Par HAHN REYNALDO. Reynaldo Hahn 's Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance revelry with the ‘ Bal De Beatrice D'Este', the composer continued to explore the past with a tribute, in 1907, to Rameau (in the final drumroll of the ‘ Sonatine' for Piano). He also published Songs And Madrigals, composed on a selection of texts written by famous 15th and 16th century poets: Charles d'Orleans, Jean-Antoine de Baï f and Agrippa d'Aubigne. Composed for three- and four-part choir (with optional Piano accompaniment duplicating the Vocals), these six Songs And Madrigals radiate a powerful charm that preserves them from affectation: Un Loyal Coeur envelops the listener in the polyphonic latticework of an enchanting melancholy, while Vivons, Mignarde borrows rhythmically from Lully to exalt the 'sweet life' that Coralie's lips promise to make even more voluptuous. With its seductive melody and expressive delays, Pleurez Avec Moi! bestows heartrending accents upon the sighs of a desolate soul. En Vous Disant Adieu, Comment Se Peut-il Faire Ainsi and Les Fourriers D'Ete round off this collection of deliberately archaic songs that exhale an irresistible freshness./ Répertoire / Choeur et Piano

This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano

Composed by Reynaldo Hahn Romance In A Major is a chamber piece for Violin and Piano for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting 'Très modéré' with the main theme the piece later become quieter 'calme' with some variations of this main theme. Really romantic it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs healso wrote many pieces and melodies for different instruments.

Written for the Paris Conservatoire contest of 1903  Sarabande Et Thème Varié is a piece by Reynaldo Hahn for Clarinet and Piano. Quite challenging this piece is perfect for advanced students and would work well for a contest or a recital. As the name mentions it this work is composed with a main sarabande. It is dedicated to Charles Turban a French clarinettist. Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs he also wrote many pieces and melodies for different instruments.

Venezia is a set of six songs of music by Reynaldo Hahn. For Voice and Piano the lyrics are written both in Venetian dialect and in French. The Piano score requires an upper-intermediate technique as per the Voice. A small guide to correct pronunciation is given at the beginning of the book. The six songs are: - “Sopra l’acqua indormenzada” by Pietro Pagello - “La Barcheta” by Pietro Buratti - “L’avertimento” by Pietro Buratti - “La Biondina in Gondoleta” by Antonio Lamberti - “Che peca !” by Francesco Dall’ Ongaro - “La Primavera” by Alvise Cigogna Some of these pieces are dedicated to renowned women such as Giorgio Sand the Countess of Guerne born Ségur and Ernesta Sterne. Reynaldo Hahn was a naturalised French composer conductor theatre director and singer. Best known as a composer of songs he also wrote many pieces and melodies for different instruments.

20 Melodies Voix Moyenne Et Piano-As Proust liked to remind us Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn’s mouth was a genius music instrument that was letting the most beautiful sad yet warm voice out when he was singing. Following the first volume written in 1986 Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas étoilée – Cantique - La Délaissée - La chère blessure – Théone - Le souvenir d'voir Cante-Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau – Fumée - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix

Pour Deux Pianos-At the time Reynaldo Hahn (1874-1947) tackled music for two pianos Belle Époque salons were already vying for this gifted 17-year-old who had made himself known by publishing a song whose success was going to be crowned by a place in posterity: Si mes vers avaient des ailes. Dated 1891 the Scherzo lent surprises with its very title a veritable oxymoron since the scherzo is normally distinguished by its rapidity. From it the composer kept only the three-beat rhythmic pattern and the tripartite structure (ABA) with B serving as a trio. Previously unpublished this expressive dance with its moderate tempo had its world premiere recordingby Leslie Howard (with Mattia Ometto) who prefaced the present publication. Built on an improvised theme while dusk was wrestling with night the Caprice mélancolique of 1897 takes the form of a waltz-fantasy in quadruple time its originality being heightened by the contrasting central part. The moving triptych Pour bercer un convalescent dedicated in 1915 by Private Reynaldo to 'Henri Bardac sergeant in the 306 th infantry seriously wounded at the battle of the Aisne' combines modesty and melancholy with infinite delicacy: its healing powers are of all times.

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn was best known for his contributions to the French Mélodie however his other works have never gone amiss. His Le Rossignol Éperdu Poèmes for Piano represents the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. ForHahn music was a magical art and his instrumental compositions often contain expressions of his otherwise hidden emotions and moods. Suitable advanced pianists the first volume of Hahn's Le Rossignol Éperdu Poèmes provides pleasant and evocative performance pieces incorporating a range of expressions rhythms and other musical features.

Par HAHN REYNALDO. Mathieu Varnerin / Niveau : Avancé / Répertoire / Guitare et Chant

Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. If My Verses Had Wings! for Voice & Piano however is one of many compositions that shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. If My Verses Had Wings! is based on the poetry of Victor Hugo. Moreover this edition of Hahn's If My Verses Had Wings! contrains transcriptions in three different keys making it versatile to a range of voices. Hahn's If My Verses Had Wings! contains a variety of different features making for a pleasant and evocative work for singers and pianists.

Selected Songs chosen by Francois Le Roux-Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the “songs for voice and piano” genre whose raison d’être he defines in his journal as follows: “To highlight a poem word for word but without uniformity; to emphasize its meaning without distorting it; to shine light upon one idea obscure another and present it all in vocal sung form; to produce a sharp precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece”. Enhanced by an audio version attached as a download card this anthology of songs should dispel a good manymisconceptions. This is no salon miniature: L’Heure exquise radiates an infinite tenderness exalted by the high vocal cadences of Ô Bien-Aimée! and C’est l’heure exquise which surely wrought tears from the author of the verses Verlaine. Tyndaris the jewel of Heures latines clears a crystal-clear space given over to the delights of slumber and of love. Like D’une prison and Cygnes these songs do more than wet the eyes: they grip the heart.

Par HAHN REYNALDO. / classique / Date parution : 1938-01-08/ Répertoire / Basse Solo, Choeur à 4 Voix et Orgue Ad Libitum