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Bent Lorentzen: Pergolesis Hjemmeservice /Pergolesi's Home Service: Chamber
Wilhelm Hansen
Pergolesis Hjemmeservice (Pergolesi's Home Service) (1998/2003) - a Chamber Oper...
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Pergolesis Hjemmeservice (Pergolesi's Home Service) (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. Libretto by Michael Leinert and Bent Lorentzen. English version: KP0193601 German version: KP0193602 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html
76.99 GBP - vendu par Musicroom GB
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Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) -...
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Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. German version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 English version: KP0193601 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html
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Bent Lorentzen Michael Leinert: Pergolesi's Home Service: Opera: Score
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Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) -...
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Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. English version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 German version: KP0193602 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html
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Vespro Della Beata Vergine / Marienvesper (PERGOLESI GIOVANNI BATTISTA)
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Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a ...
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Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short instrumental interpolations, and the contrafactum of a secular cantata for the Salve Regina, thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor, with its allusions to Vivaldi, to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate. The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice. Performance material available for hire Effective reconstruction of a full-length work Cross-section of Pergolesi’s sacred music Clear and easy-to-play piano reduction/ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre
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MeSSA In Re Maggiore (PERGOLESI GIOVANNI BATTISTA)
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Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLES...
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Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLESI GIOVANNI BATTISTA. Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples, Pergolesi limited his composition to the “Kyrie” and “Gloria”. The festive character of the work is emphasized by the rich scoring for vocal soloists, five-part choir and a full orchestra of strings and winds. This edition, made with strict philological criteria, is based as its main source on a set of parts preserved partly in Naples, partly in Montecassino. These parts were made for aperformance conducted by the composer, who added various autograph annotations. Among the secondary sources are two period Neapolitan scores, today in Bologna and Dresden. The book includes a historical introduction (which traces the history of the genre in Naples and the relationship between the two Masses by Pergolesi) and the critical notes. / Niveau : Intermédiaire / Messe / Répertoire / Voix et Piano Réduction
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262.20
Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Ricordi
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDI...
(+)
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres, churches, and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona, which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo, who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted, along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction, which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission, genesis, premiere, and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia, and an aria for the third act whose text does not appear in the original printed libretto, are provided as appendices. / Date parution : 1905-07-09/ Répertoire / Solistes, Choeur et Orchestre
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Giovanni Battista Pergolesi: Stabat Mater (Pergolesi) Excerpts: 2-Part Choir:
Chorale 2 parties
Hinshaw Music Inc.
The Stabat Mater is considered to be of 13th century Franciscan origin. In the 1...
(+)
The Stabat Mater is considered to be of 13th century Franciscan origin. In the 15th century it was used as a sequence in connection with the new mass of the compassion of the Virgin Mary and became an official part of the Roman liturgy in 1727.Picturing the darkest hour in the passion story the poet poignantlydescribes Mary the mother of Christ broken by suffering weepingat the foot of the cross.The setting by Pergolesi composed in Naples Italy shortly before hisdeath from tuberculosis at the young age of 26 is recognized as amasterpiece. Pergolesi has cleverly combined 2 styles: the learnedcounterpoint of the style Antico and the new decorative languageof the Neopolitan opera. Composer/critic Jean-Jacques Rousseau calledthe opening movement 'the most perfect and touching duet to come fromthe pen of any composer'. The final amen can be heard at the end ofthe movie Amadeus. Mozart greatly admired the music of Pergolesi.The complete work was first published in London in 1749. The excerptsthat were chosen for this edition work extraordinarily well withyoung treble voice choir.Included In Collection:1. Stabat Mater Dolorosa- Mvt 1.2. Quae Moerebat Et Dolebat- Mvt 4.3. Fac Ut Ardeat Cor Meum- Mvt 8.4. Inflammatus Et Accensus- Mvt11.5. Quando Corpus- Mvt12. (Includes Mvnt 'Amen')
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Orgue
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
6.80
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Mass In F Major Missa Romana
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Orgue
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Mass In F Major Missa Romana
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Chant Et Piano
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Mass In F Major Missa Romana
Violon 1
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 1
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Stabat Mater (PERGOLESI GIOVANNI BATTISTA)
4.20
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Choeur de Femmes (SS) et Piano
Boosey and Hawkes
Pergolesi Suite. Par PERGOLESI GIOVANNI BATTISTA. La Suite de Pergolèse est for...
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Pergolesi Suite. Par PERGOLESI GIOVANNI BATTISTA. La Suite de Pergolèse est formée par les deux derniers mouvements de populaire Stabat Mater de Pergolesi, composé en 1736, juste avant la mort du compositeur. L'écriture vocale expressive est lyrique en style et nécessite un spectaculaire and ldquo-opéra and rdquo - interprétation./ Répertoire / Choeur de Femmes (SS) et Piano
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Mass In F Major Missa Romana
76.90
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Conducteur
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Mass In F Major Missa Romana
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 2
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Stabat Mater Full Score (PERGOLESI GIOVANNI BATTISTA)
20.20
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Chorale
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Dover Publications
Par PERGOLESI GIOVANNI BATTISTA. Shortly before his death, Giovanni Pergolesi mo...
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Par PERGOLESI GIOVANNI BATTISTA. Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat mater - based on the medieval Latin poem. The piece reveals the infusion into church composition of the operatic style. Pergolesi's Stabat mater features a lively declamation of the text and great melodic appeal and expressiveness. Underlying everything is the contrapuntal background that was expected in music composed for the church at this time. This is is the full score of the original version, which was written for Soprano and Alto Solos and small String Ensemble. / Musique religieuse / Répertoire / Choeur
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Mass In F Major Missa Romana
12.30
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Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Basse
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
(+)
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Mass In F Major Missa Romana
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Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 1
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14.50
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
(+)
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Mass In F Major Missa Romana
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Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Alto
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Mass In F Major Missa Romana
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Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Alto
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Mass In F Major Missa Romana
12.30
Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 2
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
8.50
Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
Solistes SA, 2 Violons, Alto et Basse Continue, (C
[Partition]
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
(+)
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Mass In F Major Missa Romana
12.30
Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Basse
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