Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Each of the fiddle and folk tunes in this collection is presented in more than one key permitting teachers to introduce the all important concept of tonality early in their students' musical accuracy in terms of findinghalf-steps differences as the keys of change. Almost all the tunes are in first position. All the tunes have been harmonized with chord symbols. If teacher parent or friend can accompany these tunes on the guitar pianoautoharp or other chord-playing instrument the benefit to the student will be readily apparent.

3 Nocturnes and 2 Interludes For Cello and Guitar. Par HEINIO MIKKO. Mikko Heiniö's Mot natten (Towards night), three nocturnes and two interludes for cello and guitar was composed in 2018. This suite found its inspiration and name in Finnish poet Bo Carpelan's (1926-2011) posthumous poetry collection Mot natten (2013), though the movements are not tied to specific poems. The first nocturne, Obscuro (‘twilight'), dominated by pizzicatos, is followed by a more dynamic interlude, Spasimo (‘spasm'). The fragile second nocturne, Sospiro (‘sigh'), is coloured by delicate micro-interval chords plucked on the guitar between the left hand and the nut. The interlude Passi (‘steps') leads with taps on the sound box straight into the third nocturne, Battito (‘beat'), the way having been paved by the heartbeat of strong guitar pizzicatos. The duration is c. 11'30''. The product includes one full score and separate parts for guitar and violoncello./ Répertoire / Violoncelle et Guitare

Par FINE ELAINE. Although the practice of scales is essential to building and maintaining strength, technique, tone, and agility?it is very easy to slip into the habit of playing them automatically, without paying attention to how they sound or even being aware of what scale we are playing. The 29 single-page studies in this book are designed to combat that tendency as they are musically, intellectually, and rhythmically challenging.The first 24 studies proceeded through the circle of fifths and address all minor and relative major keys; the last 5 pieces were individually conceived, i.e., apart from the circle of fifths. Occasional fingerings or position guides are suggested but these are largely left to the student or their teachers. No metronome indications are given so that the etudes can be played at individually comfortable tempos?with or without a metronome, or freely as concert etudes. It is the stepwise motion and octave leaps of the etudes that makes the intervals between pitches easy to hear, even in keys with numerous flats or sharps.Just as in Elaine Fine?s more basic scale etude book, Violin Scale Tales, the names of the etudes herein refer to various animals that have scales, including insects, fish, birds, reptiles, a few species of squirrels with scales on their tails, and the solitary pangolin, the only known mammal whose entire body is covered with scales. Again, the author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures, or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

Now in a third edition Abracadabra Violin has a fresh and contemporary new look and is the perfect book for pupil and teacher.This title offers an identical selection of repertoire to the other books in the Abracadabra Strings series so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone they remain ideal for individual tuition.With tunes you know and want to play carefully graded in 20 learning steps this new edition of the popular tutor also includes duets trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach the fundamentalsof the instrument and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Violin now also includes two CDs of performance and backing tracks featuring selected orchestral backings.

Selected from the 2016-2019 syllabus-This album contains nine pieces from ABRSM?s 2016?2019 Grade 1 Violin syllabus. Key features:   three pieces from each of Lists A B and C appealing and varied repertoire carefully edited and clearly presented throughout helpful information about the pieces and the exam All of the pieces on the Grade 1 syllabus have been recorded by RAM Junior Academystudents William Campbell and Mio Takahasi RCM Junior Department students Stephanie Childress and Edward Tomanek-Volynets and ABRSM examiner Simon Jones. The duo recordings and playalong practice tracks are available on CD? as part of the Violin Exam Pieces with CD package ? or as downloads from www.abrsm.org/audioshop.   About the series: A selection of nine pieces from the ABRSM Violin syllabus at Grades 1 to 8 covering lists A B and C. Meticulously edited and presented these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Violin Exam Pieces is available as Part only (1?5) Score and Part or Score Part and CD. Recordings can also be downloaded from the ABRSM online shop.

Selected pieces for Trinity College London Violin Exams for 2016-2019 expertly graded and edited by leading music educators. This item contains the full score Violin part and an accompanying audio CD.The CD features performances from renowned violinist Liz Partridge and includes ???minus one??? style backing tracks allowing students to practise with the Piano accompaniment performed by Stephen Wilder.The recordings are not definitive but may be employed as an aid to preparation for Trinity College London exams.**Please note: Orders for this title will not ship until 27/07/2015.**

Selected pieces for Trinity College London Violin Exams for 2016-2019 expertly graded and edited by leading music educators. This item contains the full score Violin part and an accompanying audio CD.The CD features performances from renowned violinist Liz Partridge and includes ???minus one??? style backing tracks allowing students to practise with the Piano accompaniment performed by Stephen Wilder.The recordings are not definitive but may be employed as an aid to preparation for Trinity College London exams.**Please note: Orders for this title will not ship until 27/07/2015.**

revised edition. Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3)Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary. This is the second book of Violin Parts to accompany the main method and contains the Violin pieces, points of study and tonalizationexercises. / Niveau : Débutant à Intermédiaire / Méthode en français / Méthode / Violon

World Famous Melodies contient seize mélodies célèbres, extraites du répertoire de la musique classique légère et de la musique traditionnelle. Sur le CD inclus, vous trouverez les accompagnements de piano ainsi qu'une version de démonstration de chaque pièce. / Sommaire : American Patrol - L'Air du Toréador - Can Can - Down by the Riverside - Scarborough Fair - Londonderry Air, etc. / La version papier des accompagnements de piano est vendue séparément. / Violon / 24 pages / niveau : Elémentaire / Partition + Cd

Edition de poche de \'The Real Book\'. La séléction rassemble les plus grands compostieurs de Jazz de ces 60 dermières années : Miles, Coltrane, Shorter, Hancock, Evans, Mingus, Monk...Instruments en Do. / Instruments En Do / Partition

An amazing selection from VH-1's 100 Greatest Songs Of Rock and Roll, arranged for solo Violin.Includes the songs: All Along the Watchtower, All Shook Up, American Pie, Beat It, Blowin' in the Wind, Blue Suede Shoes, Bohemian Rhapsody, Born to Be Wild, Born to Run, Bridge over Troubled Water, California Dreamin', Dream On, Every Breath You Take, Fire and Rain, Free Bird, Gloria, Good Vibrations, Great Balls of Fire, A Hard Day's Night, Hey Jude, Hotel California, (I Can't Get No) Satisfaction, I Heard It Through the Grapevine, Imagine, Jump, Layla, Let It Be, London Calling, Maggie May, My Generation, Piano Man, Proud Mary, Respect, Rock Around the Clock, Roxanne, Smells like Teen Spirit, Stairway to Heaven, Stand by Me, Sunshine of Your Love, Superstition, We Are the Champions, When Doves Cry, Yesterday, You Shook Me All Night Long and more. / Violon

Capricious Pieces for Beginner Violinists. Par FINE ELAINE. Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied./ Etude / Violon