For an apparent folksong On Ilkley Moor baht ‘at has a very reliable provenance. The tune Cranbrook was devised in 1805 by Thomas Clark a shoemaker of Canterbury and prolific composer of hymns for in particular Nonconformist churches of southeastern England. It was sung to When Shepherds Watched Their Flocks By Night.Some decades later an East Riding church choir on an outing is said to have created the new words following an incidenton their walk. In the many years that the song has been sung as On Ilkley Moor ever more rambunctious interpolations have been added e.g. ‘yum yum yum’ or ‘up the ducks!’ following ‘Then we will go and eat up ducks’.In thisversion by composer and Curwen & Sons Chairman Maurice Jacobson a descant has been added at verses 3 6 and 9 and a lively interplay arranged between high and low Voices in the verse and Chorus.

I Never Saw a Moor (after Emily Dickinson): This piece expresses a steadfast faith in God, and thus the central message of Dickinson's poem. The music describes feelings of trust and wonder, joy and gratitude. The piece was commissioned for the German women's choir Cant'Ella, who premiered it in Mönchengladbach (Germany) on 25 October 2014 in a concert celebrating the choir's 20th anniversary. / Choeur Mixte

A flexible compendium of folk tunes from the North of England, arranged for two violins or violin and viola, plus optional cello. Includes On Ilkley Moor Bahtat, Scarborough Fair, Dance Ti Thy Daddy, Blaydon Races and many more. / 2 Violons

Le deuxième DVD de Stanton Moore vous montre comment mélanger les idées simples avec la deuxième ligne traditionnelle pour créer une nouvelle approche de la batterie de la Nouvelle-Orléans. La saveur unique de la Nouvelle-Orléans est passée de la combinaison des pays africains, européenne, styles afro-cubains et Afro-haïtiens qui sont caractéristiques de cette ville célèbre multiculturelle. Ce didacticiel spécial vous donne les outils nécessaires pour apporter le caractère et l'inflexion vos rythmes tout en restant fidèle à la rainure sous-jacent. Vous découvrirez une approche personnelle de Stanton incorporant Mambo, Guaguanco, Shuffle, Boogaloo, Bossa Nova et Samba avec la deuxième ligne tambour pour ajouter un flair contemporain à rythmes établis. Le DVD contient également quelques démonstrations spectaculaires de la Dirty Dozen Band ! Convient pour les batteurs de tous les styles et les capacités. Voir aussi Stanton Moore: A traditionnelle approche à la Nouvelle-Orléans Drumming (Catalogue no. DVD15) / Batterie / Dvd

Acteurs : Gary Moore Format : PAL, Cinémascope Langue : Anglais Nombre de disques : 1 Studio : Eagle Vision Date de sortie du DVD : 12 mai 2009 Durée : 98 minutes

Apprenez des plans de rockabilly dans le style de Scotty Moore, guitariste d'Elvis Prestley et pionnier de la guitare Rock & Roll. Leçons par Steve Trovato. / Guitare / Dvd

Great folk songs of the British Isles are given a dusting down by Kevin Mayhew’s house composers. The result is a book of fantastic arrangements for Piano. The 11 improvisations on traditional folk melodies in Music OfThe Islands For Piano - Book One include Comin' thru' the rye (Moore) Early one morning (Hand) Golden slumbers (Chappell) Men of Harlech (Vann) My bonnie lies over theocean (Nixon) On Ilkley Moor baht 'at (Jordan) Shenandoah (Tambling) The ash grove (Gant) The Skye boat song (Lloyd) The floral dance (Mawby) Wi' a hundred pipers(Moore).

Contemplative Scriptural Music-In God Alone consists of twelve peaceful tranquil and straight- forward compositions based on scriptural texts. They are ideal for choirs seeking music of reflection and meditation and they speak of our need to trust in God intimes of difficulty sorrow or distress of our longing to find meaning and acceptance in God through Christ and of the soul's potential to discover the reality of God's unifying healing and creative love. AndrewMoore's beautiful music will be greatly enjoyed by both congregation and choirs; it will also increase the depth of our understanding of these wonderful texts of consolation and compassion.

'Lucia di Lammermoor' was one of the biggest triumphs of Donizetti's career and remains as his outstanding masterpiece. The libretto was written by Salvatore Cammarano based on Sir Walter Scott's novel 'The Bride of Lammermoor'.The story runs as follows: Lord Enrico Ashton is outraged to find that his sister Lucia is in love with his mortal enemy Edgardo. He tricks Lucia into believing Edgardo unfaithful and insists she marry Lord ArturoBucklaw. The wedding takes place disrupted by Edgardo who curses Lucia. Lucia begins to lose her mind and when Enrico challenges Edgardo to a duel Lucia kills Arturo then collapses and dies herself. On hearing the tragicnews Edgardo kills himself.This is the Schirmer edition of the Libretto with text in the original Italian with an English translation by Glen Sauls.

Vocal Score-Its first performance at the San Carlo theatre in Naples on 26th September 1835 an acclaimed success Lucia Di Lammermoor was a real triumph for Gaetano Donizetti. The Bergamasque composer - who had returned to Naples that year where he was hailed as a maestro - had met Salvadore Cammarano and they quickly struck up good artistic relations. On the inspiration of Walter Scott's 'The Bride Of Lammermoor' Cammarano wrote a fast-moving libretto typical of a romantic ballad with a strong formal structure and boosted by first class melody. The love story as described by the two authors is beautiful yet sad and tragic. Lucia takes on an almost uniquerole in Italian Opera; a heroine completely bereft of human passion apart from her total dedication to love. The romantic female character par excellence capable of bewitching even Madame Bovary and Anna Karenina.

Par CRASBORN-MOOREN PAULA. This book is perfect for beginning clarinetists to learn to play together from the first lessons. The duets add to the students playing pleasure and motivation: for children they have appealing titles, expressing the musical character of the duets,and catchy tunes in keys C, F and G major. The duets gradually increase in difficulty in rhythm and in technique, starting with five tones in one octave in the first voice (C-D-E-F-G), expanding to tones in multiple octaves. The second voice can beplayed by a more advanced student or the teacher, The book has been extensively tested in practice and gets enthusiastic responses from students. / Date parution : 2023-05-06/ Recueil / 2 Clarinettes

Philip Moore's Paean (2010) for Organ. Duration: approx. 2 1/2 minutes. 'Every bar of philip Moore's Paean is beautifully considered.' - Geoffrey Webber of choirandorgan.com 'This cheerful piece by Philip Moore is another work extracted from the Organists’ Charitable Trust Little Organ Book. As ever with one of the UK’s finest composers of ‘traditional modern’ organ music the work is literate idiomatic and pleasing to the ear. Making only moderate technical demands yet being full of colour and character this would be an excellent voluntary or recitalwork for any organist.' Sunday By Sunday  December 2017

Gary Moore’s most successful album both in sales and chart positions—1990s ‘Still Got the Blues’ is a masterclass in rock and blues guitar playing. Spawning the hit songs such as the title track “Still Got The Blues” “Oh Pretty Woman” and “Walking By Myself” that remained constant in Moore’s setlist throughout his career the album is jam-packed with killer riffs soulful turnarounds and blistering solos. Learn to play the following: • Moving On • Oh Pretty Woman • Walking By Myself • Still Got The Blues (ForYou) • Texas Strut • King Of The Blues • As TheYears Go Passing By • Midnight Blues NB: EXTRA BONUS TRACKS AVAILABLE ON DIGITAL DOWNLOAD ONLY • All Your Love • Stop Messin' Around • That Kind Of Woman In this course LickLibrary veteran Jamie Humphries teaches you the highlights of each song from this masterful and original blues-rock record one phrase at a time and explores the powerful and sometimes subtle trademarks contained within Gary Moore’s legendary phrasing.