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Gnarls Barkley: St. Elsewhere
27.50
Gnarls Barkley: St. Elsewhere
Piano, Voix et Guitare
[Partition]
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Intermédiaire
Amsco Wise Publications
Toutes les chansons du premier album de ce duo, arrangées pour Piano, Voix et G...
(+)
Toutes les chansons du premier album de ce duo, arrangées pour Piano, Voix et Guitare. Incluant les singles Crazy et Smiley Faces, `St. Elswehere` est le premier album de producteur de rap suprême qu?est Danger Mouse et de Cee-Lo, ex membre des Goodie Mob, a.k.a Gnarls Barkley. Inclus les symboles d?accords pour guitare et les paroles complètes.
27.50 EUR - vendu par Note4Piano
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10.99
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2 Guitares (duo)
Ricordi
Duets for Classical Guitar 1. Solo guitar arrangements of classical works are of...
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Duets for Classical Guitar 1. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr's Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions'from stylistically varied periods and for a range of original instrumentations'are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.
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24.60
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Débutant
Editions Musicales Francaises
e méthode et un répertoire pour débutant. Partie à jouer en duo optionnelle ...
(+)
e méthode et un répertoire pour débutant. Partie à jouer en duo optionnelle pour certains morceaux. Tous écrits avec des grosses notes, très claires et faciles à lire.
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Hal Leonard
Learn to sing harmony like a pro! This private lesson from the expert instructor...
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Learn to sing harmony like a pro! This private lesson from the expert instructors at Hollywood's Musicians Institute covers: building your own harmonies; reading music; scales chords and intervals; stage and studio techniques; drills for the advanced singer; and more. Includes 18 real songs in a variety of styles (pop rock blues funk soul & country) and 99 full-demo tracks. The tracks can be accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left orright.
25.99 GBP - vendu par Musicroom GB
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Duets for Classical Guitar 2. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr?s Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions?from stylistically varied periods and for a range of original instrumentations?are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.
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Clarinet Method Op. 63 Band 1 : #1 - 33
17.76
Clarinet Method Op. 63 Band 1 : #1 - 33
Clarinette
[Partition + CD]
Schott
The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work i...
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The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette
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Mass in F minor - WAB 28 (BRUCKNER ANTON)
124.74
Mass in F minor - WAB 28 (BRUCKNER ANTON)
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
Carus Verlag
Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most signifi...
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Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano
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Nikolai Rimsky-Korsakov: Procession of the Nobles: Fanfare Band: Score & Parts
93.50
Nikolai Rimsky-Korsakov: Procession of the Nobles: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
Nicolai Rimsky-Korsakov (1844-1908) came from an aristocratic family which lived...
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Nicolai Rimsky-Korsakov (1844-1908) came from an aristocratic family which lived near Novgorod. When he appeared to be musically gifted as a child his parents did not hesitate one moment to map out a more honourable profession for him â he wasto make a career in the navy as a marine officer. Rimsky-Korsakov however succeeded in secretly studying the cello next to his studies at the Naval Academy at St Petersburg. Through his cello teacher he came into contact with the composerBalakirev. In this way he suddenly became a member of The Mighty Five (a group of Russian composers consisting of Balakirev Moussorgsky Cui Borodin and Rimsky-Korsakov himself). Rimsky-Korsakov turned out to be so talented that he evenbecame a teacher at the St Petersburg Conservatory.âProcession of the Noblesâ comes from the opera-ballet âMladaâ.The opera has a remarkable history for between 1868 and 1870 five different composers worked on this project. The finalresult was never executed however. Twenty years later Rimsky-Korsakov started work on the opera once more and composed his own version of Mlada.The theme of the opera is a tragic love story that is set in the early Middle Ages in a realm on theBaltic Sea. In âProcesssion of the Noblesâ all the princesses of the country gather for a grand feast on the occasion of the summer holidays.
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David Garrett: Alive - My Soundtrack: Violin: Instrumental Album
20.50
David Garrett: Alive - My Soundtrack: Violin: Instrumental Album
Violon
-
Intermédiaire/avancé
Schott
16 Beautiful Movie Songs and Melodies. The internationally acclaimed violinist D...
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16 Beautiful Movie Songs and Melodies. The internationally acclaimed violinist David Garrett combines his virtuoso playing with modern sounds and with sales of his recordings in the millions at home in Germany and abroad, he is one of the greatest in his field. With ?Alive My Soundtrack? this exceptional violinist draws on his successes and takes us along on a journey through his musical life, combining a wealth of different styles of music in the most wonderful way, without forgetting his classical roots. It is this very diverse approach that makes ?Alive My Soundtrack? so personal and lively.As in the previous BEST OF VIOLIN collection, the accompanying sheet music edition contains 16 transcriptions for violinsolo with piano accompaniment, which are musically inspiring and technically demanding. In collaboration with Franck van der Heijden and John Haywood, David has succeeded in creating a remarkably eclectic mixture of classical, rock and pop music.
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Succeeding At The Piano - Christmas: Piano: Instrumental Album
Piano seul
[Partition]
FJH
Pianistic arrangements of seasonal favorites will create a festive atmosphere du...
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Pianistic arrangements of seasonal favorites will create a festive atmosphere during the holiday season. Suitable for recitals church or at home the contents include activity pages and these titles: O Come All Ye Faithful; The Holly and the Ivy; The First Noël; Ding Dong! Merrily on High; O Christmas Tree; We Three Kings of Orient Are; It Came Upon the Midnight Clear; Hark! The Herald Angels Sing; Hallelujah Chorus and God Rest Ye Merry Gentlemen.
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Francis Jackson: Three Hymn Tune Preludes: Organ: Score
5.95
Francis Jackson: Three Hymn Tune Preludes: Organ: Score
Orgue
Banks Music Publications
A selection of three hymn tune preludes composed by Francis Jackson and arranged...
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A selection of three hymn tune preludes composed by Francis Jackson and arranged for Organ.Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.
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Valse Sentimentale (PSTROKONSKY-GAUCHE MONIQUE)
17.30
Valse Sentimentale (PSTROKONSKY-GAUCHE MONIQUE)
Piano seul
Metropolis Music Publishers
Par PSTROKONSKY-GAUCHE MONIQUE. Monique Pstrokonsky-Gauché, issue d'une famille...
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Par PSTROKONSKY-GAUCHE MONIQUE. Monique Pstrokonsky-Gauché, issue d'une famille de peintres polonais est née en Auvergne en 1945. Elle a étudié le piano depuis l'âge de 9 ans puis l'harmonie classique de 1963 à 1971 auprès de Julien Falk (compositeur français 1902-1987, professeur au CNSM de Paris). Pianiste accompagnatrice en conservatoire, elle a toujours été passionnée de composition et de pédagogie. Elle est membre de la SACEM depuis 1971. En 2000, elle a publié : Comment commencer l'harmonie (2 volumes) et une Méthode de piano pour débutants, enfants à partir de 8 ans et adultes (2 volumes) édités aux éditions Jobert. Dans ce but, elle a organisé un enseignement très progressif avec une parfaite concordanceentre le solfège, les notes apprises et les morceaux qu'elle a spécialement composés pour ses méthodes. En 2010, dans le même esprit, elle propose une méthode de piano ludique spécialement écrite pour les très jeunes enfants à partir de 5-6 ans : Ma toute petite méthode de piano (volume 1) suivie en 2014 d'un 2ème volume, éditée par 'letoutpetitconservatoire', Editions KP Créations. Monique Pstrokonsky-Gauché, issue d'une famille de peintres polonais est née en Auvergne en 1945. Elle a étudié le piano depuis l'âge de 9 ans puis l'harmonie classique de 1963 à 1971 auprès de Julien Falk (compositeur français 1902-1987, professeur au CNSM de Paris). Pianiste accompagnatrice en conservatoire, elle a toujours été passionnée de composition et de pédagogie. Elle est membre de la SACEM depuis 1971. En 2000, elle a publié : Comment commencer l'harmonie (2 volumes) et une Méthode de piano pour débutants, enfants à partir de 8 ans et adultes (2 volumes) édités aux éditions Jobert. Dans ce but, elle a organisé un enseignement très progressif avec une parfaite concordanceentre le solfège, les notes apprises et les morceaux qu'elle a spécialement composés pour ses méthodes. En 2010, dans le même esprit, elle propose une méthode de piano ludique spécialement écrite pour les très jeunes enfants à partir de 5-6 ans : Ma toute petite méthode de piano (volume 1) suivie en 2014 d'un 2ème volume, éditée par 'letoutpetitconservatoire', Editions KP Créations./ Répertoire / Piano
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Jazz Easy Play-along Series, Vol. 3 : Easy Latin - Tous Instruments + Cd
26.00
Jazz Easy Play-along Series, Vol. 3 : Easy Latin - Tous Instruments + Cd
Instruments Sib, Mib, Do et Bass clef
[Partition + CD]
Alfred Publishing
The Alfred Jazz EASY Play-Along series goes beyond the other play-alongs. Each v...
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The Alfred Jazz EASY Play-Along series goes beyond the other play-alongs. Each volume has parts for C, Bb, Eb, and bass clef instruments and includes a sample jazz solo written out for you to listen to, play, and practice. The included CD has a demo and play-along track for each tune. The demo track , featuring a pro rhythm section and horn player, is a learning tool for the melodic concept, overall jazz style and the sample jazz solo. The play-along track allows a soloist or group to learn and perform with the rhythm section. Specific improvisation tips and suggestions are included. The included sample jazz solo is an invaluable asset that makes learning how to improvise easier. There is also a matching book for rhythm section featuring piano, bass and drum parts. Nine great tunes=great jazz! Titles: Gentle Rain * Listen Here * Manha de Carnival * Night and Day * Poinciana * Recorda Me * The Shadow of Your Smile * Softly, as in a Morning Sunrise * Star Eyes.Recorda Me (Remember Me) Softly, As in a Morning Sunrise The Shadow of Your Smile (from The Sandpiper) Star Eyes Manha de Carnaval Gentle Rain Poinciana Night and Day (from Gay Divorcee) Listen Here
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Requiem (MOZART WOLFGANG AMADEUS)
17.34
Requiem (MOZART WOLFGANG AMADEUS)
Choeur Mixte SATB et Piano
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal...
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Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozarts fragmentary Requiem as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozarts idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozarts church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the Requiem fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayrs historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozarts intentions: the Lacrimosa may end with or without Amen fugue, and the Sanctus may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major Hosanna from Süssmayrs autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the Requiem fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozarts musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the Lacrimosa, Sanctus and Benedictus - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the works history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (Le Disque classique du jour from francemusique.fr and three nominations for Opus Klassik 2021 in the categories Ensemble, Choral Recording and Editorial Achievement) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano
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Johann Sebastian Bach: Cantata No. 10: Chamber Ensemble: Study Score
10.00
Johann Sebastian Bach: Cantata No. 10: Chamber Ensemble: Study Score
Orchestre
[Conducteur]
Barenreiter
Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10:...
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Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Rob Goorhuis: Amsterdam: Brass Band: Score
17.99
Rob Goorhuis: Amsterdam: Brass Band: Score
Ensemble de cuivres
Gobelin Music Publications
Rob Goorhuis schreef de compositie Amsterdam voor Amsterdam Brass in 2002. Het w...
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Rob Goorhuis schreef de compositie Amsterdam voor Amsterdam Brass in 2002. Het werk beleefde haar premi?re in 2003 in een uitvoering van de opdrachtgever. De componist zelf Amsterdammer van geboorte heeft in dit werk zijn herinneringen aan de toen ook al bruisende stad muzikaal verwerkt in een combinatie met het heden. De geluiden van de stad zoals Goorhuis die in de 50-er jaren hoorde zijn al dan niet abstract weergegeven in Amsterdam. Amsterdam bestaat uit drie in elkaar overgaande delen. Het eerste deel (Allegro Moderato) beschrijft de grote drukte in de Nederlandse hoofdstad die altijd leeft beweegt zindert en schijnbaar nooit 'slaapt'. Devoortdurende zestiende beweging in de diverse instrumenten benadrukken die immer aanwezige drukte in de stad die in de volksmond bekend staat als 'Mokum'. Zelfs de klanken van een Amsterdams draaiorgel zijn goed hoorbaar in dit eerste gedeelte. De karavaan vuilnisauto's die elke ochtend om 5 uur door de straat van de nog jonge Rob Goorhuis reed is een hoorbare herinnering aan vervlogen tijden. Het tweede deel brengt ons in het Vondelpark aan de rand van het centrum. Het thema wordt voorgesteld door de bugel en voert via variaties op dit thema in diverse andere instrumenten naar een drukker gedeelte van het stadspark om vervolgens weer kort terug te keren naar de oase van rust.Het tempo en de begeleidende beweging zijn bepalend voor het bijzondere karakter van dit middendeel. Het derde deel zet ons weer met beide benen in het bruisende hart van de stad. De euphonium introduceert het grillige thema met karakteristieke toonladderfiguren en kwartsprongen dat in de verschillende stemmen canonisch wordt verwerkt. Halverwege duikt onopvallend het thema van het middendeel weer op dat steeds opvallender naar voren komt resulterend in een verrassend slot. Verplicht werk Nederlandse Brassband Kampioenschappen 2004 - 1e divisie.
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Per Nørgård: Whirl's World: Wind Ensemble: Parts
49.99
Per Nørgård: Whirl's World: Wind Ensemble: Parts
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
[Partition]
Wilhelm Hansen
Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was ...
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Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård
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Johann Sebastian Bach: Concerto in D minor BWV 1043: Cello Duet: Instrumental
15.00
Johann Sebastian Bach: Concerto in D minor BWV 1043: Cello Duet: Instrumental
CelloLid.com
If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live...
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If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello.The concerto in D minor (BWV 1043) for two violins string orchestra and continuo by Johann Sebastian Bach (1685-1750) is one of his most loved works. Indeed the slow movement may be one of the most popular and loved pieces in the instrumental literature. Traditionally it is believed to have been written in Köthen where he held the position of 'fürstlischer Kapellmeister' from 1717-1723 a town that saw the birth of the Brandenburg concertos and the solo works for violin and cello. The Dorian church mode (the absent Bflat in the key of Dminor) would also speak for the younger Bach. Recent research however has shown that the orchestral parts carefully written out by Bach himself and found among the papers of his son Carl Philip Emanuel date from around 1730. The sophistication of the composition also speaks for a later date than Köthen. The original score has been lost.Always in need of concert material for his 'Collegium Musicus' in Leipzig Bach made a version of the present concerto for two harpsichords (BWV 1062). The original key was transposed to C minor so that the top note would not exceed a D but remain within the range of a standard harpsichord. Another C minor concerto (BWV 1060) for two harpsi-chords often heard in an arrangement from the 1920's for violin and oboe by Max Schneider and Max Seiffert speaks for two concertos in D minor for two violins by Bach.When arranging an orchestral score for the pianoforte one has to remember that a double-bass sounds an octave lower than notated. This is a welcomed fact when dealing with two instruments that play the original solo parts an octave down. At the same time for a transcription of this kind the ambition must be to avoid the cello soloists playing in octaves with the violin tutti parts - which is what would happen were they to share the same material. This ambition made a piano reduction
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Rick McKeon: Basic Music Theory For Banjo Players: Banjo: Instrumental Tutor
18.99
Rick McKeon: Basic Music Theory For Banjo Players: Banjo: Instrumental Tutor
Banjo
[Partition + Accès audio]
Mel Bay
This book is a 'hands-on' approach to music theory with lots of playing examples...
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This book is a 'hands-on' approach to music theory with lots of playing examples for the Banjo. Music theory does not have to be mysterious or difficult. In fact taken a little bit at a time it?s easy and fun! Each ofthe approximately 50 lessons in this book has a limited scope but by the time you complete them you will have a thorough understanding of the basics of music theory as applied to the Banjo. While a single book can't covereverything in so vast a subject the author has tried to choose topics that will address the needs of most beginning Banjo players. These include: scale theory reading tablature and standard notation key signatures accidentals transposition time signatures and note values intervals and chord construction the three kinds of minor scales pentatonic scales and more. In addition each chapter features playing examples and review questions to both testand clarify understanding of the materials presented. Rather than proceeding from chapter to chapter as each individual Banjo player is likely at a different point in their musical journey the reader is encouraged to?jump around and spend more time in those areas that interest you most.? The important thing about the journey is to begin. Includes access to online audio and video.
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Ari Levine Brody Brown Bruno Mars Philip Lawrence Thomas Callaway: Forget You:
11.25
Ari Levine Brody Brown Bruno Mars Philip Lawrence Thomas Callaway: Forget You:
Hal Leonard
GREEN CEE LO FORGET YOU GLEE (ARR HUFF MAC) SAB CHOR
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Rory Boyle: Playstrings Moderately Easy No. 1: Orchestra: Score
13.99
Rory Boyle: Playstrings Moderately Easy No. 1: Orchestra: Score
Orchestre à Cordes
[Partition]
Chester
Suite of English Folk Songs (Boyle)-Easy music for string groups. Playstrings pr...
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Suite of English Folk Songs (Boyle)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The âEasyâ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the âModerately Easyâ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.
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Paths To Classical Singing : A German Vaccai Method (STEFFEN WOLFGANG)
29.41
Paths To Classical Singing : A German Vaccai Method (STEFFEN WOLFGANG)
Voix Moyenne
[Partition + CD]
Breitkopf & Härtel
24 Heine-Vertonungen. Par STEFFEN WOLFGANG. To familiarize oneself with the basi...
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24 Heine-Vertonungen. Par STEFFEN WOLFGANG. To familiarize oneself with the basics of lied singing and at the same time work on technical and artistic issues using short and varied lieder, there is no way around the German 'Vaccai. With lieder based on Heine's poems and following the Italian example Nicola Vaccai, Steffen Wolf succeeded in creating a real highlight in voice teaching. Each volume comprises the lieder with the international phonetic transcription below the music, short pedagogical comments on technical and artistic issues as well as a CD with recordings of the songs and piano playbacks in the respective voice range. Singers: Miriam Alexandra (soprano), Yvi Jänicke (alto), Dávid Csizmár (baritone) and the composer (tenor) himself. They are accompanied by the pianist Henning Lucius, who also recorded the piano playbacks for every CD./ Méthode / Voix Moyenne
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Contrasts
42.20
Contrasts
Violon, Clarinette, Piano (trio)
[Set de Parties séparées]
Boosey and Hawkes
/ Violon, Clarinette Et Piano
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Requiem Op. 89 Violon 1 (DVORAK ANTONIN)
9.43
Requiem Op. 89 Violon 1 (DVORAK ANTONIN)
Violon
[Partition]
Breitkopf & Härtel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the...
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Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Violon 1 (Partie Séparée)
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The Savvy Studio Owner: Reference Books
13.95
The Savvy Studio Owner: Reference Books
Backbeat Books
This book covers all aspects of starting and running a professional sound record...
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This book covers all aspects of starting and running a professional sound recording studio from smaller project-style facilities to million dollar majors. For the first time here is one guide that combines serious businessplanning studio design and audio engineering as interconnected aspects of starting and running a studio. Numerous practical examples and applications throw light on the daily workings of a recording studio including recording marketing sales employees and taxes. Readers with no business or sound recording experience will find what they need to start and succeed in creating a sound recording studio.
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
9.75
Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Violoncelle, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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Felix Mendelssohn Bartholdy: Variations Sérieuses Op.54: Piano: Instrumental
10.99
Felix Mendelssohn Bartholdy: Variations Sérieuses Op.54: Piano: Instrumental
Wiener Urtext
With his Variations Sérieuses Felix Mendelssohn Bartholdy contributed to the a...
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With his Variations Sérieuses Felix Mendelssohn Bartholdy contributed to the anthology Album-Beethoven which had been initiated by the Viennese publisher Pietro Mechetti and whose proceeds were to be donated for the funding of the Beethoven monument in Bonn. In order to do justice to the high standards of the composer to be honoured Mendelssohn decided in favour of a cycle of variations which clearly stands out from the superficially virtuoso variation style of that time. The new edition of the Wiener Urtext Edition is based on the autograph engraver’s copy and the first prints. In addition the correspondence of Mechetti'seditor Becher with Mendelssohn could be consulted for clarifying problematic textual instances. The notes on interpretation by Peter Roggenkamp cover various aspects – from learning to master the technical demands to practical performance details. The edition is rounded off by a practical and user-friendly notation.
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Valse Joyeuse (PSTROKONSKY-GAUCHE MONIQUE)
17.30
Valse Joyeuse (PSTROKONSKY-GAUCHE MONIQUE)
Piano seul
Metropolis Music Publishers
Par PSTROKONSKY-GAUCHE MONIQUE. Monique Pstrokonsky-Gauché, issue d'une famille...
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Par PSTROKONSKY-GAUCHE MONIQUE. Monique Pstrokonsky-Gauché, issue d'une famille de peintres polonais est née en Auvergne en 1945. Elle a étudié le piano depuis l'âge de 9 ans puis l'harmonie classique de 1963 à 1971 auprès de Julien Falk (compositeur français 1902-1987, professeur au CNSM de Paris). Pianiste accompagnatrice en conservatoire, elle a toujours été passionnée de composition et de pédagogie. Elle est membre de la SACEM depuis 1971. En 2000, elle a publié : Comment commencer l'harmonie (2 volumes) et une Méthode de piano pour débutants, enfants à partir de 8 ans et adultes (2 volumes) édités aux éditions Jobert. Dans ce but, elle a organisé un enseignement très progressif avec une parfaite concordanceentre le solfège, les notes apprises et les morceaux qu'elle a spécialement composés pour ses méthodes. En 2010, dans le même esprit, elle propose une méthode de piano ludique spécialement écrite pour les très jeunes enfants à partir de 5-6 ans : Ma toute petite méthode de piano (volume 1) suivie en 2014 d'un 2ème volume, éditée par 'letoutpetitconservatoire', Editions KP Créations. Monique Pstrokonsky-Gauché, issue d'une famille de peintres polonais est née en Auvergne en 1945. Elle a étudié le piano depuis l'âge de 9 ans puis l'harmonie classique de 1963 à 1971 auprès de Julien Falk (compositeur français 1902-1987, professeur au CNSM de Paris). Pianiste accompagnatrice en conservatoire, elle a toujours été passionnée de composition et de pédagogie. Elle est membre de la SACEM depuis 1971. En 2000, elle a publié : Comment commencer l'harmonie (2 volumes) et une Méthode de piano pour débutants, enfants à partir de 8 ans et adultes (2 volumes) édités aux éditions Jobert. Dans ce but, elle a organisé un enseignement très progressif avec une parfaite concordanceentre le solfège, les notes apprises et les morceaux qu'elle a spécialement composés pour ses méthodes. En 2010, dans le même esprit, elle propose une méthode de piano ludique spécialement écrite pour les très jeunes enfants à partir de 5-6 ans : Ma toute petite méthode de piano (volume 1) suivie en 2014 d'un 2ème volume, éditée par 'letoutpetitconservatoire', Editions KP Créations./ Répertoire / Piano
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Wolfgang Amadeus Mozart: String Quartets Volume II: String Ensemble: Study Score
16.75
Wolfgang Amadeus Mozart: String Quartets Volume II: String Ensemble: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
G. Henle
After Volumes IV and III of the series with Mozartâ??s complete string quartets...
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After Volumes IV and III of the series with Mozartâ??s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively Mozart expert Wolf-Dieter Seiffert now presents Volume II â?? in full score and individual parts. Included are the â??Early Viennese Quartetsâ? from 1773 K. 168â??173. Entries in the autograph manuscript by the composerâ??s father Leopold however suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation thereby producing a new assured musical text. With artistic input from the Armida Quartet Volume II of the String Quartets also sets the benchmark in the Mozart Edition! After Volumes IV and III of the series with Mozartâ??s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively Mozart expert Wolf-Dieter Seiffert now presents Volume II â?? in full score and individual parts. Included are the â??Early Viennese Quartetsâ? from 1773 K. 168â??173. Entries in the autograph manuscript by the composerâ??s father Leopold however suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation thereby producing a new assured musical text. With artistic input from the Armida Quartet Volume II of the String Quartets also sets the benchmark in the Mozart Edition!
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