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David Pearl: Steely Dan - Just the Riffs for Piano: Piano: Instrumental Album
13.99
David Pearl: Steely Dan - Just the Riffs for Piano: Piano: Instrumental Album
Piano seul
Cherry Lane
Any true fan of the Dan know that Donald Fagen's wizardry on the keys is as uniq...
(+)
Any true fan of the Dan know that Donald Fagen's wizardry on the keys is as unique as his voice and just as eccentric. This book in the Just the Riffs series culls more than 65 great riffs ' from Can't Buy a Thrillthrough Two Against Nature ' and transcribes them note-for-note just as Fagen played them. Includes riffs from: Babylon Sisters ' Black Cow ' The Boston Rag ' Cousin Dupree ' Deacon Blues 'Do It Again ' Gaucho ' Green Earrings ' Hey Nineteen ' Josie ' Kid Charlemagne ' Reeling in the Years ' Rikki Don't Lose That Number ' Time Out of Mind ' and more.
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Samuel R. Hazo: Blue and Green Music: Concert Band: Score
7.50
Samuel R. Hazo: Blue and Green Music: Concert Band: Score
Orchestre d'harmonie
Hal Leonard
Based on the Georgia O'Keeffe painting Blue and Green Music-The stunning artwork...
(+)
Based on the Georgia O'Keeffe painting Blue and Green Music-The stunning artwork of Georgia O'Keeffe is no more apparent than in her famous 1921 painting entitled Blue and Green Music. Fittingly commissioned by the Patrick Marsh Middle School in Sun Prairie Wisconsin (O'Keeffe's birthplace) Samuel Hazo does an amazing job of portraying subtle as well as bold colors into musical terms. Based on a single theme that is manipulated and varied throughout the piece progresses from delicate mallet percussion effects up to climactic impact points for the entire ensemble. O'Keeffe explained her idea that ?music could be translated into something for the eye.? And Mr. Hazo succeeds wonderfully in translating it back into something forthe ear!
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Samuel R. Hazo: Blue and Green Music: Concert Band: Score & Parts
74.99
Samuel R. Hazo: Blue and Green Music: Concert Band: Score & Parts
Orchestre d'harmonie
[Conducteur et Parties séparées]
Hal Leonard
Based on the Georgia O'Keeffe painting Blue and Green Music-The stunning artwork...
(+)
Based on the Georgia O'Keeffe painting Blue and Green Music-The stunning artwork of Georgia O'Keeffe is no more apparent than in her famous 1921 painting entitled Blue and Green Music. Fittingly commissioned by the Patrick Marsh Middle School in Sun Prairie Wisconsin (O'Keeffe'sbirthplace) Samuel Hazo does an amazing job of portraying subtle as well as bold colors into musical terms. Based on a single theme that is manipulated and varied throughout the piece progresses from delicate mallet percussioneffects up to climactic impact points for the entire ensemble. O'Keeffe explained her idea that ?music could be translated into something for the eye.? And Mr. Hazo succeeds wonderfully in translating it back intosomething for the ear! Dur: 4:45
74.99 GBP - vendu par Musicroom GB
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Aebersold Inside - Outside (GREEN BUNKY)
18.80
Aebersold Inside - Outside (GREEN BUNKY)
Formation musicale - Solfège
Jamey Aebersold Jazz
formaly titled 'Inside Outside'. Par GREEN BUNKY. A thorough exploration of II/V...
(+)
formaly titled 'Inside Outside'. Par GREEN BUNKY. A thorough exploration of II/V/I patterns applicable to a variety of musical situations. This book has been referred to as a “theory follows practice” book. Musicians who have played “by ear” will recognize many of the licks and phrases as familiar sounds they have heard and used for years. Licks/patterns are presented in all 12 keys and work perfectly with the Vol. 3 “THE II/V7/I PROGRESSION” play-a-long from the Aebersold series. Time to get familiar and comfortable with II/Vs! / Méthode en anglais / Méthode / Tout Instrument
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RSL Classical Piano Grade 8 (2021)
29.30
RSL Classical Piano Grade 8 (2021)
Piano seul
[Partition + Accès audio]
Rock School Limited (RSL)
The new RSL Classical Piano syllabus aims to reflect the widening tastes of youn...
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The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and sticks to four key principles: championing ethnically diverse composers, representing genders, acknowledging the history and tradition of piano learning, and enabling students to feel comfortable studying music in a popular and classical environment. The syllabus books are all beautifully presented, and to the high standard for which RSL books have become renowned. Each contains 10 pieces from a diverse range of composers and include everything students need to take their exams, including technical exercises and supporting texts for sight-reading, ear tests and general musicianship questions./ Recueil / Piano
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London College of Music Classical Guitar Playing Grade 5 -2018 RGT
17.00
London College of Music Classical Guitar Playing Grade 5 -2018 RGT
Guitare
[Partition]
-
Intermédiaire
London College Of Music
This handbook is part of a series, compiled by the Registry Of Guitar Tutors tha...
(+)
This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Five classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learn appealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist. / Niveau : Moyen / Exams / Recueil / Guitare Classique
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Jazz Play Along Vol.78 Steely Dan 10 Classic Tunes
26.70
Jazz Play Along Vol.78 Steely Dan 10 Classic Tunes
Instruments Sib, Mib et Do
[Partition + CD]
Hal Leonard
Outils pédagogique pour tous les jazzmen. Séléction de 10 classiques du duo a...
(+)
Outils pédagogique pour tous les jazzmen. Séléction de 10 classiques du duo américain Steely Dan arrangés pour les instruments en Bb, Eb et C. Les parties piano et basse sont détachables. Sur le CD vous trouverez deux versions de chaque thème : une avec tous les instruments et une autre sans la partie solo. / Tout Instrument / Partition Cd
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Ted Greene: Chord Chemistry: Guitar: Instrumental Tutor
20.95
Ted Greene: Chord Chemistry: Guitar: Instrumental Tutor
Guitare
Alfred Publishing
This book deals with chords and their application. It contains charts of many di...
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This book deals with chords and their application. It contains charts of many different kinds of chords and explains how best to use them. Covers right hand technique the major scale polytonal chords ear training triads blues progressions dominant 7th chords voice leading and much much more.
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1001 All-Time Hit Songs
60.30
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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R. R. Bennett: Autobiography For Pt2 Sc Band: Concert Band: Score
7.50
R. R. Bennett: Autobiography For Pt2 Sc Band: Concert Band: Score
Orchestre d'harmonie
[Partition]
Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...
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Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part Two:IV. 1916: Mo. to N.Y.V. 1919: The Merrill MiracleVI. 1926: A Parisian in ParisVII. 1935: What Was theQuestion?The three of my seven ages in Part One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New Yorkfor no more reason than that it was New York and had a street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning
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Rock Philharmonic
Violon
[Partition + CD]
Alfred Publishing
This collection of nine 'classic' Rock tunes spans five decades of rock history....
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This collection of nine 'classic' Rock tunes spans five decades of rock history. The arrangements in Rock Philharmonic contain complete versions and lead sheets of original hit songs by top groups and artists: Jerry Lee Lewis, Bobby Day, Sonny and Cher, The Rolling Stones, The Eagles, Journey, and Green Day. Each piece includes a flexible arrangement that allows the melody, harmony, and bass parts to be played by all sections in the string orchestra, like or mixed instrument groups, quartets, or trios---allowing players to learn the component parts of rock and roll, play the classic arrangement, create their own arrangements, or perform the tunes solo. In addition to string orchestra, the arrangements are also set for electric strings with optional guitar/electric guitar, piano, and drumset. The student book contains a full-length, two-page play thru version of the melody, which follows closely the original recording and includes clearly labeled Intro, Verse, Chorus, Bridge, and Outro sections. The bass and harmony component parts are then presented in a lead sheet format, along with a flow chart that matches the order of the Melody Line Play Thru. The teacher's book contains a full score and reproducible piano and percussion parts. Guitar chords appear in all parts. For easy practice, the accompanying CD has two tracks for each piece---a complete track and a backing track---and TNT 2 software to mix the level of each instrument, change pitch, change tempo, and create loops. The CD can also serve as an aid to learning by ear. / Violon
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Robert Russell Bennett: Autobiography Part 1: Concert Band: Score
12.99
Robert Russell Bennett: Autobiography Part 1: Concert Band: Score
Orchestre d'harmonie
[Partition]
Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...
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Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part One:I. 1894: Cherry StreetII. 1899: South OmahaIII. 1900: Corn Cows and MusicThe three of my seven ages inPart One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New York for no more reason than that it was New York and hada street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning while we put on our shoes. Later when we get to Paris
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Guitar Duet Collection - 2 Guitars
22.70
Guitar Duet Collection - 2 Guitars
2 Guitares (duo)
Guitare classique
Schott
20 Easy Pieces from 3 CenturiesInstrument : 2 guitarsNombre de Pages : 72The duo...
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20 Easy Pieces from 3 CenturiesInstrument : 2 guitarsNombre de Pages : 72The duos compiled in this edition will give guitarists the opportunity to pay attention to the dialogue, i.e. to practice ensemble playing with a keen ear. Duet playing is one of the most valuable and most important parts of the education, training and development of a musician. This collection contains a number of less known classical and Romantic pieces which are worth discovering. On the other hand, it also contains 'evergreens' such as Por una Cabeza by the king of tango, Carlos Gardel - which can be heard in no less than 15 films, including Schindler's List (Itzhak Perlman played the violin) and Scent of a Woman (Al Pacino danced) - as well as one of Scott Joplin's unforgettable ragtimes: The Strenuous Life. The dialogue style of the compositions suggests that parts should be exchanged ad libitum within individual works in the case of repetition.Content : E. Bayer: Ländler, op 37/1 und 2 from Sechs Ländler - F. Brand: Valse, op. No. 2 from XII Valses - F. Carulli: Allegretto, op. 69/3 from Choix de 24 Ariettes connues - Andantino, op. 69/2 from Choix de 24 Ariettes connues - Duo, op. 90/1 from Trois Petits Duos Nocturnes - Duo, op. 128/1 from Trois Petits Duos Nocturnes - Largo, op. 69/1 from Choix de 24 Ariettes connues - Rondo from Trois Petits Duos Nocturnes, op. 90/3 - E. Donato: A Media Luz - Tango Milonga - D. Fortea: Sonata - C. Gardel: Por una Cabeza - Tango Canción - C.W. Glover: The Rose of Tralee - Irish folk song - C. Gomes: Quem Sabe - A. Hume: Flow gently, sweet Afton - Scottish folk song - S. Joplin: The Strenuous Life - A Ragtime two step - E. Nazareth: Atrevedinha - Polka - W. Neuland: Galopade - Divertissement, op. 6/6 from Six Divertissements - P. Pettoletti: Andante from Mes Souvenirs - Divertissements, op. 6 - Pastorale from Mes Souvenirs - Divertissements, op. 6
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BERKLEE MILI BERMEJO - JAZZ VOCAL IMPROVISATION
24.99
BERKLEE MILI BERMEJO - JAZZ VOCAL IMPROVISATION
Voix seule
[Partition + Accès audio]
Berklee
Learn the art of jazz vocal improvisation! This book will help you hear, u...
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Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator
?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)
?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer
?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE
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When The Boat Comes Hame - Collection Of Scottish Airs And Dance Tunes
Tous Les Instruments
Faedoq
La variété est le mot clé dans cette collection de mélodies écossais tradit...
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La variété est le mot clé dans cette collection de mélodies écossais traditionnels. Pratiquement tous les types de tune-l'air de la chanson et danse sont représenté ici et choisis avec soin pour offrir une introduction de première classe à vraiment immense trésor de la musique écossaise. La majorité des airs 200 sont dans les clés faciles de D, G et une rendant convenant à la plupart des instruments. Du gaélique lullabies aux lignes brisées, les reels, les hornpipes tuyau tunes et les airs de ballade, vous trouverez tout entre ces criques. Conçu comme une introduction à la musique d'Ecosse, ce volume a pour but d'intéresser les acteurs pas juste traditionnels, mais aussi ceux qui jouent des instruments classiques et sont curieux au sujet de ces joyaux de pure magie que la nation écossaise a produit sur une longue période. / Tout Instrument
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Anthems Old And New For Sa Men Vol.1
Choeur Mixte (SA Hommes) Et Orgue (Ou Piano)
Kevin Mayhew
/ Choeur Mixte (SA Hommes) Et Orgue (Ou Piano)
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Ash Wednesday To Easter For Choirs (DAKERS LIONEL)
31.40
Ash Wednesday To Easter For Choirs (DAKERS LIONEL)
Chorale SATB
[Partition]
Oxford University Press
Compiled and edited by Lionel Dakers & John Scott, SATB accompanied & unaccompan...
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Compiled and edited by Lionel Dakers & John Scott, SATB accompanied & unaccompanied. Par DAKERS LIONEL. Les éditeurs ont sélectionné une collection riche et variée de pièces sacrées pour cette période de l'année de l'Eglise, en gardant toujours à l'esprit des considérations pratiques et les besoins liturgiques. Les pièces sont présentées dans l'ordre selon le calendrier de l'Eglise, le déplacement du mercredi des Cendres et le Carême, à travers la Passion et des Rameaux, au jeudi saint, vendredi saint, veille de Pâques, et Pâques elle-même. Le meilleur du répertoire standard est inclus aux côtés de fines, moins familiers, oeuvres. Très différents du XVIe siècle à nos jours, c'est une collection complète et pratique pour les chorales d'église de toutes tailles et de niveaux de capacité. Dakers Lionel est né à Rochester, Kent, en 1924, et mourut en 2003. Il a été directeur de la Royal School of Church Music de 1972 à 1989 et jouit d'une réputation internationale comme un ambassadeur de l'excellence dans la musique d'église. Il a également été pendant plus de 30 ans un examinateur pour l'Associated Board de l'Ecole Royale de Musique. Il a obtenu un doctorat en musique de Lambeth en 1979, est devenu un Fellow du Royal College of Music en 1980 et a été nommé CBE en 1983. John Scott est né en 1956 à Wakefield dans le Yorkshire, où il était un chantre de cathédrale. En 1974, il devient chercheur d'orgue au Collège St-Jean, à Cambridge. En quittant Cambridge, il fut nommé organiste adjoint à Londres deux cathédrales anglicane St-Paul et de Southwark, devenant finalement organiste et directeur de musique de Saint-Paul en 1990. Il est maintenant directeur de musique de St Thomas Church, Fifth Avenue, New York, et bénéficie également d'une longue carrière comme organiste de concert international. Il a été nommé Lieutenant de l'Ordre royal de Victoria (LVO) durant l'année Palmarès 2004 Nouvelle. / Niveau : Facile à Moyennement Difficile / Recueil / Chant
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