La référence AL25365 de l'éditeur Leduc dont l'auteur célèbre est Schubert/Spiers P., qui a pour titre Romantic Schubert, a été écrite et composée pour Orgue et plus particulièrement pour Orgue Electronique. Cette partition musicale appartient à la catégorie Classique. / Orgue Electronique / Partition

One of the twentieth-century’s most outstanding organist-composers – ‘The English César Franck’. This is a warm and romantic work in three movements which can be programmed separately but together add up to a structure of sonata dimensions. Bairstow’s career spanned the whole strata of provincial musical life from choral society to music festival and encompassed Organ playing writing teaching conducting accompanying lecturing composing and adjudicating as well as looking after the busy musical life of York Minster where he served as Organist and Master of the Choristers from 1913 until his death in 1946.

Bridge’s early works those written before the first World War were more late Romantic in style warmly expansive than his mature works. The Adagio is a four-Voice fugue of poetic expressiveness that makes full use of the instrument’s tonal resources.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor violist and teacher his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge based on a theme from one of Bridge’s pieces for String quartet.

This important variation cycle was written in the year of Schubert???s death 1828 by Rinck who had studied with the Bach pupil Kittel. The date of composition places it firmly in the organ repertoire of the Romantic period. It is particularly suitable as a light-hearted encore piece but can be equally rewarding as part of any concert programme or even in a liturgical context at Christmas time. This is now the only available edition of the work and is based on the first edition in the collection of the Hessische Landes- und Hochschulbibliothek Darmstadt.

Organ Transcription by Jean GuillouInstrument : organNombre de Pages : 12Franz Liszt's 'Première Valse oubliée' is known and popular as a subtle and delicately beautiful piece for the piano. This romantic gem has now been arranged by Jean Guillou for the organ in his inimitable way.

Selecting music from the baroque classical and romantic periods Diane Bish has arranged this collection of 20 classical favorites for the organ. Some titles include ?Alleluia? from ?Christmas Oratorio?by Camille Saint-Saens ?Echo Noel? by Louis Claude D'Aquin ?Glory to God in the Highest? by Giovanni Battista Pergolesi and Handel's ?Hallelujah Chorus.? Spiral bound.

Edition no.: BA9284 ISMN: 9790006537181 Volume / Series: Complete Organ Works, Volume IV Editor: Boecker, Jan / Stockmeier, Wolfgang Product format: Performance score(s), Anthology, Urtext edition Includes the following individual parts: Organ Binding: Cardboard binding Pages / Format: XIX, 95 Seiten - 30,0 x 23,0 cm Gerard Bunk (1888?1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works. Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement. This Urtext edition, prepared by the composer?s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary. The complete edition will comprise a total of six volumes. - First complete Urtext edition - Each volume contains a detailed foreword and critical commentary (Ger/Eng) - Numerous facsimiles and illustrations

This pair of Organ works is clearly in Dyson’s later style when he displayed a leaner more modern aesthetic that is still tuneful and approachable.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voice and church music in particular his two settings of the Magnificat and Nunc Dimittis have remained active in the Anglican repertoire.

Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895–1903 and thereafter in Leipzig with Max Reger 1908/9. Her most significant legacy is her organ music, which takes up the contrapuntal, highly chromatic composition techniques used by her teacher. These ten chorale preludes Op. 73 were written in 1930 and are suitable for concert or liturgical performance./ Répertoire / Orgue

Franz Liszt composed his lyrical-meditative organ fantasia on the Ave Maria von Arcadelt in Rome in 1863. In contrast to his major virtuoso works this charming genre piece can even be easily played on smaller (double-manual) instruments even without swell-organ and reeds. The 'Liszt organ' at the village church of Denstedt near Weimar which was built by the Peternell brothers in 1859/60 and has survived in its original state may be used as an example. It did not become known until in 1927 that the Ave Maria attributed to Jakob Arcadelt (around 1505-1568) was a revised version by the composer Pierre-Louis-Philippe Dietsch (1808 1865) who used the melody of Arcadelt'schanson Nous voyons que les hommes which he then harmonized into his own Romantic four-part choral setting and to which he added the sacred text as a contrafactum. Our separate edition wants to make this rather 'poetic' yet quite easy-to-play organ work without any major technical difficulties accessible to a large circle of interested people.

The songbook of Four Quiet Interludes comprises 1. Elegiac 2. Dorian 3. Pastorale (By The Waters Of Babylon) and 4. Choral which includes a voicing of 'Jesu! The very thought is sweet'. These pieces demonstrate Lloyd Webber’s strong melodic and harmonic gifts.Organist composer teacher and arranger William Lloyd Webber father of musicians Andrew Lloyd Webber and Julian Lloyd Webber was a twentieth century English musician who was not only a church Organist but a well-known recitalist and teacher at the Royal College of Music. His works arose from the Romantic tradition which he felt became ‘out of step’ as modern styles changed. His work is enjoying a revaluation.

In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: Orlando Gibbons’s ‘Forth in Thy name O Lord I go’ Pry’s Psalter (1621) ‘O Lord turn not away Thy face’ Thomas Campion’s ‘By the waters of Babylon’ and ‘God moves in a mysterious way’ from the Scottish Psalter (1635). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voiceand church music in particular his two settings of the Magnificat and Nunc Dimittis have remained active in the Anglican repertoire.

A Treasury of European Service Music for Organ is a generous collection of music by many of the fine organist-composers who flourished in the 18th 19th and early 20th centuries.The style is romantic and ideallysuited for Service use: the pieces are just the right length sight-readable and delightful to the ear.Richard Lloyd has edited them expertly for playing on modern instruments.Contents:Adagio by FrançoisVerhelstAdoro te by Pierre-François BoëlyAndante by Arthur de HovreAndantino by Louis AndlauerAntiphon by Georges Debat-PonsanAria by Albert H. OswaldAve Maris Stella by François BenoistBenedicamusDomino by Pierre-François BoëlyCantilène by Paul FauchetCantilène by Arthur de HovreChorale by Louis BottazzoCommunion by Louis BottazzoCommunion by Marc DelmasCommunion by Adolphe d'HulstCommunion byAlfred MarichelleCommunion by Edouard TorresCoro Religioso by Orlando A. MansfieldDeux Canons by Ludvig Mathias LindemanDeux Interludes by Eugène GigoutElégie by Domenico BellandoElégie by RobertoRemondtElégie by August WiltbergerElévation by Domenico BellandoElévation by Adolphe d'HulstElévation by Jean HuréElévation by Otto MallingElévation by Edouard TorresFughetta by Oscar DepuydtFuguein E minor by Guillaume LasceuxFugue in E minor by Jean-Nicolas MarriguesFugue in G minor by Jean-Jacques Beauvarlet-CharpentierImprovisation by Gustaf HäggImprovisation by Joseph NesveraImprovisation by AugustWiltbergerInterlude by Santiago TafallInterlude by Emile WambachInterlude in E by Amédée ReuchselInvocation by Alexandre Winkel Kyrie 'Orbis Factor' by François BenoistLarghetto by J. SurzynskiLe Carillonde Balleroy by A. ManciniMeditation by A. ManciniNoël by Alphonse MaillyNoël Lorrain by Guillaume LasceuxNorwegian Song by Peter LindemanOffertoire by Louis BottazzoOffertoire by Oscar DepuydtOffertoire

This work includes a 'Storm' typical of the mid-late Romantic French Organ repertoire. This work is from 'Six Pieces for Organ' composed by the former Organist of Clemont Ferrand Cathedral.