Bruce Montgomery's To Phyllis is a setting of words by Thomas Lodge for SATB chorus with Piano Accompaniment.

A setting for Soloists Choir and Organ-This is a sensuous setting of the Latin text of the Requiem Mass now in its fourth printing. Malcolm Archer is a master of the choral idiom writing marvellous melodies which lodge in the memory. His Requiem isscored for chorus soloists and organ and provides some 40 minutes of fine devotional music.Full score.

Violin 1-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Violoncello-Based on the Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and orchestral parts available for saleHaydn's Symphonies no.90 91 and 92 were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein who was to be granted exclusive ownership. Haydn however first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince.Haydn's Symphony No.92 received its nickname ?Oxford? in the 19th century probably in connectionwith a performance that took place when the composer received an honorary doctorate from Oxford University in 1791.This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn?s large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

Alabama Dream George D. Barnarda Ragtime Nightmare Tom Turpinchopsticks Euphemia Allencotton Bolls Chas Huntercreole Belles J. Bodewalt Lampeheliotrope Bouquet Louis Chauvin/Scott Joplinjust AskMe Chas Hunterpossum And Taters Chas Hunterqueen Of Love Chas Hunterrag Medley No. 1 John W Boonerag Medley No. 2 John W Boonesure Fire Rag Henry Lodgethe St Louis Rag Tom Turpintickled ToDeath Chas Hunter forewordthe Latter Half Of The Nineteenth Century Was A Period Of Great Development In American Music. Ragtime Became Extremely Popular And It Dominated The Popular Music Of The Early TwentiethCentury. One Tends To Imagine That Scott Joplin Was The Only Ragtime Composer But There Were Many Others. The Recent Revival Of Ragtime Has Led To The Rediscovery Of Many Lost Compositions. The Manner In Which RagtimeDeveloped Is A Matter Of Conjecture. Some Suggest That The Catalyst Was 'Chopsticks' Which Was Written By A 16 - Year - Old English Girl Euphemia Allen. It Was Published In 1877 And Became An 'Overnight Success'. The TechniqueNeeded To Play It Is In Some Ways Similar To That Which Is Needed For Ragtime.ragtime Undoubtedly Has Afro-american Roots. The Great Ethno- Musicologist Trebor Jay Tichenor Has Written That The End Of The Civil War Gave BlackMusicians Much Greater Access To Keyboard Instruments And That This Was A Factor In Ragtime's Development. It Was However Preceded By Dances Known As 'Cakewalks'. They Became All The Rage And Were So Called Because Black CouplesWould Dress Up In Their Finest Clothes And Parade About Town - The Best Dressed Were Said To 'Take The Cake'. Needless To Say As Ragtime Developed Many Prudes Condemned It As The 'Music Of Satan' - One Recalls SimilarReactions To 'Rock And Roll'. Ragtime Achieved A Vitality And Spontaneity Which Transformed Popular Music. It Led To A Great Craze For 'Animal Dances' - The Foxtrot Is A

The six pieces in this book are drawn from the Pieces de Clavecin (the Bauyn manuscript) lodged in the Bibliotheque Nationale in Paris. They should be accessbile to guitarists at some time in their third year of study and make some small acknowledgement of the curious neglect of the Couperin family by guitar arrangers.

Une superbe collection de 12 chiffons bien connus, habilement arrangé par Kenneth Baker, complet avec doigté et cordes. Y compris les 'Black And White Rag', 'The Entertainer' et ' Maple Leaf Rag '. / Piano / 48 pages / Partition

41 jumpin' and jivin' Ragtime solos from 20 famous composers all in one bumper anthology! Celebrated academic Dr. Maurice Hinson presents his definitive collection of Ragtime favourites from composers as wide ranging and diverse in style as Debussy Joplin Berlin and Blake.Not only does this anthology feature a great selection of stomping and entertaining tunes that have always been guarenteed crowd-pleasers but the scope of the collection also provides a valuable glimpse into the heritage of the Rag showing the influence of the American syncopated style on some of Europe's most important composers.