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Seiber M. - Dance Suite - Saxophone Et Piano
9.00 €
Seiber M. - Dance Suite - Saxophone Et Piano
Saxophone et Piano
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Arranger: Haan, Stefan de Composer: Seiber, Mátyás Preface: Haan, Stefan de ...
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Arranger: Haan, Stefan de Composer: Seiber, Mátyás Preface: Haan, Stefan de The Dance Suite for alto saxophone and piano is an arrangement of selected pieces from Mátyás Seiber's Easy Dances, originally composed as piano pieces on the popular dance-styles of the 1920s and 30s and focusing particularly on the rhythmic characteristics of each. Seiber's life and work linked and developed many diverse musical influences, from the Hungarian tradition of Bartók and Kodály, to Schoenberg and Serial Music, to jazz, folksong, film and lighter music (rewarded by an Ivor Novello Prize for 'By The Fountains of Rome'). A late collaboration with John Dankworth produced the 'Improvisations for Jazz Band and Orchestra'. Contenu - Tango 1 - Tango 2 (Habanera) - Waltz - Blues - Charleston - Foxtrot - Cake-Walk
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Grade 8 Piano Anthology 2023-2024
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Grade 8 Piano Anthology 2023-2024
Piano seul
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Peters
Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long be...
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Examination Pieces. Par . The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam. / Date parution : 2022-09-27/ Recueil / Piano
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Jouni Kaipainen: Conte Op.27: Piano: Instrumental Work
13.99 €
Jouni Kaipainen: Conte Op.27: Piano: Instrumental Work
Piano seul
Wilhelm Hansen
Piano Solo-Programme noteConte op. 27 was commissioned by the Sibelius Academy...
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Piano Solo-Programme noteConte op. 27 was commissioned by the Sibelius Academy of Helsinki to be one of two interchangeable obligatory contemporary numbers in Maj Lind Piano Competition for young talented Finnish pianists. I wrote the piece in the beginning of the year 1985; the competition took place a year later.?Conte? is the French word for ?a story? or ?a fairy tale?. This does not mean that I am trying to tell any specific story with the music. The title refers to two things mainly. On the one hand both the harmonic and the textural colouring ofthe piece are connected with the world of fairies and trolls. On the other hand musical ideas in this piece are treated in a way which inevitably brings to my mind the oral tradition of story-telling ? formally speaking. Conte has ties with the ways in which rambling fantastic stories are told. The small musical cells are like persons in a story more or less important and every story has its own fate. These individual fates collide with each other in a more or less random capricious way and cause continuously new situations for the principal figures. The net is always moving ? after all no one can be the same before and after an important meeting.On the level of the sounding surface I guess that the most important feature of Conte is a certain nervousness a kind of electric swarming which is due to the characteristics of the chosen material itself. Nor do the stories of a good story-teller get stuck.Jouni KaipainenÂ
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Grade 8 Piano Anthology 2023-2024
18.95 €
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Piano seul
Peters
Examination Pieces. The Edition Peters Grade 8 Piano Anthology has long been a p...
(+)
Examination Pieces. The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam.
18.95 GBP - vendu par Musicroom GB
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Grade 8 Piano Anthology 2023-2024
18.95 €
Grade 8 Piano Anthology 2023-2024
Piano seul
Peters
Examination Pieces. The Edition Peters Grade 8 Piano Anthology has long been a p...
(+)
Examination Pieces. The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam.
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Grade 8 Piano Anthology 2023-2024
18.95 €
Grade 8 Piano Anthology 2023-2024
Piano seul
Peters
The Edition Peters Grade 8 Piano Anthology has long been a popular resource for ...
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The Edition Peters Grade 8 Piano Anthology has long been a popular resource for anyone approaching this important milestone examination. In September 2022 Edition Peters will release a new Grade 8 Anthology to support the new (2023/2024) Syllabus and, for the first time, will issue new anthologies to support pianists studying at or preparing for Grades 5, 6 and 7. Also new for this year: a selection of lesser-known additional repertoire suitable for the own-choice piece in the new Performance Exams. The four new Piano Anthologies for Grades 5, 6, 7 and 8 2023/2024 comprise a broad selection of examination pieces from lists A, B and C of the Associated Board syllabus. The anthologies support students preparing for the Practical Exam or for the new Performance Exam. Those preparing for the Performance Exams are aided by Performance Notes by Norman Beedie (Lecturer in Classical Improvisation, Piano and Conducting at the Royal Conservatoire of Scotland), which give advice on technique and interpretation for each piece, and guidance on preparing an effective programme. The pieces in this volume are drawn from the extensive range of piano music in the Edition Peters catalogue ? one of the widest available. With candidates able to offer a free choice work in the Performance Exam, each Anthology contains additional lesser-known repertoire suitable for the exam.
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Reicha, Antoine : 36 Fugues for Piano
43.50 €
Reicha, Antoine : 36 Fugues for Piano
Piano seul
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The Czech composer Antonin Rejcha (also Anton Reicha, 1770?1836) was famous as b...
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The Czech composer Antonin Rejcha (also Anton Reicha, 1770?1836) was famous as both an experimental composer and as a teacher and theorist. His ?36 Fugues for Piano? testify to this experimentalism; they can be seen as a type of
?Well-Tempered Piano of the new ages?, basing the traditional Baroque fugue on radical new fundaments.
The first edition of this unusual collection was produced in 1803 in Vienna by Reicha?s own publishing company ?Au Magasin de l?Imprimerie chimique?. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text ?Ãœber das neue Fugensystem? (?On the new fugal system?) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel).
The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828).
- Works historically important to the development of the fugue
- New foreword by Roman Dykast (Cz/Eng/Ger) / [36 Fugues Pour Piano] / Classique / Partition / Broché /
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Fiser Lubos - Sonata Iii
22.70 €
Fiser Lubos - Sonata Iii
Piano seul
[Partition]
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PIANO SONATA NO. 3 was written in 1960 during the composer?s studies at HAMU (Mu...
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PIANO SONATA NO. 3 was written in 1960 during the composer?s studies at HAMU (Music Faculty of the Academy of Performing Arts in Prague) under Emil Hlobil. The first half of the 1960s was the period during which Fiser?s musical language underwent fundamental change as he rapidly cultivated his own, distinctive style, established in Fifteen Prints after Dürer?s Apocalypse. This sonata thus also includes several essential traits which shift his compositional development further. The work has two movements, however, its internal structure abandons traditional form. The piece is divided into several short, mutually contrasting sections, whereby the distinctions between the adjacent parts are emphasised by the thematic and chordal treatment. These contrasts are also supported by the chosen dynamics, tempo and other expressional means. The harmony is largely based on traditional chords or their condensed form while, in certain passages, we will nevertheless come across semitone clusters or fourth chords. The melody is still chiefly diatonic at times Fiser uses chromatic sequences. These new elements in Sonata No. 3 indicate an attempt to simplify his writing and ensure greatest transparency and impact. This endeavour became a basic characteristic of Fiser?s compositions from the mid-1960s onwards. The sonata originally bore the postscript Fantasia, which was subsequently taken out by the composer. It was first performed by Ales BÃlek in 1961. The new setting for this piece is based on the single edition to date (Panton, 1967) only with regard to a few inconsistencies in the score was it necessary to consult the composer?s manuscript (kept at the National Museum ? Czech Museum of Music, acquisition number 297/2006). H 7957, ISMN 979-2601-0446-4
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Fugue No.1 for piano solo: Piano: Instrumental Album
Piano seul
Barenreiter
Fugue No.1 from 36 Fugues for Piano (BA9541) The Czech composer Antonin Rejcha (...
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Fugue No.1 from 36 Fugues for Piano (BA9541) The Czech composer Antonin Rejcha (also Anton Reicha 1770–1836) was famous as both an experimental composer and as a teacher and theorist. His “36 Fugues for Piano” testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages” basing the traditional Baroque fugue on radical new fundaments. The first edition of this unusual collection was produced in 1803 in Vienna by Reicha’s own publishing company “Au Magasin de l’Imprimerie chimique”. It included both a dedication poem to JosephHaydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text “Ãœber das neue Fugensystem” (“On the new fugal system”) in the form of a polemic reacting to his critics one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn Bach Mozart Scarlatti Frescobaldi Handel). The musical text (BA9541) is a corrected reprint of the edition by Václav Jan Sýkora from 1973 which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna c. 1828). Works historically important to the development of the fugue. New foreword by Roman Dykast (Cz/Eng/Ger)
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Gabriel Fauré: Barcarolles - Piano Solo: Piano: Instrumental Album
23.50 €
Gabriel Fauré: Barcarolles - Piano Solo: Piano: Instrumental Album
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Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (...
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Gabriel Fauré?s 13 Barcarolles composed over a period of almost four decades (1882 1921) are highly representative of his output for piano and are regarded as his most characteristic works. They reflect his breaking free from the Romantic idiom particularly that of Chopin and Mendelssohn developing an independent musical language in which he combined tradition and the emerging modernism.These important works are now made available in scholarly-critical Urtext editions based on the ?uvres complètes de Gabriel Fauré and reflect the latest state of research. Detailed forewords offer information on the genesis and significance of thecompositions as well as valuable suggestions on historical interpretation.All the available manuscript and printed sources as well as piano rolls containing recordings by the composer have been taken into consideration leading to new discoveries particularly regarding the Valses-Caprices.Based on the ?uvres complètes de Gabriel FauréBased on the latest research findings and extensive source studiesInformative forewords with advice on performance practice (Fr/Eng/Ger)Christophe Grabowski is a French pianist and doctor of musicology and studied in Warsaw and Paris. He has edited a volume of the ?uvres complètes de Gabriel Fauré and is Series Editor of the Complete Chopin: A New Critical Edition as well as two volumes of the Édition Complète des ?uvres de Claude Debussy. Together with John Rink he published the Annotated Catalogue of Chopin?s First Editions in 2010.
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Piano Pieces (ROSLAVETS NIKOLAI ANDREYEVICH)
32.75 €
Piano Pieces (ROSLAVETS NIKOLAI ANDREYEVICH)
Piano seul
Schott
First Edition. Par ROSLAVETS NIKOLAI ANDREYEVICH. The piano pieces by Nikolay An...
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First Edition. Par ROSLAVETS NIKOLAI ANDREYEVICH. The piano pieces by Nikolay Andreyevitch Roslawez selected here and published for the first time complement the already published piano sonatas (ED 7941, ED 8391, ED 8392) and individual pieces (ED 7907). Created in the years 1919 and 1921, they represent the central phase of the composer's development and are characteristic of Roslawez' mature style. Although reminiscent of Skryabin in their musical language, the six miniatures 'Berceuse', 'Danse', 'Valse', '2 Préludes' and 'Poème' are technically easy to play and are suitable for piano lessons. Roslawez studied composition and violin in Moscow. He was one of the leading figures of the musical scene in the 1920s. Treated with increasing hostility for political reasons, up to being barred from pursuing his career, he spent the last years of his life in poverty./ Recueil / Piano
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L'Almanach Aux Images: Flute: Instrumental Album
Piano seul
Spartan Press
Eight pieces for Piano inspired by poems by Tristan Klingsor for Mesdemoiselles...
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Eight pieces for Piano inspired by poems by Tristan Klingsor for Mesdemoiselles Jacqueline and Lucienne Rouché. Transcribed from the original work for Piano solo (1911). 1. Les MarionnettesA marionette is a string-operated puppet. Popular from as far back as Ancient Greece and increasingly the focus of entertainment during the Middle Ages and Renaissance period it has been proposed that the art of puppetry was the logical precursor to the appearance of live actors in the theatre. Stravinsky's ground-breaking ballet Petrushka which was completed in 1911 (the same year as Grovlez's L'Almanach incidentally) undoubtedly remains thebest-known evocation of a puppet. 2. Berceuse de la Poupée'Lullaby for a doll' though a seemingly improbable starting point for a musical work functions beautifully next to the marionettes in Grovlez's magical image-rich world though I detect something faintly subversive bubbling under the surface of this sublime melody. 3. La SarabandeThe 'Sarabande' is a stately dance in triple-time with a characteristic gentle emphasis on the second beat and was apparently first referenced in print in Central America during the 16th century (zarabanda). It rapidly grew in popularity over successive centuries especially within the Spanish colonies – and of course in Spain itself – where its reputation as having being 'invented in hell' (according to Cervantes) assured it a place in dance suites from Bach's time onwards. 4. Chanson du Chasseur'Hunter's Song' is a rollicking rum-tee-tum piece of great insouciance and swagger. The 6/8 rhythms and horn-like proclamations ride delightfully roughshod throughout the music. 5. Les Ânes'The Donkeys'. I presume Eee-orrr has the same connotation in French! – moreover the comical spirit of the music is not so far removed from Ibert's famous Le Petit Âne Blanc (Avec une tranquille
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