Par SARASATE PABLO DE. George Bernard Shaw once remarked that although there are many composers of music for the Violin, there are only a few composers of Violin music. But where Pablo de Sarasate (1844-1908) is concerned, Shaw declared that the Spanish musician's talents as both a performer and composer 'left criticism gasping miles behind him. ' Famous for his fiery, forceful, and passionate playing, Sarasate was equally renowned for the sweetness and purity of his tone and his impeccable technique. As a composer steeped in the colorful music of his native land, he was well known for his many Violin works inspired by Spanish airs and dances, written to display the instrument'scapabilitie. Carmen Fantasy, Op. 25, is Sarasate 's much-loved Violin fantasy based on Bizet's Carmen. It includes excerpts of different movements from the Carmen suite, including the familiar Habanera and opening movement. Sarasate 's popular arrangement and variations on the opera's themes are staples of the Violin repertoire. This full-score version stands as the most affordable available, and it offers both performers and listeners extra insights into a celebrated work. Reprint of an early authoritative edition./ Répertoire / Orchestre

by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano

Par DIVERS AUTEURS / SARASATE. Quite early in his career, Pablo De Sarasate produced a series of fantasies on themes from popular operas for solo Violin with Orchestral, or Piano accompaniment. The appeal of the Carmen fantasy, with which this collection opens, has remained the most enduring but, perhaps reflecting the varying fortunes with audiences of the operas themselves, settings of Gounod’s Faust and Roméo et Juliette, or Weber’s Der Freischütz are ready for reappraisal today as similarly exhilarating exercises in Romantic violin technique. As an example of Sarasate ’s equally successful and more purely lyrical “salon” style of composition, his Rêverie, Op. 4 is alsoincluded here. / Classique / Répertoire / Violon et Piano

Pablo de Sarasate (1844-1908), sans doute, est l'un des virtuoses du violon les plus importantes et les plus prospères de la seconde moitié du 19ème siècle et est devenu immortel à travers ses morceaux de bravoure virtuose et très expressive dans le monde de jouer du violon. Son programme de concerts se composent essentiellement de ses propres compositions, même si pas mal de quelques travaux avaient été consacrés à lui par des compositeurs collègues et fait sur mesure pour lui: par exemple, 'Symphonie espagnole' de Lalo, 'Scottish Fantasia 'de Bruch et des oeuvres pour violon de Saint-Saëns et Wieniawski. En 1899, Sarasate composa une de ses plus populaires, non espagnols pièces, Op 'Introduction et Tarentelle '. 43, qui a été publié l'année suivante, même dans une version avec accompagnement d'orchestre. La tarentelle, une danse folklorique en 6/8 mètres, vient du sud de l'Italie et s'est développée à partir des airs de danse joués dans les Pouilles pour les personnes souffrant de tarentisme. Selon la croyance populaire, la morsure de la tarentule causé tarentisme qui était censé être guérie par la danse sauvage. Allez essayer si la pièce salon Sarasate a vraiment propriétés médicinales! / Violon Et Piano

Comme de nombreux violonistes virtuoses du XIXe siècle, Pablo de Sarasate écrivit aussi lui-même une série de morceaux pour violon et piano (ou orchestre) pour ses propres concerts. Ce sont souvent des pièces de salon extrêmement virtuoses teintées de musiques folkloriques de tous les coins d'Europe. Les huit Danses espagnoles, publiées entre 1878 et 1882 en quatre cahiers, dont le caractère alterne entre fougue passionnée et langueur expressive, comptent sans aucun doute parmi ses plus grands succès. Sarasate y mêle avec maestria des mélodies folkloriques espagnoles avec des arrangements de compositions populaires de l'époque. Comme pour l'édition Urtext des Airs bohémiens (HN 573), c'est le magicien du violon Ingolf Turban qui s'est chargé des doigtés et des coups d'archet. / Violon Et Piano

Par SARASATE PABLO DE. The Best Pieces For Violin And Piano/ Répertoire / Violon et Piano

Music Minus One Violin-This album contains two of the Romantic Era's neglected treasures. Henryk Wieniawski though little known today was a potent figure in the 19th century an almost unparalleled virtuoso violinist and a respected composer. His D minor concerto op. 22 was premiered in St. Petersburg in 1862 and is a Romantic-era treasure. Pablo de Sarasate's 'Zigeunerweisen' ('Gypsy ways') is a wonderful fantasia on Romany themes composed in 1878. Both of these concerti are wonderful and often overlooked. But take our advice and discover them - they will not disappoint! Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the rightchannel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn

2 short pieces for Violin and Guitar from legendary Violinst and composer Pablo De Sarasate.

Arrangeur: Timofei Dokschizer. Par SARASATE PABLO DE. / Niveau : Confirmé / Répertoire / Saxhorn en Sib et Piano