Atmospheric settings of poems in Scottish and in English by William Soutar (1898-1943), a central figure in the Scottish literary renaissance: 'Scots Song' (6 mins), 'Ballad' (4 mins) and 'The Children' (6 mins). In this edition the first two songs are transposed into keys higher than the original - the last song remains in the original key. The ensemble accompaniment to 'Scots Song' is available on hire. / Voix Hautes Et Piano

Uses: General RevivalScripture: James 4:6; Romans 3:24-25; Hebrews 4:16; II Peter 3:18A modern contemporary classic takes wing in a musical setting that opens it up to ensembles of any size andlevel. The chorus is so memorable as it articulates the foundations of our faith and declares the attributes of unfailing grace. A beautiful theme for any worshipping choir! A full orchestration and performance track offersadditional options to directors. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombones 1 & 2 BassTrombone/Tuba Timpani Melodic Percussion Aux. Percussion Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:44.

Non-liturgical setting of the Kyrie Sanctus and Agnus Dei from the Latin Mass scored for 4-part children?s choir and full orchestra. The composer states that ?each movement is reasonably substantial with much space for the orchestral music to grow and develop [?] a lot of the vocal writing was imagined as an extension and enhancement of the orchestral palette where the young voices are ?smudged? into the orchestral sound in an impressionistic manner.?Little Mass (2014) was commissioned by the Royal Liverpool Philharmonic Society for its 175th Anniversary the Royal Scottish National Orchestra and the Bournemouth Symphony Orchestra. Supported by Sally Mary andJonathan Groves to mark the centenary of Sir Charles Groves in the month he would have celebrated his 100th birthday.Suitable for intermediate standard voices and advanced standard orchestra.

The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano

This James Bond theme tune was released in 1981 with the film starring Roger Moore. The vocalist, Scottish singer Sheena Easton , beat out the band Blondie to record the song which went on to become a chart success and nominated for an Academy Award. The soaring love song integrates the signature style of Bond themes usually composed by John Barry, but this time written by Bill Conti and Mick Leeson. With a great use of dynamic range this SATB arrangement by Thomas Lydon captures the seduction of the classic Bond film. / Choeur Mixte (SATB) Et Piano

Par L'ESTRANGE ALEXANDER (Arr.). When Cecil Sharp transcribed O Waly Waly in 1908, it bore this title but did not contain the title words (beginning instead with ‘Down in the meadows’). It has been suggested since that the version we know now may be a composite of three songs: the Scottish ‘Waly waly’ (meaning ‘a cry of woe or grief’), the Cecil Sharp transcript and an American song, The water is wide, which begins the first verse of our version. This sad song is sometimes set in 3/4 time, but in this arrangement L'Estrange has chosen to give it a gently rocking 4/4 feel, slightly reminiscent of the version by the singer James Taylor. This beautiful folk tune also features in L’Estrange’s hit cantata Ahoy! Sing for the Mary Rose under the tile The water is wide. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3-part choir (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes SAB et Piano

Wow! Written for the Harvard Glee Club this is men's choral singing at its best! Jameson Marvin sets this beautiful Scottish folksong combining both the jauntiness of a sailor's air and the sensitivity of a lullaby. Skye Boat Song is exquisite.

26 Sparking movie Sheet Music Hits from an exciting new series. Presented here for piano and voice with guitar chord boxes.