Scott Joplin (1868 - 1917) black pianist and composer was known as the King Of Ragtime. A fabulous collection of four waltzes arranged for one piano four hands by Weekley and Arganbright. This volume containsBethena Waltz Binks' Waltz Harmony Club Waltz and Pleasant Moments.

Score-Morton Gould's Minute Plus Waltz Rag for Orchestra.In honour of their 75th anniversary the Baltimore Symphony Orchestra commissioned a number of composers who had written major works for themin the past to write short musical 'postcards'.'My postcard is called Minute Plus Waltz Rag; it's a slight take-off on The Minute Waltz but with the 'plus' that it's longer than a minute and combines awaltz with a rag pattern in 5/8 time. I wasn't conciously thinking of 1916 when I wrote it but it does actually reflect a flavour of the music of that period' - Morton GouldThe first performance ofthis work took place on October 25 1990 by The Baltimore Symphony with David Zinman as Conductor.

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann, Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms, the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms' Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. / Piano

Thirty timeless melodies presented in our patented E-Z Play Today notation. Includes: By the Beautiful Blue Danube (Strauss) - Clair de Lune (Debussy) - Emperor Waltz (Strauss) - Für Elise (Beethoven) - Humoresque (Dvorak) - Intermezzo (Mascagni) - Liebestraum (Dream of Love) (Liszt) - Meditation (Massenet) - Nocturne (Chopin) - Ride of the Valkyries (Wagner) - Romeo and Juliet (Love Theme) (Tchaikovsky) - Toreador Song (Bizet) - and more. / Piano

Par SCHWARZ OTTO M.. Pour la composition de JazzWaltz No. 1, Otto M. Schwarz s’est inspiré du style et des sons caractéristiques du Big Band et crée un parfait équilibre avec les sonorités premières de l’Orchestre d’Harmonie. Jazz Waltz No. 1 développe une mélodie captivante et entraînante sur un accompagnement en 3/4 dans le style swing. Le saxophone et la trompette sont tour à tour les instruments solistes. Jazz Waltz No. 1 est une pièce plaisante à jouer et agréable à écouter. / Niveau : 3 / Valse / Répertoire / Concert Band ou Harmonie

from the Northeast of Ireland. This unique collection celebrates the contemporary fiddle music of northeast Ireland, much of it for the first time in print. Not surprisingly, given its location and long history of traditional music, the fiddle music of this region shares some characteristics with Scottish music, yet it has its own distinct style. For those who are not familiar with this ruggedly attractive part of Ireland, this book will introduce you to some of its music and musicians. The tunes presented here, collected by County Antrim fiddler, Rowan Leslie, have all been written relatively recently by local musicians. Each tune is offered in two versions-one with the barebones melody and suggested accompaniment chords, and a second with ornamentation, articulation and bowing details. All tune types from northeast Ireland are represented, including jigs and reels, polkas and hornpipes, marches, barn dances and waltzes, plus set dances and slow airs. Moreover, the biographical sketches and backstories provided for each composer and tune demonstrate how the land itself, along with personal experiences and relationships, influence the fiddle music of northeast Ireland. / Niveau : Facile / Musique traditionnelle anglaise, irlandaise, écoss / Date parution : 2020-04-11/ Recueil / Fiddle

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Par CHOPIN FREDERIC. This Practical Performing Edition is a well-rounded introduction to Chopin\'s easiest piano pieces. It contains the familiar \'Prelude in A Major,\' \'Prelude in B minor\' and \'Prelude in E minor,\' three waltzes (published posthumously), six mazurkas and additional works. Ornaments are realized and fingering and pedal suggestions are provided. Biographical information and a brief discussion of each work further assist students with Chopin\'s style. / Instrumental Music, Miscellaneous, Piano Music, Sc / Recueil / Piano

25 titles including: The Beautiful Blue Danube £ Emperor Waltz £ My Vienna £ Tales from the Vienna Woods £ Voices of Spring £ Wine Woman and Song £ Tick Tock Polka £ and more.

This collection for easy Guitar includes 36 pieces arranged in standard notation and tab including: Blue Danube Waltz (Strauss), Can Can (Offenbach), Dance of the Sugar Plum Fairy (Tchaikovsky), Für Elise (Beethoven), Humoresque (Dvorak), In the Hall of the Mountain King (Grieg), Lullaby (Cradle Song) (Brahms), Romeo and Juliet (Love Theme) (Tchaikovsky), The Surprise Symphony (Haydn), Toreador Song (Bizet), Trumpet Voluntary (Clarke), Turkish Rondo (Mozart), Wedding March (Mendelssohn) and more. / Guitare

Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full score. Playing time: 9 minutes.Instrumentation: 2 Flutes (2nd on Piccolo) 2 Oboes 2 Clarinets Bass Clarinet (on 2ndClarinet part) 2 Bassoons Contra Bassoon 4 Horns 3 Bb Trumpets 3 Trombones Tuba Percussion (3) Timpani Piano Harp Strings.

11 songs arranged for piano from the score penned by James Newton Howard for Hunger Games: Catching Fire, the second in this popular trilogy of films, released in 2013. Includes: Arena Crumbles · Daffodil Waltz · Horn of Plenty · I Need You · Just Friends · Let's Start · A Quarter Quell · There's Always a Flaw · The Tour · Waltz in a (Op. 39, #15) · We're a Team. / Piano

This book is a mixture of traditional and contemporary tunes from the Scottish accordionists' repertoire.

It explores the common tune types played in Scotland, i.e. the Jig, reel, strathspey, slow air, waltz, march and polka. Some tunes are arranged in a traditional, dance music style where others have been set with a more contemporary feel as used by the author and many of the ?new age? of Scottish accordionists. Strong emphasis has been placed on the use of the left hand to enhance the style and arrangement.

Ian Lowthian was brought up steeped in the Scottish accordion tradition; he is a graduate of the Royal Academy of Music who, since leaving, has concentrated mainly in traditional music as a performer, teacher and composer. / Musiques du monde / Partition CD / Agrafé /