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Schindlers List Album (La liste de Schindler)
33.06
Schindlers List Album (La liste de Schindler)
Piano seul
Hal Leonard
FilmMusik zum bewegenden und oskarprämierten film de Spielberg mit acht chanson...
(+)
FilmMusik zum bewegenden und oskarprämierten film de Spielberg mit acht chansons, z.B. J'aurais pu faire plus, faire la liste und thème de la liste de Schindler. / Piano
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Audrey Snyder John Jacobson: A Midsummer Night's Dream: Mixed Choir: Vocal Score
23.99
Audrey Snyder John Jacobson: A Midsummer Night's Dream: Mixed Choir: Vocal Score
[Vocal Score]
Hal Leonard
“Greetings lords and ladies! I William Shakespeare will be your host th...
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“Greetings lords and ladies! I William Shakespeare will be your host this evening and I have a special treat for my thespian friends! You are about to be transported to a land of kings and queens fairies and nymphs music and madrigal and most of all trickery and love for love can happen in the strangest ways especially on a Midsummer Night! Intimidated by the idea of producing a Shakespeare musical play? Nonsense with this new version even I'm a piece of cake! You will create an educational and artistic experience your cast and audiences will never forget. I've made it very easy for you!” Experience Shakespeare like never before in this fresh newrendition of the old classic. Designed for grades 6-9 this full-length 60-minute production features five acts with eight original songs in a variety of musical styles from madrigal to rap arranged for 3-Part Mixed withsuggestions for 2-Part Treble voices. The expanded script involves ten major speaking roles several minor speaking parts and numerous opportunities for non-speaking group involvement. The Director's Guide includes excellentstaging and interpretation notes throughout the script piano/vocal song arrangements plus additional production set and costume hints for a successful experience from start to finish. The Libretto/Vocal book features script andvocal parts for your aspiring young actors. Available separately: Director Guide Libretto/Vocal 5-Pak Preview CD (dialog not recorded) Preview Pak (1 Libretto/Vocal 1 Preview CD) Performance/Accompaniment CD (dialog notrecorded) Performance Kit/CD (1 Director 20 Libretto/Vocal P/A CD). Duration: ca. 60 minutes. Suggested for grades 6-9.
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Edward Elgar: Cello Concerto Miniature Score: Cello: Score
34.99
Edward Elgar: Cello Concerto Miniature Score: Cello: Score
Violoncelle
[Partition]
Novello & Co Ltd.
Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a co...
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Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.
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Giles Swayne: The Tiglet: SATB: Vocal Score
3.99
Giles Swayne: The Tiglet: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Chester
Written by Giles Swayne in 1995 based around the poem ' The Tiger' by Willi...
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Written by Giles Swayne in 1995 based around the poem ' The Tiger' by William Blake . The work is for SATB choir and SSSATB soloists. A separate line for hands and feet is included on the score with fingerclicking and foot stomping adding to the percussive feel of the work.This is the full score showing all vocal parts and the body percussion line. ...African influences are also felt in Swayne’s Blake setting The Tiglet which bristles with foot stamping finger clicking and sharp vocal projectiles... Robert Levett International Record Review 01 February 2007The Tiglet (part of Swayne's work The Tiger) features some 'wild syllabic interjections half sung and half shouted' which have to be heard to be believed!Church Music Quarterly 01 December 2006 Listen to a sample here
3.99 GBP - vendu par Musicroom GB
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Leslie Bricusse: Pure Imagination: a sorta biography: Biography
27.00
Leslie Bricusse: Pure Imagination: a sorta biography: Biography
Faber Music Limited
The life and good times of one of the world?s favourite songwriters. If you?ve e...
(+)
The life and good times of one of the world?s favourite songwriters. If you?ve ever hummed a popular film or stage song from the mid-1950s on the chances are you?ve been humming one of Leslie Bricusse?s. The man behind songs such as Talk to the Animals Goldfinger Feeling Good and Pure Imagination has been celebrated throughout the music industry. The result is a string of awards to his name including a Grammy a couple of Oscars (as well as ten nominations) and eight Ivor Novellos. Bricusse?s story of talent determination and a little bit of luck will take you on a fascinating journey from humble beginnings through this hardestof businesses to dizzying heights. Over the years Bricusse has collaborated with a dazzling array of stage and screen stars including Rex Harrison Peter O?Toole Albert Finney Richard Attenborough Frank Sinatra Sammy Davis Jr Julie Andrews Roger Moore Liza Minelli and Peter Sellers and of course his sensational songwriting partnerships with Anthony Newley as well as with composers Henry Mancini John Williams and John Barry. ?Candid and hilarious you?ll devour Leslie Bricusse?s autobiography in one delicious sitting. His recall is amazing and I can vouch for the authenticity.? Joan Collins ?His catalogue of songs is enormous - his achievements endless.? Elton John ?The book made me laugh aloud so many times. I?m in awe that you have pulled off such a monumental feat.? Julie Andrews
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London College of Music Piano Anthology Grades 1 andamp; 2
12.97
London College of Music Piano Anthology Grades 1 andamp; 2
Piano seul
[Partition]
London College Of Music
These Piano Anthologies contain pieces which have been carefully selected from p...
(+)
These Piano Anthologies contain pieces which have been carefully selected from previous piano exam lists dating from 1988 to 2006. All of the pieces in these volumes have proved popular with piano students, teachers and listeners, and we are pleased to be able to make them available again in these new collections. Pieces from these anthologies may be chosen as List B and C pieces, allowing students to increase their choice of repertoire beyond the already extensive selection offered in the LCM piano repertoire lists for grade, recital grade and leisure play options. It is hoped that these anthologies will also be of interest to piano students generally. The range of styles broadly covers the late 18th century to the present. Some familiar pieces are present in these volumes, but they include pieces additionally from composers who have had a distinguished career in the role of teacher or student at LCM. Amongst the former are William Lloyd Webber and Martyn Williams, and amongst the latter are Nicholas Grace and John Guilfoyle, who now have eminent academic and professional musical careers. / Exams / Recueil / Piano
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Cornish Pastiche: Bassoon: Instrumental Album
12.50
Cornish Pastiche: Bassoon: Instrumental Album
Basson, Piano (duo)
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Intermédiaire
Spartan Press
Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself dow...
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Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Rockschool Bass Grade 3 (2018): Bass Guitar: Instrumental Tutor
19.99
Rockschool Bass Grade 3 (2018): Bass Guitar: Instrumental Tutor
Rock School Limited (RSL)
Learn to play rock and pop with Rockschool. These specially written arrangements...
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Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's 2018-2024 Bass series Rockschool have commissioned arrangements of titles reflecting popular music's rich heritage in all its forms and have tailored each piece to make it exactly right for the grade. You can also use titles from Rockschool's Classics series as part of the syllabus. The arrangements have been written and performed by top session musicians who have worked with some of the biggest names in rock metal and pop. The tracks were recorded at Real World's acclaimed recordingstudios and feature live instruments and first rate performances for an unrivalled level of feel authenticity and musicianship. Featuring: Maroon 5 - Moves Like Jagger The Beach Boys - Sloop John B Pharrell Williams - Happy James Brown - Sex Machine Dire Straits - Money For Nothing The Clash - London Calling 6 Rockschool Originals Plus: Band and artist fact files with recommended listening In-depth walkthroughs of every track Easy-access downloadable audio Example tests and exercises
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Invitation To The Madrigals Vol.2
8.60
Invitation To The Madrigals Vol.2
Stainer And Bell
Edited by Thurston Dart20 madrigals for SATB by Bateson, Bennet, Byrd, Campion, ...
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Edited by Thurston Dart20 madrigals for SATB by Bateson, Bennet, Byrd, Campion, Dering, Dowland, Edwards, Farmer, Farnaby, Ford, Jones, Morley, Peerson, Pilkington, Weelkes, Whythorne and Wilbye.CONTENTSBATESON, Thomas Phyllis, farewellBENNET, John Weep, o mine eyesBYRD, William Deo gratias Wounded I amCAMPIAN, Thomas Never weather-beaten sailDERING, Richard Dear love, be not unkindDOWLAND, John Wilt thou unkind?EDWARDS, Richard In going to my naked bedFARMER, John Fair Phyllis, I sawFARNABY, Giles Pearce did danceFORD, Thomas Since first I saw your faceJONES, Robert Farewell dear loveMORLEY, Thomas April is in my mistress' face Say gentle nymphs Since my tears and lamentingPEERSON, Martin Lock up fair lidsPILKINGTON, Francis Amyntas with his Phyllis fairWEELKES, Thomas Now every treeWHYTHORNE, Thomas I have ere this timeWILBYE, John Adieu sweet Amarillis
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Songs from Shakespeare's Plays: Melody Lyrics & Chords: Mixed Songbook
20.99
Songs from Shakespeare's Plays: Melody Lyrics & Chords: Mixed Songbook
Ligne De Mélodie, (Paroles) et Accords
Music Sales
and Popular Songs of Shakespeare's Time. Shakespeare's England comes alive once ...
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and Popular Songs of Shakespeare's Time. Shakespeare's England comes alive once again in this delightful and much needed collection of songs. Here are the words and music for 70 songs from Hamlet, King Lear, Twelfth Night, The Winter's Tale, Much Ado About Nothing, As You Like It, Othello, Romeo and Juliet, and several other plays, plus other popular songs of the time. Each song is chorded for guitar in the musical style of the Elizabethan era. Songs from Shakespeare's plays consist of songs whose texts were written by William Shakespeare: popular songs and ballads quoted or referred to by characters in the plays: songs of contemporary poets and musicians: and popular songs, folk songs, ballads, rounds and street cries known to have been current at the time and included to add to the overall setting in which Shakespeare wrote and performed. This is a practical, useful, and informal book, making no pretense to prove anything except, as editor Tom Kines says, that the songmakers of Shakespeare's time were a skillful lot and the combination of the golden flow of poesy with the silver flood of melody and harmony will perhaps never again be equalled.
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The Joy Of Second-Year Piano: Piano: Instrumental Tutor
12.99
The Joy Of Second-Year Piano: Piano: Instrumental Tutor
Piano Quintette: piano, violon, alto, violoncelle, contre basse
Yorktown Music Press
A method and repertory for late beginner to early intermediate piano.-The Joy Of...
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A method and repertory for late beginner to early intermediate piano.-The Joy Of Second-Year Piano is a method and repertory for late beginner to early intermediate pianists developed from the best-selling series by Denes Agay. Following on from the immensely popular First-Year book the numerous pieces have been carefully selected and are further supported by an opening tutorial section specially-written warm-up exercises and helpful written notes throughout.The Joy Of Second-Year Piano aims to provide competent beginners of all ages with the repertory and guidance to develop new skills as they reinforce fundamental techniques. Featuring progressive pieces with an emphasis on repetitionof learned skills the book can be worked through piece by piece or depending on the students' ability.The book includes well-known classical favorites by the most prominent composers and students will likely have heard many of these including William Tell Overture The Can-Can Für Elise and Vivaldi's Autumn among many others.
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A Modern Method For Guitar - Complete Method
62.50
A Modern Method For Guitar - Complete Method
Guitare
[Partition + Accès audio]
Hal Leonard
La William Leavitt Modern Method for Guitar (textes en anglais), utilisée comme...
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La William Leavitt Modern Method for Guitar (textes en anglais), utilisée comme base du programme de guitare du Berklee College of Music, a résisté à l'épreuve du temps et a obtenu un grand nombre d'adeptes parmi les étudiants et professeurs de guitare. À la demande générale, Berklee Press a créé une compilation des volumes d'origine (1, 2 et 3), y compris toutes les pistes audio et vidéo. À présent, les étudiants et les professeurs de guitare, de niveau débutant à avancé, auront l'avantage de progresser à travers les trois volumes de cette méthode de guitare classique dans un seul livre. La mélodie, l'harmonie et le rythme sont enseignés petit à petit par le biais de solos, duos et exercices innovants. Cette édition contient des fichiers audio et vidéo produits par les étudiants de William Leavitt, Charles Chapman et Larry Baione (successeur au président du département de guitare de Berklee), illustrant les exemples et proposant des pistes d'accompagnement pour les exercices d'ensemble.
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Paul Smith: On History (from A New World): Mixed Choir: Vocal Score
3.95
Paul Smith: On History (from A New World): Mixed Choir: Vocal Score
Chorale SATB
[Vocal Score]
Peters
VOCES8 singles series-An opening movement for SATB choir piano and timpani (wit...
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VOCES8 singles series-An opening movement for SATB choir piano and timpani (with solos for soprano tenor and alto). A calm opening leads to a dramatic conclusion with text by Cicero and Ovid in praise and recognition of their homeland. A New World is a musical story across five movements with texts by authors from Cicero and Ovid to George William Russel; from nursery rhymes to war poets. The music and texts link to form a narrative that questions what sort of ?New Worlds? have come into existence or could be created in our future and considers how we balance human traits of fear displacement isolation and conflict with equally human traits of love hope forgiveness and unity. The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble?s ethos and this is shown in their versatile concert programmes and innovative educational work. The ?VOCES8 singles? series includes songs for which the group is particularly well known and which have been composed or arranged specifically for VOCES8.
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Michael Jacques: Three Humoresques (Homage à Walton): Guitar: Instrumental Album
Musikverlag Josef Weinberger
for Guitar Solo-Forward by the composer: “The reqyest by Graham Wade for a...
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for Guitar Solo-Forward by the composer: “The reqyest by Graham Wade for a new work for Guitar followed closely on the death of Sir William Walton whose Bagatelles for Guitar I admire greatly. The resulting pieces are intended as atribute to Walton and I have tried to capture something of the character of the composer and his music.”
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Piano Treasury Of Hymns Cd
27.40
Piano Treasury Of Hymns Cd
Piano, Voix
[Partition + CD]
-
Intermédiaire
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
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The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Vol.2 Chediak
42.40
Vol.2 Chediak
En Français
Guitare
[Partition]
ID Music
Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternati...
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Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers
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Cavalier Songs: Voice: Vocal Album
6.50
Cavalier Songs: Voice: Vocal Album
Piano, Voix
Stainer and Bell
Selected from Musica Britannica Volume 33 edited by Ian SpinkCONTENTSWilt thou...
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Selected from Musica Britannica Volume 33 edited by Ian SpinkCONTENTSWilt thou forgive the sin? D - G (John Hilton)Wilt Chloris cast her sun-bright eyes? G sharp - F (Simon Ives)Mark how the blushful morn D - G (Nicholas Lanier)Stay silly heart and do not break D - F (Nicholas Lanier)Bid me but live and I will live G - F (Henry Lawes)No no fair heretic it cannot be E - F(G) (Henry Lawes)Out upon it I have lov'd C - D (Henry Lawes)Sweet stay awhile why do you rise? D - G (Henry Lawes)Will you know my mistress' face? E flat - F (Henry Lawes)Faith be no longer coy F - G (William Lawes)Since 'tis my fate to be thy slave E - E(William Webb)In a season all oppressed G sharp - E (John Wilson)Since love hath in thine and mine eye D - F (John Wilson)Take O take those lips away G - G (John Wilson)Wherefore peep'st thou envious day? G - A (John Wilson)Set for the Associated Board Grade 5 examination.
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DEZAIRE N. - VIOLIN POSITION SHIFTS
27.99
DEZAIRE N. - VIOLIN POSITION SHIFTS
Violon
[Partition + Accès audio]
De Haske Publications
36 pièces pour travailler les démanchés.
Contenu :
A Tribute to Han...
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36 pièces pour travailler les démanchés.
Contenu :
A Tribute to Handel (Dezaire, Nico)
Position changing cha cha (Dezaire, Nico)
French folk song (Traditional)
Django plays the violin (Dezaire, Nico)
Mourning Mary (Dezaire, Nico)
Shift Rap (Dezaire, Nico)
Sadness (Dezaire, Nico)
The Elephant (Saint-Saëns, Camille)
Brigg Fair (Delius, Frederick)
Pomp and circumstance March No. 4 (Elgar, Edward William)
Sally\'s skirts (Dezaire, Nico)
Playing Monopoly (Dezaire, Nico)
Les Sylphides (Chopin, Frédéric François)
Hungarian Dance No. 5 (Brahms, Johannes)
Little flower (Dezaire, Nico)
Hurdy-Gurdy (Dezaire, Nico)
Blues (Dezaire, Nico)
Greensleeves (Traditional)
Farandole (Bizet, Georges)
Sad Waltz (Dezaire, Nico)
Piano Concerto 1st Movement (Grieg, Edvard)
Bad girls (Dezaire, Nico)
Farewell (Dezaire, Nico)
Please Sir, have a cigar (Dezaire, Nico)
Frère Jacques Variations (Dezaire, Nico)
Jupiter (Holst, Gustav)
Olga\'s Song (Dezaire, Nico)
Hungarian Dance (Dezaire, Nico)
Allegretto (Theme from Symphony No. 6 5th Movement ) (Beethoven, Ludwig van)
One fine day (from Madame Butterfly) (Puccini, Giacomo)
You and me (Dezaire, Nico)
In the wood (Dezaire, Nico)
La donna e mobile (from Rigoletto) (Verdi, Giuseppe)
Jumpin\' jig flash (Dezaire, Nico)
Nick\'s little rabbit (Mussies, Martine)
Largo (from Winter) (Vivaldi, Antonio) / Partitions classique / Cordes / Violon / DEHASKE
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Jerry Silverman: Gilbert and Sullivan Favorites for Voice & Guitar: Guitar:
18.99
Jerry Silverman: Gilbert and Sullivan Favorites for Voice & Guitar: Guitar:
Violon, Guitare (duo)
-
Débutant
Mel Bay
As you read this somewhere in the English-speaking world a production of a Gilb...
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As you read this somewhere in the English-speaking world a production of a Gilbert & Sullivan operetta is being rehearsed or presented. It may be taking place in an elementary secondary or high school; a university; an amateurmusical theater group; a summer-stock ensemble; a professional light-opera company. The musical accompaniment may consist of a piano or two - perhaps plus a few other instruments - or a full orchestra. Audiences be theyfirst-time listeners or dyed-in-the wool G&S fanatics will be captivated by the scintillating melodies and effervescent lyrics of those highly unlikely collaborators: Sir Arthur Seymour Sullivan and Sir William Schwenck GIlbert.Incredibly despite the seemingly endless popularity of these works which have been published staged recorded broadcast televised and cinematized over the years since their first performances by the D’Oyly Carte Opera inLondon in the 1870s and 1880s there has never been an edition which permitted the guitar-playing masses to enjoy these Victorian gems. Until now. Here for the first time are 52 G&S favorites (or if you will favourites) drawnfrom five of their most popular operettas: H.M.S. Pinafore The Pirates of Penzance Patience Iolanthe The Mikado. arranged with guitar chords in guitar-friendly keys! The very model of a modern music manuscript! Allselections include melody lyrics and guitar chords.
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Peter Maxwell Davies: Blake Dreaming 'Goodison Quartet No.5': Baritone Voice:
13.99
Peter Maxwell Davies: Blake Dreaming 'Goodison Quartet No.5': Baritone Voice:
BAR/STR QUARTET::Baryton, Quatuor Ã? Cordes
[Partition]
Chester
Blake Dreaming ‘Goodison Quartet No. 5’ was commissioned by Nichola...
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Blake Dreaming ‘Goodison Quartet No. 5’ was commissioned by Nicholas and Judith Goodison.First performance on 30th April 2010 at Wigmore Hall London by Roderick Williams (baritone) and the DoricQuartet. Composer's Note The commission was for a work which “uses the voice as an extra instrument without a text.” In BlakeDreaming I have cheated a little setting a line from “The Marriage of Heaven and Hell” albeit incompletely:- The roaring of lions the howling of wolves the raging ofthe stormy sea... are portions of eternity too great for the eye of man. The first section sets the Blake down to “stormy sea” with voice alone and follows this by a “dreaming” upon andaround it for voice and quartet where the baritone has pure vocalise. The second section sets the rest of the sentence again followed by an extended “dreaming” with pure vocalise. The baritone line should be urgentand moody suggesting eventful and disturbing dreaming. I would suggest that he imagine a dramatic outline throughout – even to specific (but unsung!) words and emotions – to ensure as powerful and gripping a dialoguewith the quartet as possible.
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Peter Maxwell Davies: Blake Dreaming 'Goodison Quartet No.5' (Parts): Baritone
16.99
Peter Maxwell Davies: Blake Dreaming 'Goodison Quartet No.5' (Parts): Baritone
BAR/STR QUARTET::Baryton, Quatuor Ã? Cordes
[Partition]
Chester
Blake Dreaming ‘Goodison Quartet No. 5’ was commissioned by Nichola...
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Blake Dreaming ‘Goodison Quartet No. 5’ was commissioned by Nicholas and Judith Goodison.First performance on 30th April 2010 at Wigmore Hall London by Roderick Williams (baritone) and the DoricQuartet. Composer's Note The commission was for a work which “uses the voice as an extra instrument without a text.” In BlakeDreaming I have cheated a little setting a line from “The Marriage of Heaven and Hell” albeit incompletely:- The roaring of lions the howling of wolves the raging ofthe stormy sea... are portions of eternity too great for the eye of man. The first section sets the Blake down to “stormy sea” with voice alone and follows this by a “dreaming” upon andaround it for voice and quartet where the baritone has pure vocalise. The second section sets the rest of the sentence again followed by an extended “dreaming” with pure vocalise. The baritone line should be urgentand moody suggesting eventful and disturbing dreaming. I would suggest that he imagine a dramatic outline throughout – even to specific (but unsung!) words and emotions – to ensure as powerful and gripping a dialoguewith the quartet as possible.
16.99 GBP - vendu par Musicroom GB
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Mel Bay: Left-Handed Modern Guitar Method Grade 1: Guitar: Instrumental Tutor
9.99
Mel Bay: Left-Handed Modern Guitar Method Grade 1: Guitar: Instrumental Tutor
Guitare
[Partition + Accès audio]
Mel Bay
With Online Audio-For decades Guitar students and teachers alike have struggled...
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With Online Audio-For decades Guitar students and teachers alike have struggled with the idea of left-handed individuals playing right-handed. Now that the idea of letting the dominant hand rule is widely accepted as the best course of action here at last is a proven method for the left-handed Guitarist! The world's premier method for learning modern plectrum style Guitar time-tested and proven successful in building the theoretic and technical foundation needed toplay in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1 the student guitarist will learn to play solos duets scales and chords in the keys of C Aminor G and E minor. Even in Grade 1 the student is already exposed to the chord/melody concept of guitar performance.The world's premier method for learning modern plectrum style Guitar time-tested and proven successfulin building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation only to encourage better sight reading. In Grade 1 the student Guitarist will learnto play solos duets scales and chords in the keys of C A minor G and E minor. Even in Grade 1 the student is already exposed to the chord/melody concept of Guitar performance. A supplementary study book entitledGrade 1 Studies two different play-along audio recordings (pop version and traditional) and video are available. The companion recordings feature Tommy Flint and William Bay playing in split-track format withthe solo parts performed on the right channel and the accompaniment or second duet parts played on the left. The student can play along with the full recording or tune out either channel and play the missing part. TheLeft-Handed Modern Guitar Method Grade 1 provides a valuable enhancement to the world's most popular Guitar method. Includes access to online audio.
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G. Schirmer American Aria Anthology
39.43
G. Schirmer American Aria Anthology
Voix Soprano, Piano
[Partition]
Hal Leonard
This landmark series collects compelling, useful, singer-friendly arias from a d...
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This landmark series collects compelling, useful, singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the four volumes has never before been available outside of the opera vocal scores, and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson and Gian Carlo Menotti are well represented. Additionally, arias are included from important works such as Regina, A Streetcar Named Desire, The Ghosts of Versailles, The Great Gatsby, Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: ?The Contest? in the Tenor volume and ?Epiphany? in the Baritone/Bass edition./ Recueil / Soprano et Piano
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MOZART SONATA B FLAT MAJOR*
15.00
MOZART SONATA B FLAT MAJOR*
Basson, Piano (duo)
[Partition]
Chester
This edition of Mozart's Sonata in B flat major K292, is edited and arrange...
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This edition of Mozart's Sonata in B flat major K292, is edited and arranged for bassoon and piano by William Waterhouse. This work was thought to have been written in 1775, and remains one of the best classical sonatas composed for bassoon. / [W.A. Mozart Sonata In B Flat For Bassoon And Piano K.292] / Classique / Partition /
15.00 EUR - vendu par Note4Piano
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Stuart Nicholson: Tomorrow Shall Be My Dancing Day: SATB: Vocal Score
3.99
Stuart Nicholson: Tomorrow Shall Be My Dancing Day: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Novello & Co Ltd.
Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'tra...
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Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'traditional'; its first written appearance is in William B. Sandys' Christmas Carols Ancient and Modern of 1833. It is most well known in John Gardner's adaptation but numerous other composers have made original settings of it or arranged the traditional tune including Gustav Holst Igor Stravinsky. The verses of the hymn progress through the story of Jesus told in his own voice.
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Mel Bay: Mastering The Guitar Technique: Guitar: Study
18.99
Mel Bay: Mastering The Guitar Technique: Guitar: Study
Guitare notes et tablatures
[Partition]
-
Facile
Mel Bay
William Bay and Mike Christiansen have collaborated to produce an outstanding co...
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William Bay and Mike Christiansen have collaborated to produce an outstanding comprehensive guitar method addressing all styles of both flatpicking and fingerstyle technique. Guitar teachers take note: Mastering the Guitar seriesis the ideal method for the beginning student who has yet formed a stylistic preference or for the intermediate player limited to one particular style who wishes to expand his horizons and improve his technique. An impressivedouble CD set with more than 80 tracks per CD is offered for both books 1A (96620;96620CD) and 1B (96621;96621CD). Each written example in the books is carefully cross-referenced to its corresponding audio sample on the CD bymeans of a disk and track number printed above each piece. The student is encouraged to learn to read standard notation and tablature as both systems are used throughout this 3-volume series. The Technique Studies book providessupplementary more challenging pieces including chord studies in various keys as well as a few pieces in dropped-D tuning. Together these three books comprise a powerful learning tool for Mastering the Guitar in a contemporaryidiom.
18.99 GBP - vendu par Musicroom GB
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