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Wagner Tannhäuser Opera Score Editions
54.20
Wagner Tannhäuser Opera Score Editions
Opéra
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Hal Leonard
Référence unique par son ISBN 73999371703 cette partition musique de Wagner Ri...
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Référence unique par son ISBN 73999371703 cette partition musique de Wagner Richard n'est autre que Wagner Tannhäuser Opera Score Editions. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50337170. / Scores / 344 pages / Partition
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
917.90
Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opéra
Barenreiter
Edition no.: BVK 2270ISBN: 9783761822708Volume / Series: Documenta musicologica ...
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Edition no.: BVK 2270ISBN: 9783761822708Volume / Series: Documenta musicologica II/45 / Bärenreiter FacsimileEditor: Konrad, UlrichLanguage(s) of work: English, GermanProduct format: FacsimileBinding: Half-leather bindingPages / Format: 405 S. - 41,7 x 30,0 cm 'This Tristan will be something formidable! This last act!''I fear the opera will be banned ' if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.'Richard WagnerWhile working on the score to 'Tristan und Isolde', Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the 'dawn' of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting.He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner's highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness.In time for the 200th anniversary of Wagner's birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches.Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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Operaria Bass 3
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Voix basse
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Breitkopf & Härtel
The OperAria repertoire anthology was much applauded when it came on stage with ...
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The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Dramatique
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Baryton
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Vol. 3: Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edite...
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Vol. 3: Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
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OPERARIA MEZZOSOPRAN 2 Dramatique
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OPERARIA MEZZOSOPRAN 2 Dramatique
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Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
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Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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The OperAria repertoire anthology was much applauded when it came on stage with ...
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The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique
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Siegfried - Full Score (WAGNER RICHARD)
53.81
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
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Operaria Baritone
39.90
Operaria Baritone
Baryton
[Partition + CD]
Breitkopf & Härtel
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited b...
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Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
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Richard Wagner: Lohengrin Wwv75: Opera
75.99
Richard Wagner: Lohengrin Wwv75: Opera
Opéra
Eulenburg
Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interwea...
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Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence.This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished.The original musical text isnow available in a handy format for the first time - and is perfectly suited for study purposes.With German/English preface and Critical Report!
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Richard Wagner: Tannhauser Urtext: Opera: Miniature Score
72.50
Richard Wagner: Tannhauser Urtext: Opera: Miniature Score
Opéra
Eulenburg
Numerous revisions and adaptations are entangled in the complex history of the w...
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Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861 but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others.The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. Themusical text is identical to that of the critical edition within the Wagner Complete Edition with the errata discovered since then having been corrected.
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Richard Wagner: Das Rheingold Urtext Study Score: Opera: Miniature Score
63.99
Richard Wagner: Das Rheingold Urtext Study Score: Opera: Miniature Score
Opéra
[Conducteur d'étude / Miniature]
Eulenburg
This study score is based on the new Richard Wagner Complete Edition and incorpo...
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This study score is based on the new Richard Wagner Complete Edition and incorporates recent research findings. An absolute must for every serious Wagner fan as well as for opera lovers and libraries.
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Opera's Greatest Hits Solo Piano
26.10
Opera's Greatest Hits Solo Piano
Piano seul
[Partition]
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Intermédiaire
Amsco Wise Publications
Opera's greatest moments are brought to life in this fantastic collection of Pia...
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Opera's greatest moments are brought to life in this fantastic collection of Piano solos, featuring the most memorable, hum-able tunes from the world of opera! Includes the William Tell Overture, The Anvil Chorus, Largo al Factotum, The Ride of the Valkyries , and much more! All songs are arranged for the intermediate pianist. / Piano
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Richard Wagner: Gotterdammerung: Opera: Libretto
7.99
Richard Wagner: Gotterdammerung: Opera: Libretto
Opéra
Schirmer
The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work...
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The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work - one of the longest evenings of opera in the standard repertory. Musically Wagner has gained such mastery of his music drama and his use of musicalmotives that he treats both with superb freedom - the handling of Leitmotives in this opera can be thought of as one of the most powerful psychological achievements in art. This is the Schirmer edition of the Libretto in theoriginal German with an English translation by Stewart Robb.
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The Essential Collection: Opera Gold (Cd Edition)
27.10
The Essential Collection: Opera Gold (Cd Edition)
Piano seul
[Partition + CD]
-
Intermédiaire/avancé
Chester
Capturez la grandeur et la puissance des thèmes Opera meilleurs dans ce jeu sp...
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Capturez la grandeur et la puissance des thèmes Opera meilleurs dans ce jeu spécialement sélectionnés de solos de piano avec CD d'accompagnement. Depuis les premiers travaux de scène dévots de Haendel et Purcell, à travers les productions exotiques et ludiques de Mozart et de Rossini aux innovations spectaculaires et coeur-arrêt de Wagner, Tchaïkovski et au-delà, cet ensemble de mouvements spécialement sélectionnés ont été soigneusement disposés comme des solos de piano. Présentant des spectacles complets de toutes les pièces sur CD, il s'agit d'une collection absolument indispensable pour tout amateur d'opéra, et une excellente source de répertoire pour piano inhabituelle. / Piano
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Faust (GOUNOD CHARLES)
1794.30
Faust (GOUNOD CHARLES)
Opéra
[Partition]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Opera Choruses (RUTTER JOHN)
33.50
Opera Choruses (RUTTER JOHN)
Chorale SATB
[Partition]
Oxford University Press
Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classiqu...
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Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classique, savamment disposés comme oeuvres de concert séparés, le tout avec une excellente traduction anglaise et le chant des réductions clavier pratique. Le matériel d'accompagnement orchestral pour tous les titres de la collection est disponible à la location. Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres./ Recueil / Chant
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Richard Wagner: Die Meistersinger Von Nurnberg: Opera: Libretto
Opéra
[Libretti]
Schirmer
Richard Wagner was inspired to take up the subject of the medieval 'Mastersinger...
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Richard Wagner was inspired to take up the subject of the medieval 'Mastersingers' by his reading of Georg Gottfried Gervinus's 'History of the German National Poets'. By any purely artistic assessment Die Meistersinger is afinely crafted drama rich with dramatic and musical textures that showcase Wagner's creative gifts at their best. This edition of the Libretto is in the original German with an English translation by John Gutman.
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E-Z Play Today 195: Opera Favorites
12.00
E-Z Play Today 195: Opera Favorites
Piano seul
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Facile
Hal Leonard
EZ Play Today 195: Opera Favoris propose 30 sélections de chefs-d'oeuvre de l'o...
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EZ Play Today 195: Opera Favoris propose 30 sélections de chefs-d'oeuvre de l'opéra, arrangé spécialement pour l'orgue, piano et clavier électronique. Ecrit en grand format note EZ Play Today 195: Opera favoris comprend des pièces de La Bohème, La Traviata, Carmen, La Flûte enchantée et beaucoup plus. Doté d'un système de numéro d'enregistrement innovant, les musiciens sont en mesure de faire correspondre les numéros d'enregistrement sur ??les chansons des catégories numérotés correspondant, leur permettant de sélectionner et d'activer les sons appropriés sur leur instrument. / Piano
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Operatic Anthology Arias From Operas Vol.1 Soprano
43.40
Operatic Anthology Arias From Operas Vol.1 Soprano
Voix Soprano
[Partition]
Hal Leonard
Référence unique par son ISBN 73999258301 cette partition musique n'est autre ...
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Référence unique par son ISBN 73999258301 cette partition musique n'est autre que Operatic Anthology Arias From Operas Vol.1 Soprano qui a été composée pour Voix. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50325830. / Voix / 336 pages / Partition
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Operatic Anthology Arias From Operas Vol.4 Baritone
40.70
Operatic Anthology Arias From Operas Vol.4 Baritone
Voix Baryton
[Partition]
Hal Leonard
Référence unique par son ISBN 73999258608 cette partition musique n'est autre ...
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Référence unique par son ISBN 73999258608 cette partition musique n'est autre que Operatic Anthology Arias From Operas Vol.4 Baritone qui a été composée pour Voix Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50325860. / Voix Et Piano / 288 pages / Partition
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Parsifal (WAGNER RICHARD)
969.00
Parsifal (WAGNER RICHARD)
Opéra
Barenreiter
Facsimile of the autograph score from the National Archive of the Richard Wagner...
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Facsimile of the autograph score from the National Archive of the Richard Wagner Foundation Bayreuth. Par WAGNER RICHARD. Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for its compositional technique and mystical sonorities at the premiere, its world of ideas has stimulated new debates and interpretations over and over again to the present day. Wagner wrote the autograph score almost entirely in violet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as a guarded treasure. The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophile appearance. In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript./ Répertoire / Opéra
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Claudio Monteverdi: Opera's First Master -: Reference Books
16.95
Claudio Monteverdi: Opera's First Master -: Reference Books
[Livre + CD]
Hal Leonard
The Musical Dramas Of Claudio Monteverdi-Claudio Monteverdi (1567-1643) was the ...
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The Musical Dramas Of Claudio Monteverdi-Claudio Monteverdi (1567-1643) was the first great opera composer and is often hailed as the creator of modern music. His genius was often likened to that of Mozart Wagner and Verdi but in many of the world's opera houses hisoperas often receive an almost chilly respect far removed from the nearly universal love aroused by those later masters. This book the first layperson's guide to Monteverdi seeks to stimulate appreciation for his operas byexamining them not as musicological relics but as the vital theatrical experiences they are. Ringer places Monteverdi's operatic works within the musical and theatrical framework of his era offering a brief sketch of thecomposer's early years and detailing the complex forces that led to the emergence of opera in late sixteenth-century Florence. Opera's First Master enables opera lovers to see and hear Monteverdi's masterpieces anew whileopening new channels of inquiry into how Monteverdean opera “works” in the theater.
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Franz Liszt: Complete Piano Transcriptions From Wagner's Operas: Piano:
20.30
Franz Liszt: Complete Piano Transcriptions From Wagner's Operas: Piano:
Piano seul
-
Avancé
Dover Publications
Liszt's admiration for the music of Wagner led him to promote Wagner's Operas as...
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Liszt's admiration for the music of Wagner led him to promote Wagner's Operas as well as to compose piano transcriptions from many of them. This volume presents fifteen compositions dating from 1848-1882. Includes 'Liebestod' 'Overture To Tannhouser' 'Wedding March From Lohengrin'.
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Richard Wagner: Die Walküre: Opera: Libretto
Opéra
Schirmer
Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed ...
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Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed separately and may be Wagner's best-loved work. The source of this affection is certainly the sensitive depictions of Siegmund and Sieglinde's loveand the father-daughter relationship of Wotan and Brünnhilde.Siegmund stumbles into an unfamiliar house Sieglinde's for shelter and the two fall for each other quickly. However Sieglinde's husband (from a forcedmarriage) Hunding is a kinsman of Siegmund's foes and challenges Siegmund to a duel. Sieglinde gives Hunding a sleeping potion and the two realise they are brother and sister. Siegmund claims Sieglinde as his bride. Watching Wotan and Fricka tell Brünnhilde that she must defend Hunding's marriage rights. Brünnhilde sets out to observe the lovers. When Sieglinde falls asleep Brünnhilde berates Siegmund but when he argues she decides to help him.Hunding and Siegmund battle when Siegmund is about to win however Wotan appears and shatters his sword; he is killed. Brünnhilde escapes with Sieglinde and the broken sword. Wotan fells Hunding with a wave of his handand leaves to punish Brünnhilde. Sieglinde realises she bears Siegmund's child so takes the pieces of the sword and rushes off into the forest to hide. Brünnhilde herself flees to the Valkyries' Rock to hide but Wotan fins herand sentences her to become a mortal woman: she must lie in sleep to be claimed by any man who finds her but behind a wall of fire that only the bravest hero can pierce. This is the Schirmer edition of the Libretto inthe original German with an nglish translation by Stewart Robb.
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Opera Highlights Piano: Piano: Instrumental Album
8.95
Opera Highlights Piano: Piano: Instrumental Album
Piano seul
Cramer Music
A collection of 25 popular pieces taken from the operas arranged for piano solo.
8.95 GBP - vendu par Musicroom GB
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Opera Essential Gold Collection Piano
20.50
Opera Essential Gold Collection Piano
Piano seul
[Partition]
-
Intermédiaire/avancé
Chester
Capturez la grandeur et la force des meilleurs thèmes d'opéra...
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Capturez la grandeur et la force des meilleurs thèmes d'opéra dans cet ensemble de piano solos spécialement sélectionnés. Des premières oeuvres de concert de Haendel et Purcell, aux productions amusantes et exotiques de Mozart et Rossini, en passant par les innovations spectaculaires et captivantes de Wagner, Tchaikovsky, cet ensemble de mouvements spécialement sélectionnés, a été arrangé avec soin en piano solos. Une collection essentielle pour tout amoureux de l'opéra et une superbe source de répertoire pour piano inhabituel. / Classique / Partition /
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Operatic Anthology Arias From Operas Vol.2 Mezzo-Soprano And Alto
40.70
Operatic Anthology Arias From Operas Vol.2 Mezzo-Soprano And Alto
Voix Mezzo-Soprano, Piano
[Partition]
Hal Leonard
Référence unique par son ISBN 73999258400 cette partition musique n'est autre ...
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Référence unique par son ISBN 73999258400 cette partition musique n'est autre que Operatic Anthology Arias From Operas Vol.2 Mezzo-Soprano
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The Operagoer's Guide: Reference Books
8.50
The Operagoer's Guide: Reference Books
[Partition]
Hal Leonard
In this volume Father M. Owen Lee writes for the 21st-century operagoer briskl...
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In this volume Father M. Owen Lee writes for the 21st-century operagoer briskly and stylishly telling the stories of 100 of the world's greatest music dramas – from Aïda to Die Zauberflöte. Thestories told in music by Mozart Wagner Verdi Puccini and Strauss are brought to life here with wit insight and boundless enthusiasm. When compiling and composing this pocket-sized handbook Fr. Lee considered the unique needsof the modern operagoer. Contemporary text-translating services have made pure synopses somewhat redundant. Fr. Lee therefore has focused his commentaries less on the comings and goings of plot than on subtext motivation andbackground information. He also suggests his single favorite recording for each of the 100 operas discussed. In all he has written a guide that will prove invaluable to the opera novice and useful even for the aficionado.
8.50 GBP - vendu par Musicroom GB
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