from Gianni Schicchi. Par PUCCINI GIACOMO. En 1918, Giacomo Puccini compose l’opéra Gianni Schicchi. O mio babbino caro est le superbe air chanté par Lauretta, fille de Gianni Schicchi, personnage central de l’opéra. L’orchestration est splendide, la mélodie est empreinte d’un lyrisme poignant. Idéale pour développer le sens du phrasé, la justesse et l’équilibre entre les différents pupitres, O mio babbino caro dévoile la richesse et la finesse de la palette sonore du Brass Band. / Niveau : 3 / Musique pour célébration / Répertoire / Brass Band

from Gianni Schicchi. Par PUCCINI GIACOMO. En 1918, Giacomo Puccini compose l’opéra Gianni Schicchi. O mio babbino caro est le superbe air chanté par Lauretta, fille de Gianni Schicchi, personnage central de l’opéra. L’orchestration est splendide, la mélodie est empreinte d’un lyrisme poignant. Idéale pour développer le sens du phrasé, la justesse et l’équilibre entre les différents pupitres, O mio babbino caro dévoile la richesse et la finesse de la palette sonore de l’Orchestre d’Harmonie. / Niveau : 3 / Musique pour célébration / Répertoire / Concert Band ou Harmonie

Ce document, unique par son ISBN 9790041401256 a été conçu par Puccini Giacomo et a pour titre CANTOLOPERA: PUCCINI GOLD. Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Par PUCCINI GIACOMO. Puccini wrote the short Requiem – actually the setting of the antiphon to the Introit of the Mass for the Dead – as a commission for the publisher Giulio Ricordi for the fourth anniversary of the death of Giuseppe Verdi, which occurred on 27 January1905. Today the work is often performed, since this setting for three voices can be easily performed by amateur choirs and requires only a viola and a harmonium [or organ] as accompanying instruments. / Requiem / Répertoire / Choeur STB, Alto Solo et Orgue

Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number – pages that were later removed, in order to make space for the new material produced for Le Villi– are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI

What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI

Giacomo Puccini's famous aria O Mio Babbino Caro (O My Beloved Father) from his one act opera Gianni Schicchi for Soprano (in F Major) and Piano accompaniment.

Martin Banner has provided the choral profession with so very many unique classical gems. His editions are scholarly in every way. Giacomo Puccini Great-great Grandfather of the opera composed this work for double choir and keyboard/instrumental ensemble. Try it in concert or worship settings.

Paperback-Giacomo Puccini's Behold The Royal Banners Go (Vexilla Regis) for two-part men's chorus and organ or harmonium.

Giacomo Puccini furthered his reputation as one of the leading figures in Italian opera when he composed one of the world's most popular operas 'Madame Butterfly' to a libretto by Luigi Illica and Giuseppe Giacosa based on the book by John L. Long and the drama by David Belasco. The inspiration for the plot came from an American play by David Belasco which captured the composer's immediate interest when he saw it in London. Based on the heartbreak of Madama Butterfly a 15-year-old Japanese girl who abandons her people and her religion in a marriage to Pinkerton a United States Naval Lieutenant and in a conversion to Christianity the work undoubtedly had greater meaning toits American audiences following the occupation of U.S. troops in Asia during the mid- and late-twentieth century. The story of 'Madame Butterfly' also recently inspired Boubill and Schonberg's musical 'Miss Saigon'.This is the Schirmer edition of the Vocal Score in the original Italian with an English translation by John Gutman.

Servi, Luigi De (Illustr.)Puccini, Giacomo (Trad.). oil on canvas [Servi, 1903], Lucca/ Répertoire / Carte Postale

on Themes of Giacomo Puccini. Par PALLHUBER HERMANN. / Niveau : 6 / Répertoire / Brass Band