La référence LV0296 de l'éditeur Billaudot dont l'auteur célèbre est Feschotte Jacques, qui a pour titre JACQUES IBERT, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Livre

Composed between 1920 and 1921 Stories is a suite of ten short movements by Jacques Ibert (1890-1962) a neoclassical composer who won the Prix de Rome in 1919. Initially written for Piano only and later arranged for Saxophone and Piano this publication was commissioned by Alphonse Leduc editor and increased Jacques Ibert’s popularity. The ten pieces are as follows: 1. La meneuse de tortures d’or (The golden Turtles leader) 2. Le petit âne blanc (The little white donkey) 3. Le vieux mendicant (The old beggar) 4. “A Giddy girl” 5. Dans la maison triste (In thesad house) 6. Le palais abandonné (The abandoned palace) 7. Bajo la mesa (Under the table) 8. La cage de cristal (The crystal cage) 9. La marchande d’eau fraiche (The fresh water merchant) 10. Le cortège de Balkis (Balkis’ march) Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Composed in 1922 the Deux Mouvements - MCMXXII is a piece for two Flutes or Flute and Oboe Clarinet and Bassoon by Jacques Ibert. Dedicated to the “Modern Society of Wind instruments” this quartet is difficult and is composed of two movements: “Allant” and “Assez vif et rythmé”. This really lyrical quartet work is a great piece to play for a concert. Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie deFrance in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Aria written in 1930 by Jacques Ibert (1890-1962) is a small study initially for Voice and Piano but arranged in this edition for Flute and Piano. This version and the one for Alto Saxophone and Piano are the ones the most commonly used. The Flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge ofthe Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) is a small concerto for Alto Saxophone and eleven instruments: Flute Bassoon Oboe Horn Trumpet and Strings. This concertino in two movements Allegro con moto and Larghetto – Animato Molto is dedicated to the saxophonist Sigurd Rascher and stands out for its large use of the Alto Saxophone. It can be technically challenging and has a strong lyrical part. This volume is the pocket version of the score. Its author Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonicsuites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with is Flute Concerto (1934) also published by Alphonse Leduc.

Par IBERT JACQUES / RUEFF JEANINE / TOMASI HENRI. Jacques Ibert: Histoires (arr. Marcel Mule) - Jeanine Rueff: Sonate - Henri Tomasi: Ballade / Classique / Répertoire / Saxophone Alto et Piano

Voix grave-“Song to Ladylove” is the second volume of the Don Quixote songs a set of four songs by Jacques Ibert. Written for Voice and Piano on a poem by Alexandra Arnoux it features two verses and a chorus. The lyrics in French are about love and the chorus explains that a day is like a year when you can’t see your lover. The song could be played and sung by intermediate musician. The full series features: 1. Chanson du depart de Don Quichotte / Song for Don Quixotte’s departure 2. Chanson à Dulcinée / Song to Ladylove 3. Chanson du Duc / Duke’s song 4. Chanson dela mort de Don Quixotte / Song for Don Quixotte’s death Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Despite his studies being interrupted by WWI Jacques Ibert won the Grand Prix de Rome on his first attempt proving his significant compositional ability such as his Concerto for Flute and Orchestra. Ibert's Concerto for Flute was composed in 1934 at the height of his professional career. The work is lighthearted depicting the composer's favoured use of gentle humour and festivity. These are however contrasted by lyrical and evocative passages. Suitable for advanced level flautists and containing the full orchestral score this edition of Ibert's Concerto for Flute is a clear pleasant and varied addition to the Flute's repertoire.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire. This edition contains the eigth movement of Stories  La Cage De Cristal. It is marked 'a bit fast' and begins staccato and at a high tessitura. The movements of Ibert's Stories including La Cage De Cristal contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects andtechniques Ibert's La Cage De Cristal is an exciting addition to the Piano repertoire.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instruments and his works remain popular to this day Entr'acte for Flute or Violin and Guitar being no exception. Composed in 1935 Entr'acte is suitable to intermediate level flautists violinists and guitarists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques and significantly composed for an unusual arrangement of Flute or Violin with Guitar accompaniment Ibert's Entr'acte is an exciting addition to the intermediate level Flute Violin and Guitar repertoire.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instrumentations and his works remain popular to this day Aria for Flute (or Oboe) Clarinet and Piano being no exception. Composed in 1927 and revised in 1930 Aria is suitable for advanced level woodwind players. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques and beingsignificantly very rhythmic Ibert's woodwind duet Aria is an exciting addition to the advanced Flute Oboe and Clarinet repertoire.

Despite his studies being interrupted by WWI Jacques Ibert won the Grand Prix de Rome at his first attempt proving his significant compositional ability such as his Jeux - Sonatine For Flute (Or Violin) And Piano. Jeux was composed towards the beginning of Ibert's professional career and can be played on either the Flute or Violin. As suggested by the title it is an animated and dynamic piece reflecting the composer's preferred harmonic choices of the Classical tradition despite developing it in his unique style. Jeux contains two contrasting movements Animé andTendre utilising the entire range of the Flute. Suitable for intermediate- to advanced-level flautists this Ibert piece is a pleasant and varied addition to the Flute's repertoire.

Voix grave-Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached and when Ibert's music was eventually chosen for the film it caused him some embarrassment as Maurice Ravel who had also been approached was a close friend of his. Song of Departure comes toward the beginning of the film sung by thethe main character Don Quichotte. Addressing a variety of musical aspects and techniques Ibert's Song of Departure is a challenging yet evocative addition to the Bass repertoire.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Stories increased his popularity when it was published in the mid-1920s and it remains significant in the advanced pianist's repertoire. This edition contains the second movement of Stories The Little White Donkey. It is marked 'with quiet good humour' and begins staccato yet pianissimo. The movements of Ibert's Stories including The Little White Donkey contain significant influences of Debussy and impressionism. Addressing a variety of musical aspects andtechniques Ibert's The Little White Donkey is an exciting addition to the Piano repertoire.