Le compagnon de numéro un pour les amuseurs de rue, présenté avec la ligne de la mélodie, paroles et cordes, ce recueil de chansons peut être utilisé par le piano, guitare et clavier joueurs alike, ainsi que chanteurs. Contenant une collection de 101 de votre succès de No.1 préférés, ce livre offre une excellente valeur pour l'argent. / Chant Et Guitare / 212 pages / Partition

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

Arr. Naoyuki Honzawa. Par MORALI JACQUES. Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y. M. C. A. , le groupe connaît un succès mondial et devient emblématique de la musique disco. / Niveau : 4 / Pièce de concert / Date parution : 1905-07-01/ Répertoire / Concert Band ou Harmonie

Whether Guy Davis is appearing on Late Night TV programs or nationally syndicated radio shows in front of 25 000 people at Madison Square Garden or an intimate gathering of students at a Music Camp Guy feels the instinctive desire to give each listener his 'all'. His 'all' is the Blues.Guy can tell you stories of his great-grandparents and his grandparents their days as track linemen and of their interactions with the KKK. He can also tell you that as a child raised in middle-class New York suburbs the only cotton he's personally picked is his 'BVDs' up off the floor. He's a musician composer actor director and writer. But most importantly Guy Davis is abluesman. The blues permeates every corner of Davis' creativity.Throughout his career he has dedicated himself to reviving the traditions of acoustic blues and bringing them to as many ears as possible through the material of the great blues masters African American stories and his own original songs stories and performance pieces. In 1993 he performed Off-Broadway as legendary blues player Robert Johnson in Robert Johnson: Trick the Devil. He received rave reviews and became the 1993 winner of the Blues Foundation's ?Keeping the Blues Alive Award?. Looking for more ways to combine his love of blues music and acting Davis created material for himself. He wrote In Bed with the Blues: The Adventures of Fishy Waters -- an engaging and moving one-man show. The Off-Broadway debut in 1994 received critical praise from the New York Times and the Village Voice. Of Davis' live performance one reviewer observed that his style and writing ?sound so deeply drenched in lost black traditions that you feel that they must predate him. But no they don't. He created them.?These days Davis concentrates much of his efforts on writing and performing his Blues music. He has released nine albums for Red House Records all of which have garnered rave reviews and

Arr. Roland Kernen. Par MORALI JACQUES. Formé en 1977 par deux auteurs et producteurs français (Jacques Morali et Henri Belolo), le groupe Village People se distingue par l'originalité presque politique de son concept artistique qui se voulait dénonciateur et parodique de la non-reconnaissance des minorités. Avec des chansons comme In the Navy, Macho Man et l’incontournable Y. M. C. A. , le groupe connaît un succès mondial et devient emblématique de la musique disco. / Niveau : 2 / Pop and rock / Recueil / Concert Band ou Harmonie

This is one of those rare tunes that is well-known to virtually all age groups. However you might have to discourage the parents in the front row from doing the 'YMCA' choreography!

Cette remarquable série ouvre des perspectives passionnantes du répertoire stimulante et enrichissante pour le chanteur sagace et aventureux. Comme pour les volumes de compagnon Peters de français Operatic Arias, cette série russe présente bon nombre des airs célèbres à juste titre, mais aussi leur juxtapose avec autres gemmes moins familiers, dont undoutedly méritent une reconnaissance plus large. Une grande partie du répertoire sélectionné est parfaitement adaptee aux fins de l'audition, afin que chaque volume est un Trésor pour les chanteurs professionnels et des étudiants. Sheet Music and CD Play-long Pack / Voix Haute Et Piano

From the heart of the '70's three of pop music's biggest hits are combined into a non-stop 125 beats per minute medley that your students will love. It includes the Village Peoples' YMCA the Bee Gee's Stayin' Alive and Gloria Gaynor's I Will Survive.

En mars 2008 la chaîne américaine ABC a donné le coup d'envoi de la saison de son émission phare Dancing with the Stars. Guidées par des danseurs professionnels des célébrités s'affrontent chaque semaine dans des épreuves de danse à thèmes devant un jury de professionnels. Dance Fever est un medley réunissant les meilleurs riffs et grooves disco de l'émission : You Should Be Dancing (Bee Gees) Boogie Fever (The Sylvers) Reunited (Peaches and Herb) That's The Way I Like It (KC and The Sunshine Band) et Y.M.C.A. (Village People).

John Luther Adams' Five Yu'pik Dances for solo Harp. Composed in 1991. Duration: 7-8 minutes. 'This set of miniatures is based on traditional dance songs of the Yupik Eskimo people ofWestern Alaska. In their original forms these melodies would be sung in unsion. The first third and fifth songs would be accompanied by frame drums. The second and fourth are game songs for jumping rope andjuggling pebbles. Aside from the obvious difference in instrumentation my settings of these songs differ from the Yup'ik originals in other respects. I have extended and varied the melodies and addedcountermelodies ostinato figurations introductions interludes and codas. The first four melodies are drawn from the collection Yup'ik Eskimo songs compiled by Thomas F. Johnston and Tupou L. Pulu andpublished by the University Of Alaska. The fifth was 'loaned' to me by Yup'ik singer and dancer Chuna McIntyre who learned it in his village of Eek Alaska. The poems preceding each piece are rough translationsof the words to the songs. These verses are often cryptic and enigmatic. Their obscurity is increased because some of the words or their meanings have been lost over time.' - John Luther Adams

You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.

In 1941 Khatchaturian composed a ballet soon to be known throughout the world - Gayaneh. In this piece the composer describes the landscape of his native country Armenia and the people who tried to build the country to create a happy life there. Evil powers however try to destroy the peaceful work. Gayaneh is a young ordinary woman who cares greatly for her village. In addition to the fight for the village she also fights for her own happiness. Khatchaturian was a master at using elements of folk music in his compositions and these can be clearly heard in this arrangement for concert band by Wil van der Beek.

Collection for Young Voices-Step back in time to the '70s when the Bee Gees were hot bell-bottom jeans and polyester jumpsuits were the rage and disco had taken over the dance floor! Soaring upbeat performances by such disco greats as Donna Summer BeeGees Kool and the Gang Village People and Michael Jackson electrified concert halls around the world. This one-of-a-kind collection of '70s favorites feature fresh new arrangements by Alan Billingsley that are perfect for groupsinging in the classroom choir or community. The Piano/Vocal Collection offers fully accompanied songs that have been carefully arranged for young unison voices with some optional harmony. Singer Edition comes in paks of ten andprovides vocal parts only. Electrify your performance with professionally-produced recordings on a separate performance/accompaniment CD. Available separately: Piano/Vocal Collection Singer Edition 10-Pak Performance/Accomopaniment CD. Suggested for grades 4-8.