber zur Abwechslung in einem völlig neuen Gewand als Swingnummer. Blankens Werk enthält eine Reihe verschiedener Elemente: die rhythmisch angepasste Melodie, einen Walking Bass, eine Gegenstimme und eine rhythmische Begleitung. Eine witzige Idee, gekonnt umgesetzt in ein Blasorchesterstück, das überzeugen wird! / Niveau : 4 / Musique légère originale / Répertoire / Concert Band ou Harmonie
119.30 EUR - Sold by LMI-partitions
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Summertime (GERSHWIN GEORGE)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Arr. Toshio Mashima. Par GERSHWIN GEORGE. Porgy and Bess a été écrit en 1935 ...
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Arr. Toshio Mashima. Par GERSHWIN GEORGE. Porgy and Bess a été écrit en 1935 par le compositeur américain George Gershwin (1898-1937). Cet opéra noir, dont l’action se situe dans le pittoresque quartier noir de Catfish Row, à Charleston en Caroline du Sud, fait une large place au blues et au spiritual. Summertime est devenu l’air emblématique de cette oeuvre ; un standard repris, par divers grands interprètes dont Barbara Hendricks et Ella Fitzgerald. Cette version pour Orchestre d’Harmonie est signée Toshio Mashima. / Niveau : 4 / Pop and rock / Date parution : 1905-06-30/ Recueil / Concert Band ou Harmonie
148.60 EUR - Sold by LMI-partitions
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Y.M.C.A. (MORALI JACQUES)
Concert band
[Score and Parts]
-
Intermediate/advanced
De Haske Publications
Arr. Naoyuki Honzawa. Par MORALI JACQUES. Formé en 1977 par deux auteurs et pro...
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Arr. Naoyuki Honzawa. Par MORALI JACQUES. Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y. M. C. A. , le groupe connaît un succès mondial et devient emblématique de la musique disco. / Niveau : 4 / Pièce de concert / Date parution : 1905-07-01/ Répertoire / Concert Band ou Harmonie
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The Seventh Night Of July (SAKAI ITARU)
Quintette de Cuivres
[Score]
-
Intermediate/advanced
De Haske Publications
Brass Quintet version by the composer (Op. 7bis). Par SAKAI ITARU. Brass Quintet...
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Brass Quintet version by the composer (Op. 7bis). Par SAKAI ITARU. Brass Quintet Version By The Composer (Op. 7Bis) / Niveau : 5 / Répertoire / Quintette de Cuivres
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To Notice Such Things (LORD JON)
Flûte Traversière, Piano et Orchestre à Cordes
[Study Score / Miniature]
-
Intermediate/advanced
Schott
Suite For Flute Solo, Piano and String Orchestra. Par LORD JON. / Niveau : 4 /...
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Suite For Flute Solo, Piano and String Orchestra. Par LORD JON. / Niveau : 4 / Répertoire / Flûte Traversière, Piano et Orchestre à Cordes
42.40 EUR - Sold by LMI-partitions
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2581
MUSIC GENRES
AFRICAN
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