Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition MOTET 'JESU, MEINE FREUDE' qui a été écrite pour4 Flûtes Traversières. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB6198. / 4 Flûtes Traversières / Partition

Das Promenadenkonzert-Die Reihe 'Das Promenadenkonzert' von Peermusic besteht aus den schönsten klassischen Meisterwerken reizvoll arrangiert für kleines Orchester in der Besetzung: 1./2. Klarinette in Bb Alt-Saxophon in Eb Klavier Percussion 1./2. Violine Cello Bass Hier Johann Sebastian Bachs Choral Jesu bleibet meine Freude (BWV 147) - arrangiert für kleines Orchester. Partitur und Stimmensatz.

from Schmelli's Hymnal for Voice and Guitar BWV 439-507. Johann Sebastian Bach?s arrangements of the ?69 Sacred Songs? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bach?s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the ?69 Sacred Songs? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bach?s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes online access to PDFs of the ?Scores in their Original Keys,? and stand-alone ?Guitar Accompaniment,? and ?Bass Parts".

All of Bach?s six authenticated motets were written between 1723 and 1727 for St Thomas? Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.Four of his six motets were written for the funeral services of prominent members of the St Thomas? congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in 1723 for the funeralof Johanna Maria Käsin the wife of Leipzig?s postmaster.Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer?s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln.Urtext of the New Bach EditionPerformance material and choral score (BA5132) available for saleComplete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)

All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. Four of his six motets were written for the funeral services of prominent members of the St Thomas’ congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in1723 for the funeral of Johanna Maria Käsin the wife of Leipzig’s postmaster. Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer’s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln. Urtext of the New Bach Edition Performance material and choral score (BA5132) available for sale Complete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)

All of Bach?s six authenticated motets were written between 1723 and 1727 for St Thomas? Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.Four of his six motets were written for the funeral services of prominent members of the St Thomas? congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in 1723 for the funeralof Johanna Maria Käsin the wife of Leipzig?s postmaster.Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer?s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln.Urtext of the New Bach EditionPerformance material and choral score (BA5132) available for saleComplete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)

Leichte Bearbeitungen für Klavier - Die Komponistenserie für Kinder-Little Amadeus & Friends - die Komponistenserie für Kinder - stellt berühmte Komponisten und deren Werke vor.Dieses Spielheft ist dem großartigen Meister der Barockzeit Johann Sebastian Bach (1685-1750) gewidmet. Als Comicfigur und einer von Little Amadeus' Freunden führt er durch dieses Buch und erzählt in einer spannenden Geschichte aus seinem Leben. Daran anschließend folgen zwanzig seiner beliebtesten Werke in leichten Bearbeitungen für Klavier.Außerdem gibt er viele interessante Tipps und Informationen zu seinen Kompositionen. Am Schluss gibt es noch ein Bach-Quiz in dem das erlernte Wissen abgefragt wird. Auf der beiliegenden CD sind alleMusikbeispiel im Original zu hören. Mit vielen Bildern zum Ausmalen.Inhalt:Mein LebenKlaviermusik:Menuett G-Dur BWV Anh. 114 Menuett g-Moll BWV Anh. 115Präludium Nr. 1 C-Dur BWV 846Aria aus den Goldberg-Variationen BWV 988VokalmusikZion hört die Wächter singen aus BWV 140 Jesus bleibet meine Freude aus BWV 147Sinfonia aus BWV 156 Sinfonia aus BWV 169Hirtenmusik aus dem Weihnachts-Oratorium BWV 248Orgelwerke Toccata d-Moll BWV 565 Fuge d-Moll BWV 565OrchesterwerkeBrandenburgisches Konzert Nr. 3 G-Dur BWV 1048 (1.-3. Satz)Badinerie aus BWV 1067 Air aus BWV 1068 InstrumentalkonzerteViolinkonzert E-Dur BWV 1042 3. Satz Cembalokonzert d-Moll BWV 1052 1. Satz Oboenkonzert c-Moll BWV 1060 2. Satz KammermusikChaconne für Violine solo BWV 1004Bach-Quiz

O Haupt voll Blut und Wunden Jesu Meine Freude and Sollt'ich Meinem Gott Nicht Singen - A selection of Bach's most interesting harmonisations with equal opportunities for each of the four players. Fairly easy to play ideal for group teaching.

Jesu bleibet meine Freude from Cantata 147-Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu Joy of Man’s Desiring is taken from his Cantata No.147 and is unusually elaborate treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire output and is a certain crowd pleaser for your concert programme.

Jesu bleibet meine Freude from Cantata 147-Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu Joy of Man’s Desiring is taken from his Cantata No.147 and is unusually elaborate treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire output and is a certain crowd pleaser for your concert programme.

Jesu bleibet meine Freude from Cantata 147-Bach’s appointment as the Cantor at Leipzig’s Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu Joy of Man’s Desiring is taken from his Cantata No.147 and is unusually elaborate treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach’s entire output and is a certain crowd pleaser for your concert programme.