Willem De Fesch: Sonata in G for Descant Recorder or flute and Continuo (Op.8 No.4)

Oh! Fie Shepherd Fie is a traditional comic song which tells the bawdy story of a young girl who meets a shepherd in a meadow one day and tries in vain to resist his advances. The most popular melody wasrecorded by William Defesch (Willem de Fesch; 1687-1761) a Dutch composer and conductor who spent most of his career in London. It has been arranged here for Voice and Piano by Elisabeth Poston (1905-1987) aBritish composer and musician who studied at the Royal Academy of Music and later worked for both the BBC and the Arts Council. She is best remembered for her setting of the Christmas carol Jesus Christ the AppleTree.

Le répertoire de doubles concertos pour deux flutes (Telemann, Cimarosa) est agrandi par ce concerto intéressant et original. / 2 Flûtes Traversières (Ou Hautbois), Cordes Et Basse Continue

The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano