SKU: HL.287859
9.0x12.0x0.636 inches.
Sonatas and quartets aren't my thing. Armed with this self-knowledge, composer Isabelle Aboulker placed singing at the heart of her creative activity and garnered huge success in a variety of genres such as oratorio (The Man who Staggered Through War, 1997), comic opera (Monsieur de Balzac fait son theatre, 1999), childrens tales (Douce et Barbe Bleue, 2002) and the theatrical adaptationof narrative works (Une fille quon appelle Boule de suif, 2014). Isabelle Aboulker also devotes much attention to melody, as can be seen in this collection presenting a few of her most enchanting successes. Her prosodic clarity and focus on the power of words crystallises a musical legacy that stretches from Rameau to Poulenc.This anthology of melodies for voice and piano - most of which are written for all voices - is delightfully eclectic: the melancholyperfume of the Lettre damour sits beside the unnerving eeriness of the merchant of souls (Au marche de Saint-Paul), while the limpid music of the La Fontaines Fables contrasts with the fever that animates Je taime, a passionate vocalise dedicated to Patritica Petibon. A subtle, sensitive art that enchants all who lend an ear.
SKU: BR.EB-8873
ISBN 9790004184639. 9 x 12 inches. German / English.
,,Una voce poco profonda: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8871
Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.
ISBN 9790004184615. 9 x 12 inches. German / English.
Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for downloadOne of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).
SKU: BR.EB-8872
ISBN 9790004184622. 9 x 12 inches. German / English.
SKU: BA.BA07572
ISBN 9790006502431. 27 x 19 cm inches. Text Language: English. Preface: Graham Buckland.
This edition offers exciting arrangements that have never before appeared in print, written in an authentic idiom for three-part women's or girls' choir with piano accompaniment. The spirituals can also be performed without piano, with the lead melody always in the upper voice.All the arrangements can be combined with the already published edition “64 Spirituals a cappella†(BA 7574) which is for SATB. To give you an example: a children's choir working with our new edition can appear with a mixed chorus that has already mastered the SATB settings. In addition twelve of the arrangements can be enhanced by instrumental accompaniments. These are to be found in the “Spirituals†edition (BA 6699) of our “ComboCom†series which offers flexible instrumental settings. The authorGraham Buckland is the music director of Regensburg University, Germany. Before then he held various leading positions at theatres and colleges in Germany and the Czech Republic. He has founded and headed a number of ensembles, demonstrating a very broad musical range that also finds expression in his compositions and publications for chorus, piano, and orchestra.
