12 studies on the open strings with first second and third fingers composed by Herbert Kinsey.

Advanced-Eight Grade 7 studies selected by the ABRSM. Including works by Muzio Clementi Ignaz Moscheles and Carl Czerny.

Twenty-four studies in the first and third positions for viola. Written by Herbert Kinsey and transcribed from the violin by Margaret Banwell.

Includes three complete study collections in one inexpensive volume edited and fingered by Louis Oesterle.Twenty-Five Easy And Progressive Studies Op.100 - Books 1 and 2Eighteen Characteristic StudiesOp.109 - Books 1 and 2Twelve Brilliant And Melodious Studies Op. 105 - Books 1 and 2

dité par Pejtsik ÁrpádInstrument: VioloncelleSérie: Music Lesson - Exercises, StudiesGenre: StudiesLangue: Hungarian, English, GermanPages: 32 ppDate du parution: 1983

Szymanski was born in Warsaw on 28th March 1954. He graduated with honours from the National Higher School of Music in Warsaw where he studied composition with Wlodzimierz Kotonski (1974-78) and Tadeusz Baird (1978). In themeantime in 1976 he took part in the INTERNATIONAL SUMMER ACADEMY OF ANCIENT MUSIC at Innsbruck and in 1978 1980 and 1982 participated in the INTERNATIONAL SUMMER COURSES OF NEW MUSIC at Darmstadt working also with theExperimental Studio of the Polish Radio in 1979-81 the Independent Studio of Electroacoustic Music in 1982-84 and the Electronic Music Studio of the Cracow Academy of Music in 1983. As a Herder scholar Szymanski continued hisstudies with Roman Haubenstock-Ramati in Vienna in 1984-85 and as a holder of the Deutscher Akademischer Austauschdienst grant in 1987-89 worked at the Electronic Studio of the Technische Universitaet.The Two Studies forsolo piano written in 1992 peck and impact in slow progression - again sounding both familiar in the style of Bach yet dissected in an unhurried and surprisingly avant-garde exhibition. The second study moves to slough off thefirst at about 6.03. The second glitters in Mozartian gemwork. Transcribed into computer notation by Jacques Bailhé.

Par LEGG PAT. This collection 15 original, imaginative studies for solo cello has been specially designed for young players from Grades 3-5 level. Throughout the book, progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys' modes, rhythmic patterns and styles (including jazz), while also encouraging self-expression. The descriptive titles are intended to help the cellist play in style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating. / Niveau : Facile / Etude / Violoncelle

60 studies for the development of the left hand and the technique of the bow. Par VOLMER BERTA. This volume of studies is intended not only as a supplement to the 'Viola Method' but also, in the coise and varying difficulties of its contents, to be of value to every student of the Viola. These studies which have been extracted from the multitude of excellent etudes for the Violin for their varying technical problems have been chosen with special regard for their suitability to the Viola. The order in which the student works at these studies is left to his, or his teacher's discretion, and therefore as it is not proposed that the book is worked through from beginning to end but that each technical problem is overcome by the most suitable exercise. Unklike hitherto existing collections the technique of the instrument is divided under 7 main headings. As the bowing exercises are in no way exhaustive space has been left for the student or teacher to devise his own./ Etude / Alto

Graded Studies. Par O'LEARY JESSICA. 80 Graded Studies for Violin Book 2 is a must-have resource for teachers and students. Studies are an established part of every instrumentalist's training. They place technical problems in musical contexts, and can be invaluable aids for development. 80 Graded Studies for Violin brings together, in two books, a broad selection of repertoire in a variety of styles, including well-established technical studies, folk, jazz and contemporary works plus some original compositions. The studies in Book 2 are arranged in order of increasing difficulty, according to a carefully planned technical progression from Grades 6-8. Each grade features a number of solo studies focusing on specific areas of technique plus selected accompanied pieces to help with intonation and for use as a performance resource./ Etude / Violon

Written as an in-depth supplement to the Mel Bay Modern Guitar Method Grade 2 this text contains solos picking studies technique building chord studies and speed studies. The studies contained in this book may be effectivelyused to enhance the learning and study of any guitar method. Studies are contained which deal with alternate picking triplets thirds second position and chord and scale studies in the keys of F D minor D major and B minor.Upon completion of this book the student will have taken a major step toward technical proficiency and fluency. Written in notation only.

Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp's concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, 'jazz' melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical 'roots.' One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp's work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg's original unpublished materials in his work. Schlossberg's concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens

These highly anticipated volumes from the studio of legendary flutist Robert Cavally represent a wealth of pedagogy from a beloved teacher and performer of the flute. Published in three volumes (Tone Studies, Velocity Studies and Scale Studies) at four levels, the Developmental and Progressive Studies for Flute join Cavally's famous Melodious and Progressive Studies as some of the most important repertoire available to student and professional flutists. Use all three books in a level for the maximum development. / Flûte