Par PERILHOU. Written for Flute or Violin accompanied by a Piano, Ballade is a piece by Albert Perilhou (1846-1936), dedicated to Paul Taffanel. This piece is one of the most famous by this author and could be chosen as a contest or a recital work. Composed in 1903, Ballad is a one-movement piece which begins with a slow part and alternates with an Allegro section. This latter is the section of the main theme which demonstrates the range of the flute with expressive runs. The melody of the slow part keeps coming back along the piece, which finishes on it. The difficulty of this piece would suit upper-intermediatelevel players./ Répertoire / Flûte Traversière ou Violon et Piano

Contenu: Prélude et Scherzo (Henri Büsser) - Concertino op. 107 (Cécile Chaminade) - Concertino op. 45 (Alphonse Duvernoy) - Cantabile et Presto (Georges Enesco) - Fantasie, Op.. 79 (Fauré) - Andante et Scherzo (Louis Ganne) - Fantasie, Nocturne au Allegro Scherzando (Philippe Gaubert) - Ballade (Perilhou) - Andante pastoral et Scherzettino (Paul Taffanel). Les enregistrements des accompagnements au piano disponibles séparément: HL50490448 / Flûte Traversière / 100 pages / Partition

Par FAURE GABRIEL. Clair de Lune (transc. A. Perilhou); En Prière (transc. H. Busser); Serenade toscane (transc. F. Ronchini) - for violin (or cello) and piano/ Répertoire / Violon ou Violoncelle et Piano

An invaluable collection of scale, chord, arpeggio and cadence studies in all major and minor keys. Each key is presented in a unique two page format: the left hand page presents the scale in parallel motion, contrary motion, and parallel motion in thirds and sixths. The right hand page contains triads, cadences and arpeggios in root position, 1st inversion and 2nd inversion. These excellent all-inclusive books teach scales, chords, arpeggios, and cadences at three different levels. The FIRST book (#11761) accommodates the learning pace of younger students such as those in Alfred's Basic, Level 2. The BASIC book (#5754) is slightly more in-depth, presenting scales, chords, arpeggios, and cadence studies in all the major and minor keys. The COMPLETE book (#5743) features everything in the BASIC book, plus extra features like a 12-page explanation that leads to complete understanding of the fundamentals of major and minor scales, chords, arpeggios, and cadences; a clear explanation of scale degrees; and a two-page guide to fingering the scales and arpeggios

Par SILVESTRI RENZO. L'edizione presenta una raccolta di tutte le scale maggiori e minori, per moto parallelo e contrario, con l'aggiunta di esercizi preparatori e formulario per quelle in doppia terza e in doppia sesta. Sono incluse: scale per ottava semplice per moto parallelo; scale per moto contrario; scale per terza semplice; scale per sesta semplice./ Etude / Piano

FROM MIKROKOSMOS INSTRUMENTATION : 2 CLARINETS CONTENU : SYNCOPATION - TWO VOICES IN ALTERNATION - PARALLEL MOTION - REFLECTION - SYNCOPATION - IMITATION AND INVERSION - REPEATED NOTES - CANON AT THE OCTAVE - IMITATION REFLECTED - PARALLEL MOTION AND CHANGE OF REGISTER - CONTRARY MOTION - IMITATION AND COUNTERPOINT - LITTLE DANCE IN CANON FORM - MELODY IN TENTHS - STACCATO AND LEGATO - IN LYDIAN MODE - IN HUNGARIAN STYLE - CRESCENDO-DIMINOENDO - CHROMATIC - TRIPLETS IN LYDIAN MODE - HUNGARIAN DANCE NOMBRE DE PAGES : 20 FORMAT : NEW EDITION PORTRAIT

Ce recueil vous propose une trentaine de falsetas de Moraíto, pour une ou deux guitares (presque une intégrale !), ainsi que la transcription complète de deux solos. Le 'toque por Bulería' de Moraíto restera sans doute longtemps le point culminant d'une tradition jérézane déjà centenaire, de Javier Molina à Manuel Parrilla et Diego del Morao, en passant par Juan et Manuel Morao, Parrilla de Jerez, Paco Cepero' Avec une remarquable économie de moyens, tant pour la forme que pour la technique, Moraíto a en effet créé une redoutable machine à produire des falsetas 'con soniquete'. L'étude des présentes falsetas vous permettra, sans trop de difficultés techniques, non seulement de jouer Moraíto dans le texte et surtout dans l'esprit, mais aussi de composer vos propres falsetas 'con aire jerezano'. Le CD, qui reproduit toutes les interprétations originales des partitions, vous permettra de mieux capter le swing si particulier de la Bulería de Jerez, et donc de Moraíto. / Guitare

Par BACH JOHANN SEBASTIAN. Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts, running to almost 500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research. J. S. Bach's St Matthew Passion BWV 244 for SATB and Piano. Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Hofmann, Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition, presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach's intentions. Bach scholars are well aware that Bach's original score and performance parts, running to almost500 pages of music, are full of ambiguities and contradictions, particularly regarding articulation, which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report, frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus, for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research./ Répertoire / Choeur Mixte et Instrument Divers

Tarik O’Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. 'The Night’s Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual “variations” on the “theme” of sleep and can be found in the chosen texts. The work’s title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition’s focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O’Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence'. - Organists' Review

A straightforward way to develop the ability to sight read with ease accuracy and musicality! In the Every Day plan for Book 5 students learn: 6/8 and 3/8 compound meter and cut time. First-inversion and second-inversion chords. Simple counterpoint first and second endings. Continued comfort with using the entire keyboard and variety of major and minor keys. Music terms: dolce meno and sempre. The inclusion of Rhythm Flashes! Interval Flashes! and Pattern Flashes! guaranteed to teach students how to think and plan quickly! In The Every Day plan for Book 5 students review: Ledger line reading ostinato patterns harmonizing and transposing. Parallel and relative minor keys. Reading intervals from M2 to P8. Plagal and authentic cadances and suspension chords.

Die Hal Leonard Klavierschule ist eine reich illustrierte Instrumentalschule in fünf verschiedenen Schwierigkeitsgraden: von Band 1 für noch junge Schüler bis zu Band 5 für fortgeschrittene Pianisten. Zu jedem Schwierigkeitsgrad gibt es ein Übungsbuch, ein Spielbuch und jeweils eine Mitspiel-CD. Die Übungs- und Spielbücher sind aufeinander abgestimmt, so dass sie parallel verwendet werden können. Die Mitspiel-CDs machen die Schule nicht nur komplett, sondern sorgen dafür, dass das Üben effektiver wird und noch mehr Spaß macht! Buch und CD können jeweils separat oder, mit Preisvorteil, im Paket Buch + CD bestellt werden. / Niveau : Très Facile / Méthode / Méthode / Piano

With three fabulous volumes of Instruments in Praise already perennial favorites this Christmas collection is sure to be a hit! Lloyd Larson has taken some of the great Christmas carols and songs of the church – suchas “Away in a Manger ” “Go Tell It on the Mountain” and “We Three Kings ” to name a few – and arranged them for solo instruments and piano. The parallel voicings make this collectionavailable to all instrumentalists who enjoy sharing their gifts in worship.