Par HAHN. Composed by Reynaldo Hahn, Romance In A Major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting 'Très modere' with the main theme, the piece later become quieter 'calme' with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, healso wrote many pieces and melodies for different instruments./ Répertoire / Violon et Piano

16 Famous French Pop Songs. Par GERLITZ CARSTEN (Arr.). Paris, the city of love and lovers: Sacré-Coeur, Place Pigalle, Pont Neuf - there is hardly any other city that is as associated with love as the metropolis on the Seine. Numerous romantic and melancholy love songs from France are played and sung everywhere. The most popular of them have now been selected and made into easy arrangements by Carsten Gerlitz in the tenth volume of the successful Schott Piano Lounge series. All pieces have been beautifully arranged and are provided as downloadable MP3 tracks, accessed with the voucher code provided in the volume. Play a 'Chanson d'amour' to the person you love in a language that is understood by everyone: music! / Niveau : Facile - Intermédiaire / Date parution : 2022-02-12/ Recueil / Piano

Par GORDON ANDREW D.. Country Riffs For Piano and Keyboards by Andrew D. Gordon is a book with 45 examples showing how to play professional sounding country, western swing, bluegrass, honky tonk, blues, country rock and country pop styles. Learn to play fills or riffs to such country favorites as: Rocky Top, San Antonio Rose, On The Road Again, Desperado, Sweet Home Alabama, Orange Blossom Special etc. Country Riffs for Piano and Keyboards by Andrew D. Gordon is a book with 45 examples showing how to play professional sounding Country, Western Swing, Bluegrass, Honky Tonk, Blues, Country Rock and Country Pop styles. Learn to play fills or riffs to such Country favorites as: Rocky Top, San Antonio Rose, On The Road Again, Desperado, Sweet Home Alabama, Orange Blossom Special etc. The audio files are recorded with piano left hand on the left stereo channel and the piano right hand on the right stereo channel along with rhythm accompaniment of bass, drums, organ and either violin, banjo, guitar or accordion depending on the track. Allthe 45 examples are recorded with the accompaniment on their own and many of the examples are recorded a third time at a slowed down tempo. The Nashville Numbering System is also explained and how it is used in playing Country music./ Recueil / Piano ou Clavier

Enrich your playing with advanced jazz harmonies. This workbook will help you play with a contemporary jazz sound, interpret leadsheets, and use upper-structure triads to expand your comping palette. By considering tensions in terms of upper-structure triads, you will develop an organized and intuitive means of using more advanced structures in your playing. These practical exercises and concise descriptions will help you develop your sight-comping and create full and colorful voicings for all chord types. The accompanying audio lets you hear and practice these techniques with a jazz quartet. / Clavier

Learn to play your favourite Film & T. V Themes with backing tracks. The book contains carefully selected and edited top line arrangements and chord symbols. Also includes fingering charts and a guide to notation. The CD contains full backing tracks professionally arranged and recorded, and full demonstration tracks to help you learn the songs. Discover The Lead is an integrated series of easy arrangements. In each edition all the songs are in the same concert pitch key, so the different instruments can play together. Suitable for players Grades 1-2 standard. / TV, Film, Comédie musicale / Recueil / Flûte Traversière et Piano

Hammerklavier. Par BEETHOVEN LUDWIG VAN. “Here’s a sonata that will challenge pianists and that one will be able to play in 50 years”: thus Beethoven is said to have written to his publisher Artaria regarding his mighty “Hammerklavier” Sonata Op. 106. Given its monumental scale and extreme musical and pianistic demands, the term “Grande Sonate” seems almost an understatement. Dedicated to Archduke Rudolph of Austria, this sonata is famous not least for the seemingly unplayable autograph metronome marks in the opening movement and final fugue – a matter on which the editor offers a new explanation. Nothing is uncomplicated in this pinnacle of the classical-romantic piano sonata, composed in “adversecircumstances” from 1817 to 1819. Even the sources pose supreme editorial challenges. Urtext edition with the latest musicological findings Detailed Critical Commentary and source descriptions (Eng) Informative Introduction and valuable notes on central issues of period performance practice (Ger/Eng)/ Répertoire / Piano

Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY FELIX. (replaces BA 9050-90) Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano

Par MOMPOU FEDERICO. Composed by Federico Mompou, Preludes Pour Piano is a set of four pieces with two hands for upper intermediate players. It covers the Preludes n° 1 to 4 written in 1928. Each of these preludes is written on one to four pages and can be played separately. The first one is short, to be played like a romance, with chords only. The second one lasts longer and features distinctive parts, starting with an energetic section followed by a sudden musical burst, the rest of it being slower until the animated close. The third prelude is quite slow and very expressive while the last piece of this book is quite short and simple. Federico Mompou was a Spanish pianist and composer. He composed numerous pieces for Piano and some songs./ Répertoire / Piano

Par DEHNHARD TILMANN. Tilmann Dehnhard’s “A String of Thoughts” is a challenging new work for flute and piano. It makes use of several modern playing techniques covered in Dehnhard’s book “The New Flute” and also those touched upon in his previous publication “Flutebeatboxing”. Glissandi, sing-and-play, bisbigliandi and reverse sound are all included, along with some thought-provoking ideas for the pianist! Students with a good grasp of conventional technique will relish the chance to get to grips with these new ideas or perhaps use the piece for college entry audition. / Date parution : 2023-03-21/ Répertoire / Flûte et Piano

27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Pop & rock / Recueil / Violon et Piano

Par . ?Showpieces? provide opportunities for pianists to display their skills and elicit the ?Wow!? response from an audience. The anticipation of acquiring virtuosity is highly motivating for piano students because there is a special thrill in experiencing the sound and feel of playing showpieces, as well as having the admiration of listeners! The music of Ovation, Books 1 and 2 was selected with this in mind. Book One, for the intermediate grades, provides initial experiences for developing a virtuoso technique, with music by Schubert, Burgmu¨ller, Heller, Schytte, MacDowell, Pieczonka, and Villa-Lobos. / Date parution : 2022-11-08/ Recueil / Piano

Feel the magic of love and romance in a selection of the most famous and well-loved pop-ballads by Robbie Williams, Sting, Cat Stevens, Ronan Keating, John Lennon, Joshua Kadison and others! With easy-to-play pieces and an accompanying CD with all pieces played by the author, this book is great fun for you and your audience! / Arrangement : Carsten Gerlitz / Partition CD /

Concerto no. 2 in c minor op. 18 for Piano and Orchestra. Par RACHMANINOV SERGEI. Rachmaninoff's legendary Opus 18, often lovingly referred to as Rach 2,” is for many the epitome of the Romantic piano concerto. Following its acclaimed premiere in Moscow in 1901, it proved to be a show-stopper around the globe, finally helping cement Rachmaninoff's international reputation as a composer. To this day, the concerto's enchanting themes and elegiac melodies in the strings are considered the trademark of Rachmaninoff, indeed, of Russian music in general. For the first Urtext edition of this pivotal work, we were able to examine the original autograph score in Moscow's Glinka Museum. Rachmaninoff's own sound recordings were also consulted. The newly prepared pianoreduction ensures good playability: it accords exactly with the also newly edited orchestral score and parts. Both of these are available from Breitkopf and Härtel. / Classique / Répertoire / Piano 4 Mains