Kompositionen Für Keltische Harfe (Hakenharfe). Par STADLER MONIKA. Mit dem vorliegenden Heft baut Monika Stadler eine Brücke zwischen der Welt der Konzertharfe und der Welt der keltischen (Haken-)Harfe. Sie spannt einen Bogen von Traditionellem, inspiriert durch 'Traditionals' und dem berühmten irischen Harfenisten O'Carolan, zu neuen Einflüssen aus dem Jazzbereich und der Worldmusic. With this book, Monika Stadler builds a bridge between the worlds of concert and celtic (lever) harps. She covers the range from traditional playing, inspired by the traditionals and the famous Irish harpist O'Carolan, to new influences from jazz and world music./ Répertoire / Harpe

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Become a better improvising harpist. Learn basic chords, chord symbols, and harmonic progressions used in a wide range of music, including jazz, folk, and other styles. Whether you play pedal or lever harp, this book will help you to explore your personal musicianship and creativity. You will learn techniques for soloing and for accompanying yourself or others. The harmony exercises will help you to master chord progressions in several grooves, practice modulating freely and without fear, and improve your chord recognition and smooth voice leading. The accompanying audio tracks, accessed online for download or streaming, include demonstrations and play-alongs. The audio tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Harpe

Par TOURNIER MARCEL. Marcel Lucien Tournier naît à Paris en 1879. Au Conservatoire de Paris, élève de R. Martenot et Alphonse Hasselmans, il remporte en 1899 un 1er Prix de harpe. Puis, suivant les classes de contrepoint, de fugue et de composition de G. Caussade et C. Lenepveu, il obtient le Second Grand Prix de Rome avec la cantate La Roussalka. En 1909, l'Institut lui décerne le Prix Rossini pour une autre cantate, Laure et Pétrarque. Nommé professeur de harpe au Conservatoire de Paris, en 1912, il y a formé de nombreux élèves parmi lesquels certains devinrent de grands solistes. Marcel Tournier fut un novateur qui enrichît de nombreux effets sonores les possibilités de son instrument. Il a publié principalement des compositions pour la harpe dont Jazz-Band, Pièces nègres, Sonatines Op.30 et 45 et les Images Op.29 en 4 suites, aux Editions Henry Lemoine. Marcel Tournier est mort à Paris en 1951. / classique / Date parution : 1925-12-30/ Répertoire / Harpe

Ce deuxième groupe pour jouer école de passe-temps populaire pour harmonica contient 50 des plus belles mélodies de Noël de Juan Almeida Perry ('harmonica jouant sans notes') facilement disposés à moyen pour Blues Harp.Une collection complète de pistes classiques de Noël et les plus belles chansons de Noël de jazz, pop et rock que chaque joueur d'harmonica enrichit le répertoire de grands titres pour les vacances.Le CD fourni contient les 50 pistes à jouer sur n'importe quel lecteur CD. / Harpe

Christopher Norton is well-known throughout the world for his compositions for piano particularly the Microjazz series published by Boosey and Hawkes and Connections for Piano published by 80 Days Publishing. His music is popular with piano students as well as professional performers because he writes well for the piano has a subtle blend of jazz pop and classical influences and has a distinctive style of writing that appeals to a wide range of audiences. The Microjazz Collection books have for many years been a favourite with teachers because they contain such a variety of styles some specific some quirky combinations of the composerâ??s own devising. The melodiesare attractive and sometimes unpredictable with modal and pentatonic elements often featured. These arrangements from the Microjazz Collection for pedal harp will bring these stimulating pieces to a whole new audience.

Christopher Norton is well-known throughout the world for his compositions for piano particularly the Microjazz series published by Boosey and Hawkes and Connections for Piano published by 80 Days Publishing. His music is popular with piano students as well as professional performers because he writes well for the piano has a subtle blend of jazz pop and classical influences and has a distinctive style of writing that appeals to a wide range of audiences. The Microjazz Collection books have for many years been a favourite with teachers because they contain such a variety of styles some specific some quirky combinations of the composerâ??s own devising. The melodiesare attractive and sometimes unpredictable with modal and pentatonic elements often featured. These arrangements from the Microjazz Collection for pedal harp will bring these stimulating pieces to a whole new audience.