Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano

Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano

Per Clarinetto, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Clarinette, Violoncelle et Piano

A viola method for children-For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication.The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter published the four books for Cello in 2009 and now presents the four books for Viola in a newly adapted version for today's English speaking children.What makes this Viola method so unique?Large print notes and texts as wellas many colourful illustrations are ideal for pre-school as well as school children.Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.Advanced viola techniques such as varied bow strokes and shifting are introduced in a basic form.

First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in First Position for Viola and Piano or Two ViolasViola Recital AlbumVolumes 1-4 (BA8990-BA8993)These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a secondviola part allows duet playing with the teacher during lessons. The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on the Viola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.New pieces to supplement the Sassmannshaus Viola methodAll pieces in first positionInclude an additional viola part for duet version and a piano accompaniment

Frank Bridge wrote these three light-hearted and fairly easy String Quartets for the English String Quartet of which he was a member to play at the Annual General Meeting of the Royal College of Music Union in 1904. Accessible for advanced school students they are published with the kind permission of the Frank Bridge Trust and transcribed from the original manuscript.

A grim commentary on the contemporary Middle East Lamentation and Satire is in the composer's words born out of a reaction to a part of the world that is over the edge. Advanced Level.

An addition to the Viola Time series for young viola players this book provides viola accompaniments to all of the pieces in Viola Time Joggers. The duet part is suitable for a teacher or more advanced student and this new duet book will enhance lessons by providing an alternative accompaniment option for these popular pieces.

Par CUYVERS GUY. Guy Cuyvers is a very versatile musician. As a classical guitar player he has been acclaimed by Angel Romero and the international press unanimously praises his film scores. After graduating at the Royal Flemish Conservatory in Antwerp and supplementing his training in guitar, advanced composition and orchestra conducting at The American University in Washington D.C., Guy received his Master of Arts at the LUCA School of Arts. As a composer, Guy wrote several books for classical guitar and film music for Warner Bros. Besides writing for film and guitar, he composed numerous works in all domains of music. For more information on Guy Cuyvers: www.guycuyvers.com / Date parution : 2022-11-29/ Répertoire / Quatuor à Cordes

Sevcik Viola Studies-Exercises in position changes and scales throughout 3 octaves for relatively advanced pupils. Tbhe Sevcik Viola Studies are a superb collection of exercises to help develop a students' bowing style accuracy rhythms and wrist speed/strength.

Continues with elementary material but presenting slightly more advanced exercises and pieces introducing third fourth and fifth positions.

Par LIEBMAN DAVID. For Bb soprano saxophone or clarinet and viola or Eb alto sax South Africa was originally written to feature the texture of the soprano saxophone with viola, the performance can be adapted to other instruments as indicated on the score or others within the written range. Although the piece is not specifically by African music, it is dedicated to Nelson Mandela upon his release from prison. The writing alternates between counter and synchronized lines - the same is true for other pairings such as dissonance/consonance, changing tempos and dynamics. The challenge is to get the piece to flow through these many shifts of texture. Towards the conclusion there is some space (optional) for improvising using the suggested written notes and intervals as the source material for both instruments. Medium advanced/ Répertoire / Saxophone Soprano (Clarinette ou Violon) et Alto

There has long been a need for a comprehensive book of elementary intermediate and advanced scales for the Viola. Since the Hrimaly scale studies filled a similar need in the Violin repertoire these scales transcribed and edited for the Viola should effectively fill a void in the Viola literature.