Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicianstake all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Bright Star Of The West is a biography of one of the most important figures in Irish music in the 20th century. This is the first study focused on sean-nos a distinguished and beautiful repertoire and style and provides a unique exploration of gender and masculinity in Irish music. Bright Star Of The West is the winner of the Alan P. Merriam Prize of the Society for Ethnomusicology. Bright Star Of The West traces the life repertoire and influence of Joe Heaney Ireland's greatest sean-nós ('old style') singer. Born in 1919 Joe Heaney grew up in a politically volatile time as his nativeIreland became a democracy. He found work and relative fame as a singer in London before moving to Scotland. Eventually like many others searching for greater opportunity he emigrated to the United States where he worked as a doorman while supplementing his income with appearances at folk festivals concerts and clubs. As his reputation and following grew Heaney gained entry to the folk music scene and began leading workshops as a visiting artist at several universities. In 1982 the National Endowment for the Arts awarded Heaney America's highest honor in folk and traditional arts the prestigious National Heritage Fellowship. Although Heaney's works did not become truly popular in his homeland until many years after his death today he is hailed as a seminal figure of traditional song and is revered by those who follow traditional music. Authors Sean Williams and Lillis Ó Laoire address larger questions about song identity and culture. They explore the deep ambivalence both the Irish and Irish-Americans felt toward the traditional aspects of their culture examining other critical issues such as gender and masculinity authenticity and contemporary marketing and consumption of sean-nós singing in both Ireland and the United States. Comingling Heaney's own words with the

Radio and Roots Music along the Red River-In Louisiana Hayride - Radio And Roots Music Along The Red River Tracey E.W. Laird documents the history of the popular radio station exploring the role that northwestern Louisiana played in the development of both country music and rock and roll. This interdisciplinary study that combines original ethnomusicology research with social and oral history. On a Saturday night in 1948 Hank Williams stepped onto the stage of the Louisiana Hayride and sang 'Lovesick Blues.' Up to that point Williams's yodeling style had been pigeon-holed as hillbilly music cutting him off from the mainstream of popular music. Taking a chance on this untriedartist the Hayride—a radio 'barn dance' or country music variety show like the Grand Ole Opry—not only launched Williams's career but went on to launch the careers of well-known performers such as Jim Reeves Webb Pierce Kitty Wells Johnny Cash and Slim Whitman. Broadcast from Shreveport Louisiana the local station KWKH's 50 000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city she probes the vibrant historical cultural and social backdrop for its dynamic musical scene. Sitting between the Old South and the West this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility the presence of a legal 'red-light' district from 1903-17 and musical interchanges between blacks and whites who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter the 'king of the twelve-string guitar ' and Jimmie Davis the two term 'singing governor' of

A seminal work in music theory for over two decades Christopher Hasty's Meter as Rhythm is foundational to new subfields in ethnomusicology and music cognition and recently being investigated in non-music fields from literary studies and poetics to physics and biology. This Twentieth Anniversary Edition makes the work readily available across this wide spectrum of scholarship.

In Vol. 2 of the Violin Sonatas by Robert Schumann the Wiener Urtext Edition presents the F.A.E. sonata jointly composed by Schumann Brahms and Albert Dietrich as well as the edited version with the movements of Brahms and Dietrich being replaced as third Violin sonata of Robert Schumann. The present edition is based on the edition published in 2002 in the New Schumann Complete Edition and thus on the latest musicological findings. In the case of the F.A.E. sonata this is mainly a matter of slight changes in the fields of dynamics and articulation. In the case of Schumann's third Violin sonata the present edition differs moresignificantly from the first edition published in 1956 and the slightly revised new edition of 1988. The order of the middle movements the accuracy of which could not be clearly determined up to now has been changed compared to the earlier editions because of newly found documents. In addition the repetition of the first section of the middle part notated in the first edition before the last 13 bars yet not intended by Schumann has been omitted. The repetition demanded by the composer however of the first eight bars before the beginning of the coda which is missing in hitherto publications has been added. Moreover in contrast to the first edition the new edition contains a variant for bar 100 in the first movement which was not written out in full by Schumann.

for Piano and Orchestra-Concerto For Piano And Orchestra No.17 G major K. 453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!

New findings in Beethoven?s first piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven?s works now turns his focus on the Piano concertos.In the Piano Concerto No.1 in C major Op.15 Del Mar has found no fewer than 17 corrections in Beethoven?s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets the highestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven?s cadenzas - Piano reduction with a separate solo Piano part- Performance material and piano reduction available for sale

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / Instruments Divers Et Clavier

This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French English and Italian