A Rock Opera-Our revised piano/vocal edition features crisp new engravings for all the songs from this stage favorite plus four new songs and additional lyrics for all. Contains: Could We Start Again Please' ? Everything's Alright ?Heaven on Their Minds ? Hosanna ? I Don't Know How to Love Him ? I Only Want to Say (Gethsemane) ? John Nineteen: Forty One ? King Herod's Song ? The Last Supper ? Pilate and Christ ?Pilate's Dream ? Superstar ? What's the Buzz. Includes great photos!

10 Songs from 6 Musicals-Intermediate-level arrangements for solo instruments and Piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic Grand Piano and are available online for download or streaming.Includes: 'Memory from Cats 'Don't Cry for Me Argentina' from Evita 'Hosanna' from Jesus Christ Superstar 'I Don't Know How to Love Him' from Jesus Christ Superstar 'The Last Supper' from Jesus Christ Superstar 'Close Every Door' from Joseph and the Amazing Technicolor Dreamcoat 'All I Ask of You' fromThe Phantom of the Opera 'Angel of Music' from The Phantom of the Opera 'The Music of the Night' from The Phantom of the Opera 'Unexpected Song' from Song and Dance.

This gentle communion anthem presents the full emotion of the Last Supper with a moving text and a traditional Irish melody. The optional chamber orchestration will add a beautiful touch. / Choeur Mixte (SATB)

Né d?un père belge et d?une mère autrichienne Franz von Suppé (1819-1895) de son vrai nom Francesco Ezechiele Ermenegildo Suppe Demelli est l?auteur plus de deux cents œuvres dont une trentaine d?opérettes. Steven Verhaert a choisi Die schöne Galathea (La belle Galatée) dont il a arrangé l?ouverture qui constitue une synthèse des meilleurs moments de l?opérette véritable bijou de la littérature musicale longtemps injustement méprisé.

in Full Score-A prolific writer of theatrical music whose works ranged from incidental music for operettas to full operas Franz Von Suppe is perhaps best known as the compser of the overture from which this new collection takes its name. Reprinted from authoritative editions.

Né d?un père belge et d?une mère autrichienne Franz von Suppé (1819-1895) de son vrai nom Francesco Ezechiele Ermenegildo Suppe Demelli est l?auteur plus de deux cents œuvres dont une trentaine d?opérettes. Steven Verhaert a choisi Die schöne Galathea (La belle Galatée) dont il a arrangé l?ouverture qui constitue une synthèse des meilleurs moments de l?opérette véritable bijou de la littérature musicale longtemps injustement méprisé.

Aus Der Operette 'Boccaccio', Gem Chor Orchester (Klav). Par SUPPE FRANZ VON. gemCh/ Répertoire / Choeur

Ouverture, Arrangement Pour Accordéon. Par SUPPE FRANZ VON. Arrangeur: DE BOZI Harold/ Répertoire / Accordéon

An all-age setting for the Lord's Supper-This musical setting for the Lord's Supper recognises the importance of the whole gathered community of faith and provides music and words which have both simplicity and depth a vibrant sense of celebration and of wonder andworship. It works well with the completely mixed ages of an authentic church community; simple and accessible so that no one is excluded but inspiring and nurturing for adults as well as the young and those with learningdifficulties. Susan Sayers in the country's leading liturgical writer; Colin Mawby is one of our most popular composers. A FREE CD is provided with both complete performance and also a backing track only for use inchurch when no accompaniment in available.

(Choral Selections)-Here's a fresh medley of songs. Includes: The Doctor is In; Happiness; The Kite; Suppertime; You're a Good Man Charlie Brown. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 8:45.

I Am the Lamb-A highly original text imagines the dramatic scenes that unfold as Jesus prepares for His Passion. Grasping His destiny as the Lamb of God Jesus sees His death in the elements of the Last Supper and in the reflections of the chalice. Musically profound the main theme is brooding and mysterious setting the scene. A mournful solo adorns the B section accompanied by choral lushness. A vision of the cross gives way to a touching epilogue of reflection as the piece fades into a peaceful conclusion. Profound!

From the composer of Song of the Shadows Harvest of Sorrows and The Weeping Tree comes a brilliant new innovative cantata for Holy Week The Lenten Sketches. The work is a series of tableaus illustrating thepivotal final days of Christ's earthly ministry the triumphal entry the last supper the garden of Gethsemane and the crucifixion. With a performance time of approximately 30 minutes the cantata is easily integrated into aworship event. There is a full line of support products available to help facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practicehints interpretive movement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the cantata. Expertly orchestrated by Brant Adams this important work is destined tobecome a Lenten classic. Outstanding!Includes: Portrait of Grace; Behold the King of Zion Comes; From an Upper Room; Scenes from Gethsemane; Tableau of Sorrow; Pieta; Epilogue. Available separately: SATB book iPrint Orch CD-ROM Printed Orchestration StudioTrax CD Listening CD 10-Pack listening CDs Preview Pack (Book/Listening CD) RehearsalTrax CDs Digital Resource Kit. Duration: ca. 35:00.

The Old Chevalier (2005) - A Gothic Tale for Bass Trombone and Ensemble. Piano reduction: WH30854 Version for Tenor Trombone available: WH30941 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themesand motivsfrom one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. Afterdiscovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains obliviousto his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completelyindependent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Jesu komm/Abendmahl. Par BRUCKNER ANTON. Vol. 3 : Come, Jesus/Lord'S Supper/ Répertoire / Choeur SATB a Cappella