Comment jouer des accompagnements et des solos de guitare dans les styles Jazz et Swing ? Avec cet ouvrage bien sûr... D'un côté les rythmiques, avec un panel d'accompagnements reprenant les principales techniques et harmonies propres aux standards de Jazz. Pompe, technique de ligne de basse/accord, réharmonisation et chord melody sont abordés sur des grilles de type Blues/Jazz, Anatole, Jazz/Bossa... De l'autre, les solos, basés sur les principales progressions harmoniques pratiquées sur les standards de jazz (blues/jazz, rhythm changes, minor blues...). Les effets de jeu techniques, mélodiques et rythmiques propres au son 'jazz? y sont largement illustrés. De John Scofield et Pat Metheny à Charlie Christian et Freddie Green, en passant par Wes Montgomery et Joe Pass... les sources d'inspiration ne manquent pas pour évoquer ces styles ! Pour chaque accompagnement et solo, sont disponibles cinq enregistrements différents sur le CD?MP3 joint, répartis de la façon suivante : la guitare seule, au tempo normal puis ralenti, la même partie de guitare jouée cette fois sur son playback, et enfin le playback seul, là encore au tempo normal puis ralenti... pour permettre à chacun d'apprendre et de jouer à son rythme, selon son niveau et ses capacités. Soit près de 4 heures de musique en tout ! / Guitare

Dennis Chambers is one of the funkiest and most electrifying drummers on today's music scene. His grooves have burned through recordings by Mike Stern The Brecker Brothers Bill Evans Gary Thomas Special EFX and more.Here together for the first time since 1987 with former bandmates John Scofield Gary Garinger and Jim Beard Dennis' funk-meets-jazz style drives tunes such as So you say Cissy Strut and Blue matter. Hisunique blend of musicality and chops is evident on versions of Pick Hits and Loud Jazz. In addition Dennis and Gary demonstrates the groundbreaking drum and bass grooves from the three songs that changedthe course of soul funk and fusion drumming:Cold Sweat Cissy Strut and Chameleon. Dennis explains what it means to play in the pocket and shows how he does it using the classic P-Funk groovesFlashlight and One Nation Under A Groove as his examples. In the Pocket provides valuable insight into this extraordinary drummer both as a soloist and in inspired performances with this exceptionalband.

Wind Quintet-Twelve Variations in C on the French song 'Ah Vous Dirai-Je Maman' (Twinkle Twinkle Little Star) by Mozart arranged for Wind Quintet by John Whitfield. Score and set of 5 parts.

Nearly three years in the making Alan Parsons' monumental ten-hour video series The Art & Science of Sound Recording is now available in a three-DVD boxed set! Narrated by actor and musician Billy Bob Thornton the DVDs are divided into 24 sections starting with a brief history of recording.Parsons' illustrious career - as a recording engineer producer composer and artist - acts as both backdrop and inspiration for the series. Parsons worked with The Beatles on the albums Abbey Road and Let It Be engineered Pink Floyd's Dark Side of the Moon and produced a string of multi-platinum hits for The Hollies Pilot Ambrosia Al Stewart and otherartists as well as for The Alan Parsons Project.Filmed in HD this the most powerful instructional series ever created for music production. The Art & Science of Sound Recording looks at everything from soundproofing to mixing and from recording guitar bass keyboards drums and vocals to recording a choir. Fellow professional engineers & producers join Alan Parsons in this top quality practical and cutting-edge guide including Jack Joseph Puig John Fields Elliot Scheiner Jack Douglas Tony Brown and Chuck Ainlay. Artists and musicians interviewed include Michael McDonald Taylor Hawkins Nathan East Rami Jaffe Carol Kaye and Erykah Badu.. This invaluable instructional DVD set applies classic old school recording experience to the modern recording scene and is certain to be a standard work on the subject for years to come. Along with its fully interactive website The Art & Science of Sound Recording is a complete course in modern recording.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's 2018-2024 Drums series Rockschool have commissioned arrangements of titles reflecting popular music's rich heritage in all its forms and have tailored each piece to make it exactly right for the grade. You can also use titles from Rockschool's Classics series as part of the syllabus. The arrangements have been written and performed by top session musicians who have worked with some of the biggest names in rock metal and pop. The tracks were recorded at Real World's acclaimed recordingstudios and feature live instruments and first rate performances for an unrivalled level of feel authenticity and musicianship. Featuring: Chase & Status - Control Tower Of Power - What Is Hip Justin Timberlake - Cry Me A River Richard Spaven - Law John Scofield - Techno Mary J Blige - Family Affair 6 Rockschool Originals Plus: Band and artist fact files with recommended listening In-depth walkthroughs of every track Easy-access downloadable audio Example tests and exercises

Par BERKMAN DAVID. The definitive book on how to create beautiful jazz harmonies for any melody. Starting from the most basic harmonic situations and progressing to contemporary jazz harmony, this book is a serious study of the fundamentals of jazz harmony. It will help you to uncover the best choices for chords to accompany any melody, to better understand and create the \'right\' chord progressions to standard tunes, to re-harmonize songs freely in the manner of great jazz artists like Hank Jones, Thelonious Monk, Art Tatum, Oscar Peterson, Bill Evans, Chick Corea, Brad Mehldau, Herbie Hancock, Duke Ellington, Gil Evans, Thad Jones, Joe Pass, Jim Hall and John Scofield. Topics covered include: basic functional harmony, diatonic substitutes, secondary dominants, passing chords, diminished harmony, tritone substitutes, non-functional approaches to harmonizing melodies including quartal harmony, color chords, harmonizing basslines, pedals, slash chords, unavailable tensions and more. Includes 2 CDs of the author playing many of the written examples in the 206-page book. / Methods and Tutors / Théorie / Tout Instrument

Swedish bassist, cellist, composer and arranger Lars Danielsson is renowned and admired throughout the International jazz world for his lyrical melodies and strong groove. This collection brings together 20 Impromptus For Piano And 1 Solo Piece For Contrabass, composed by Danielsson in his idiosyncratic style. Born in 1958, Danielsson originally studied classical Cello at the conservatory in Gothenburg before changing to Bass and jazz. He has since become one of the most in-demand bassists in the world, recognised and admired for his rounded sound that's both lyrical and powerful. Having played with a virtually endless list of international stars, including Michael and Randy Brecker, John Scofield and Charles Lloyd, Danielsson's track record as a leader is equally unparalleled, bringing his talent for simple and catchy melodies together with his instinct for putting together groups of musicians. If you're a fan of Lars Danielsson, or you just want some fantastic jazz tunes to play for Solo Piano, with an extra piece for Contrabass, this collection of 20 Impromptus has been selected by the artist himself and is sure to satisfy any progressive pianist.

Develop your own unique Guitar style by expanding your vocabulary of licks and melodic ideas! This book/CD pack will teach you dominant altered dominant minor and II-V-I licks by examining the lead styles of Larry Carlton Larry Coryell Pat Metheny John Scofield Mike Stern and other greats. The CD includes demonstrations of each lick at normal and slow speeds.

New edition with completion by Christian Alexander of the young composer's first extended work- only the instrumental prelude was performed during Finzi's lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson.Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem's composition was the death, during active service in 1918, of Finzi's composition teacher, Ernest Farrar. The work may also be viewed as a metaphor - the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havoc and destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I. / Baryton, Choeur Mixte Et Orchestre

Inspired by Boulez's multi-cello piece 'Messagesquisse? and John Scofield's inspired funk number 'Protocol?, 'Shift, Trip? is an unrelenting moto perpetuo for amplified cello and pre-recorded guitars, brass and percussion. Although choreographed early on the piece is designed to stand alone. It demands virtuosity and great stamina from the performer over a five and a half octave range and requires exact synchronisation with the recorded backing track whose shifting rhythmic patterns trip up in unpredictable ways, as the title implies. I'm indebted to Lester Barnes for guiding me through his vast guitar, brass and explosion effects sample library, mixing the results, and to percussionist Julian Warburton for hitting a lot of metal in interesting ways. Zoë Martlew 2014 / Violoncelle

Par BINGHAM JUDITH. A ten-minute suite consisting of four short pieces aimed at providing aspiring organists with new and progressive repertoire. These pieces celebrate different aspects of a child’s Christmas as seen from an adult perspective and takes influence from the text ‘A Box of Delights’ by John Masefield, with its magical and pagan overtones. In the music there are quotations from other Bingham pieces, and from Christmas carols. Christmas Past Christmas Present is also available for piano (https://www.musicroom.com/judith-bingham-christmas-past-christmas-present-piano-musnov100324). / Date parution : 2023-07-31/ Répertoire / Orgue

The Coming Of Christ was a Mystery Play written by John Masefield in 1927 at the request of the Dean of Canterbury Cathedral based on the Christmas story. Holst's incidental music was composed at the sametime and published separately in 1928. Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would oftencritique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument