Selected pieces and traditional songs in five volumes-The five-volume ABRSM Songbook series offers singers and their teachers an unrivalled choice of core repertoire that will provide the bedrock for many years of rewarding vocal study. This series features: Over 1000 art songs drawn from Grades 1-5 of the Associated Board's Singing syllabus. A massive range of repertoire from the Medieval to modern musicals - many in practical new editions. Irresistible new arrangements by Carol Barratt of eighteen classic songs. A rich collection of sixty authentic unaccompanied traditional songs sourced from around the world. English singingtranslations for every non-English-language song - many newly-commissioned. Useful notes on the songs containing background information and performance suggestions. CDs of Piano accompaniment to all the art songs performed by Simon Lepper as well as recordings of the text to every song performed by native speakers.

Repertoiresammlung herausgegeben von Peter Anton Ling. Par . The Three Tenors Are Coming On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes. ?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling, editors) OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2023-03-11/ Recueil / Tenor et Piano

An Introduction to Repertoire. This series of five book/online audio access packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert and Sullivan. Each book includes a unique code for access to professionally-recorded pronunciation lessons and piano accompaniments. Contents: ARNE: When daisies pied · DOWLAND: Come again, sweet love · Flow my tears · Weep you no more, sad fountains · PURCELL: If music be the food of love · Nymphs and Shepherds · QUILTER: Fair House of Joy · It was a lover and his lass · Love's Philosophy · VAUGHAN WILLIAMS: Silent Noon · BIZET: Ouvre ton coeur · FAURE: Clair de lune · Mandoline · MARTINI: Plaisir d'amour · BRAHMS: Immer leiser wird mein Schlummer · MOZART: Als Luise die Briefe ihres · Ungetreuen Liebhabers verbrannte · SCHUBERT: An die Nachtigall · SCHUMANN: Du Ring an meinem Finger · RICHARD STRAUSS: Zueignung · BELLINI: Dolente immagine di Fille mia · DONAUDY: O del mio amato ben · SCARLATTI: Cara e dolce · STRADELLA: Se nel ben sempre incostante · DE FALLA: El pano moruno · GRANADOS: La maja dolorosa (2) · MOZART: Voi che sapete · GLUCK: Che faro senza Euridice · SULLIVAN: When Frederic Was a Little Lad · VIVALDI: Qui sedes ad dextram Patris

Soprano. This series of 5 book/online audio packs is an introduction to art song in English French German Italian and Spanish. Each volume has a different song list and includes 30 selections in appropriate keys. Beyond art song each collection includes two carefully chosen opera arias an oratorio aria and an operetta aria by Gilbert and Sullivan.

The Vocal Library. An excellent collection of 34 songs especially useful in teaching students. This collection is a good alternative or companion to the standard Baroque Italian songs and arias. Now with recorded accompaniments by pianist Laura Ward.

Classical Songs for Young Women High Voice Edition. 24 songs chosen not only for the vocal ability of pre-teens and young teens but also for the tastes and sensibilities of this age group. All songs are in English. Contents: An April Girl (Fairlamb) Boats of Mine (Miller) Care Flies from the Lad That Is Merry (Arne) Daddy's Sweetheart (Lehmann) Does He Love Me or Love Me Not' (Sterling) The Fairy Pipers (Brewer) Four and Twenty Snowflakes (Stickles) Heigh-Ho! The Sunshine (Phillips) Her Dream (Waller) Ho! Mr. Piper (Curran) Kitty of Coleraine (Irish) The Leaves and the Wind (Leoni) The Linnet's Secret (Rowley) Little Maid of Arcadee (Sullivan) The Minuet(Mosenthal) Molly Malone (Irish) My Daffodils (Berwald) Nursery Rhymes (Curran) The Secret (Speaks) 'Tis Spring (Ware) To My First Love (Löhr) Violets (Woodman) The Wind (Spross) You'd Better Ask Me (Löhr).

This is a collection of the most famous songs of Fauré. Diction lessons were recorded by coach conductor and diction specialist Pierre Vallet. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in French in the slow versions as recommended for classical singers. He is also very sensitive to liaisons between word sounds in musical settings.

Vol. 1 Avec Cd. A la demande de nombreux professeurs de chant, nous proposons ce recueil pour soprano qui comprend des airs, lieder et mélodies très connus, pour la plupart, dans des tessitures confortables. Les étudiantes pourront ainsi posséder un outil de travail pour plusieurs années*. La nouveauté réside dans les réductions pour piano qui sont revues par Bruno Gousset, et souvent plus près de la richesse de l'orchestration que dans les éditions plus anciennes (les pianistes pouvant, le cas échéant simplifier à vue). Certains morceaux sont baissés d'un 1/2 ton (415) ou d'un ton (390) comme cela se pratique souvent dans les ensembles de musique ancienne. Les récitatifs sont ajoutés quand ils sont intéressants et utiles au sens du texte qui suit. Ils sont souvent demandés dans les auditions. Il faut apprendre à les interpréter avec une juste expression - on notera que dans le style italien, on ne tient pas compte des silences lorsqu'ils ne sont pas accompagnés d'une ponctuation dans le texte. Pour finir, on peut dire que ces oeuvres classiques ont perduré jusqu'à nos jours grâce à leurs vertus inépuisables que l'on peut comparer à 'ces pièces d'or... dont on ne finit jamais de rendre la monnaie.' (Bergson). Elles ont traversé le temps en gardant une jeunesse éternelle. / classique / Recueil / Chant