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Tarik O'Regan: Triptych: SATB: Vocal Score
10.99
Tarik O'Regan: Triptych: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Cantata for string orchestra and chorus.Triptych represents the concatenation an...
(+)
Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was
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Gott Fähret Auf Mit Jauchzen (BACH JOHANN SEBASTIAN)
20.40
Gott Fähret Auf Mit Jauchzen (BACH JOHANN SEBASTIAN)
Solistes SATB, Choeur SATB, 2 Hautbois, 3 Trompett
[Partition]
Carus Verlag
Kantate Zum Himmelfahrtsfest. Par BACH JOHANN SEBASTIAN. On the 30th May 1726, a...
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Kantate Zum Himmelfahrtsfest. Par BACH JOHANN SEBASTIAN. On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata 'Gott fähret auf mit Jauchzen'. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled 'Sonn- und Fest-Tags-Andachten über die ordenlichen Evangelia'. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen./ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 3 Trompett
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Nun Danket Alle Gott (TELEMANN GEORG PHILIPP)
14.70
Nun Danket Alle Gott (TELEMANN GEORG PHILIPP)
Solistes SATB, Choeur SATB, Flûte Traversière (Flû
satb (soli), SATB (chœur), Clavier
[Partition]
Carus Verlag
Kantate Zum Erntedankfest (Tempore Messis) Und Andere Dankfeiern. Par TELEMANN G...
(+)
Kantate Zum Erntedankfest (Tempore Messis) Und Andere Dankfeiern. Par TELEMANN GEORG PHILIPP. Telemann's cantata cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation 'Tempore Messis', which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the neutrality of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière (Flû
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Oratoria on words of the bible (Vocal score) (HENSEL FANNY)
38.10
Oratoria on words of the bible (Vocal score) (HENSEL FANNY)
Piano, Voix
[Partition]
Furore Verlag
Par HENSEL FANNY. ?This oratorio is the third of three church works composed in ...
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Par HENSEL FANNY. ?This oratorio is the third of three church works composed in rapid succession on 1831; its scoring is more abundant than that of the cantatas composed prior to it: there are five- to eight-part choruses and the orchestra is expanded to include three trombones. Once again Fanny Hensel-Mendelssohn looks back in musical history, this time to the pre-Baroque era, and adds a new dimension to her own compositional language by doing so. At times modal harmonies create an ?archaic? atmosphere for the biblical texts. Performance material available on hire. ? / Date parution : 2023-05-06/ Répertoire / Chant et Piano
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Douglas Nolan: A Song Is Born: 2-Part Choir: Vocal Score
10.99
Douglas Nolan: A Song Is Born: 2-Part Choir: Vocal Score
Chorale 2 parties
[Vocal Score]
Shawnee Press
A Cantata for Christmas-Especially designed to enable quick and easy learning t...
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A Cantata for Christmas-Especially designed to enable quick and easy learning this celebrative choral cantata is an ideal choice for churches with limited rehearsal times. Beautifully crafted carol arrangements combine with best-selling seasonal anthemsto create a pleasing and meaningful holiday presentation. With a 20-minute performance time this work can be used as the centerpiece of a carol singing service or a hanging of the green event. Composed for 2-Part or SAB voices this work is appropriate for choirs of any size or ability level.Includes: Tapestry of Joyful Carols; The King Is Coming Soon; Baby in a Manger; Echo Gloria; I Give My Song; Hark! The Herald Angels Sing.
10.99 GBP - vendu par Musicroom GB
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Triptych (Vocal Score)
18.40
Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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Gott Der Hoffnung Erfülle Euch Tvwv 1:634
7.50
Gott Der Hoffnung Erfülle Euch Tvwv 1:634
Chorale SATB
SATB, Orchestre
Barenreiter
In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the ...
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In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Violon I
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Gott Der Hoffnung Erfülle Euch Tvwv 1:634
24.60
Gott Der Hoffnung Erfülle Euch Tvwv 1:634
Chorale SATB
SATB, Orchestre
Barenreiter
In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the ...
(+)
In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Ensemble A Vent
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Joseph M. Martin: Whispers of the Passion: SATB: Vocal Score
9.99
Joseph M. Martin: Whispers of the Passion: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
The creative team that brought you The Lenten Sketches and Covenant of Grace now...
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The creative team that brought you The Lenten Sketches and Covenant of Grace now present a work filled with intensity and passion. In this work the silent witnesses to the last days of Christ speak in 5 soliloquiesthat testify to the timeless message of grace. These monologues are followed by beautiful musical moments that present new anthems as well as traditional Lenten hymns. This work designed primarily for Holy Week performanceincorporates simple symbols (Palms Chalice Robe Crown of Thorns and Cross) to be presented as the work unfolds.Whispers of the Passion is supported by a complete line of products that will add a variety ofoptions for churches of any size. With a 30-35 minute length of performance this flexible work can be integrated into a regular service or can even be done progressively over the weeks leading up to Good Friday. Reflect upon thegift of grace and the price of redemption as you experience the emotion of this inspired cantata.
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Tarik O'Regan: Threnody: SATB: Vocal Score
4.50
Tarik O'Regan: Threnody: SATB: Vocal Score
Chorale SATB
SATB, Orchestre
[Vocal Score]
Novello & Co Ltd.
The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of th...
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The Vocal Score for Tarik O'Regan's 2004 composition Threnody forms a part of the larger cantata Triptych but works beautifully as a piece in its own right. Lasting around five minutes Threnody was commissioned with funds from The RVW Trust for the Choir of London's inaugural concert in Christ Church Spitalfields on the 18th of December 2004. The work is arranged for SATB Chorus and String Orchestra and this item is the Vocal Score. Taking the lyrics from a diverse range of literary sources including William Blake's Auguries of Innocence William Penn and Psalm133 the solemn beauty of these texts is matched by the dynamism of the vocal performances in conjunction with the staccato rhythms of the orchestra. Crescendos and diminuendos give a sense of urgency and excitement to the vocals the harmonies of which are expertly composed.
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Der Herr Ist Mit Mir (BUXTEHUDE DIETRICH)
6.70
Der Herr Ist Mit Mir (BUXTEHUDE DIETRICH)
4 Parties Mixtes, Instruments à Cordes et Basse Co
[Partition]
Barenreiter
Par BUXTEHUDE DIETRICH. Dietrich Buxtehude (1637-1707) was organist of the St Ma...
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Par BUXTEHUDE DIETRICH. Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings, style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo. This cantata uses the text of Psalm 118: 6-7 and is scored for mixed chorus (SATB), strings and continuo. Score with parts (BA3198), separate parts (BA3198) and choral score (BA3198-91) available forsale/ Répertoire / 4 Parties Mixtes, Instruments à Cordes et Basse Co
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Das Neugebor'Ne Kindelein (BUXTEHUDE DIETRICH)
6.00
Das Neugebor'Ne Kindelein (BUXTEHUDE DIETRICH)
Chorale SATB
-
Débutant
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Par BUXTEHUDE DIETRICH. Das neugeborne Kindelein (The newborn babe, the heavenly...
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Par BUXTEHUDE DIETRICH. Das neugeborne Kindelein (The newborn babe, the heavenly child) (BuxWV 13) for Mixed choir (SATB), Strings, Basso continuo Dietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lubeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings, style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo. Dietrich Buxtehude's Cantata forfour part chorus is suited remarkably well for the Christmas services as well as the general religious services which choruses take part in every year. This opulent-sounding work possesses its every own special Christmas magic. It is a piece which can claim a place in the repertoire of many choruses. - Score with parts (BA717), separate parts (BA717) and choral score (BA717-91) available for sale/ Répertoire / SATB
6.00 EUR - vendu par LMI-partitions
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