Cavalleria rusticana (Rustic Chivalry) is one of the primary examples of Italian realism. It was both the best and worst thing that happened to Mascagni for its success - never to be repeated - weighed upon the composer all hislife. Based on Vergaâ??s play of the same name the libretto by Targioni-Tozzetti runs as follows: Lola and Turiddu had been lovers but when Turiddu went away to battle Lola married Alfio. When Turiddu returned he and Lolacontinued their affair secretly while he tried to make Lola jealous by starting a casual affair with Santuzza who fell genuinely in love with him. On Easter Sunday Santuzza realising the affair goes to see Turiddu'smother Lucia who keeps a tavern in the village. She is horrified to learn of her sonâ??s infidelity and leaves for the church just missing Turiddu who saunters in thinking of his night with Lola. He is surprised and annoyed tofind Santuzza there and the two begin to quarrel. Lola makes things worse by appearing and taunting Santuzza. Turiddu finally hits Santuzza and escapes.Santuzza tells Alfio of the illicit affair whereupon Alfio flies intoa rage and swears that he will avenge himself the code of honour requires Turiddu's blood to be shed. According to tradition he refuses a glass of wine from Turiddu indicating the dispute and the two make plans to fight.Rushing into the tavern Turiddu bids his mother her to take care of Santuzza. Mamma Lucia is alarmed and as he rushes off Santuzza enters and throws her arms around Lucia's neck just as a woman screams that Turiddu has beenkilled.This is the Schirmer edition of the Libretto in the original Italian with an English translation by Joseph Machlis.

La référence LV0298 de l'éditeur Billaudot dont l'auteur célèbre est Mascagni Pietro, qui a pour titre Cavalleria rusticana, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Livret

Par MASCAGNI PIETRO. Cavalleria rusticana spricht die Sprache von Mascagni. Mit diesem Werk wurde Mascagni buchstäblich über Nacht berühmt, nachdem seine Frau ohne sein Wissen die Partitur zu einem Komponistenwettstreit eingeschickt und diese dort den ersten Preis gewonnen hatte. Cavalleria rusticana wurde zu einem unglaublichen Erfolg, der die Premiere der folgenden Oper, l'Amico Fritz überschattete. Dennoch ist l'Amico Fritz eine gelungene Oper; zu ihren Höhepunkten zählen das Kirschenduett und dieses, hier von dem Japaner Kimura arrangierte, Intermezzo. / Niveau : 5 / Répertoire / Concert Band ou Harmonie

aus der Oper Cavalleria rusticana / Wie unter ihrer Flugel weis Gefieder-Salon Orchestra (Score & parts). Mascagni P

Instrumentation : TbaAccompanying set of 3 CDs MP 8666 - these orchestral recordings present the complete excerpt, and the tuba parts are not omitted. Content : Bartok - Concerto for Orchestra; Berg - Wozzeck; Berlioz - Symphonie fantastique, Romeo and Juliet, La Damnation de Faust, Grand Messe dos Morts; Bruckner - Symphonies 4,7 and 8; Delibes - Coppélia; Hindemith - Symphonic Metamorphosis, Mathis der Maler; Leoncavallo - Pagliacci; Mahler - Symphony No 1; Mascagni - Cavalleria Rusticana; Mendelssohn - Midsummer Night's Dream; Mussorgsky (orch. Ravel) - Pictures at an Exhibition; Prokofiev - Cinderella, Romeo and Juliet, Symphony No 5; Richard Strauss - Tod und Verklärung, Till Eulenspiegel, Zarathustra, Ein Heldenleben, Don Quixote, Salome, Elektra, Der Rosenkavalier; Stravinsky - Petroushka; Tchaikovsky - Symphonies 4 and 6; Verdi - Aida, Falstaff, Rigoletto; Wagner - Faust Overture, Der fliegende Holländer, Tannhäuser (Paris Version), Lohengrin, Die Meistersinger von Nürnberg, Tristan und Isolde, Der Ring des Nibelungen

Six classical piano solos in their original form and seven advanced piano transcriptions, including a new piano solo arrangement of the main theme from the ever-popular Rhapsody in Blue. This superb collection of classical hits is certain to appeal to all! Titles include: Sleeping Beauty Waltz (Tchaikovsky) * Air for the G String (J.S. Bach) * Intermezzo from Cavalleria Rusticana (Mascagni) * Funeral March (Chopin) * Rondo Alla Turca (W.A. Mozart) and more.

Ces transcriptions originales de cinquante mélodies d'opéra populaires pour piano solo constituent environ la moitié du répertoire de la performance actuelle. De Aïda de Turandot et plus, la collection comprend des contributions de presque tous les grands compositeurs. Introductions individuels offrent un bref résumé de l'opéra de la source, et des images d'archives placer chaque pièce dans son contexte plus large. Convient aux pianistes de niveau intermédiaire, les sélections comprennent des pièces de Amahl et les visiteurs de nuit, Le Barbier de Séville, La Fiancée vendue, Carmen, Cavalleria Rusticana, Die Fledermaus, Der Rosenkavalier, Die Meistersinger von Nürnberg, Don Giovanni, Eugène Onéguine, Faust, Hansel et Gretel, I Pagliacci, I Puritani, Il Trovatore, La Bohème, L'Africaine, Lakmé, La Traviata, Lohengrin, Lucia di Lammermoor, Madama Butterfly, La Flûte enchantée, Martha, Le Prince Igor, Rinaldo, Samson et Dalila, Tales Hoffmann, Tannhäuser, Thaïs, Tosca, Tristan und Isolde et plus. / Piano

Description G. Schirmer Opera Anthology - Arias For Mezzo-Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Includes historical notes, plot synopses and translations for study. Edited by Robert L. Larsen. Songlist Acerba Volutta (Adriana Lecouvreur) [Cilea, Francesco] Ah, Michele, Don't You Know (The Saint Of Bleecker Street) [Menotti, Gian Carlo] Amour Viens Aider Ma Faiblesse (Samson Et Dalila) [Saint-Saens, Camille] Augusta How Can You Turn Away? (The Ballad Of Baby Doe) [Moore, Douglas] Chacun A Son Gout (Die Fledermaus) [Strauss Ii, Johann] Che Faro Senza Euridice (Orfeo) [Gluck, Christoph Willibald] Cruda Sorte..Gia So Per Pratica (L'italiana In Algeri) [Rossini, Gioacchino] En Vain Pour Eviter (Carmen) [Bizet, Georges] Faites-lui Mes Aveux (Faust) [Gounod, Charles] Il Segreto Per Esser Felici (Lucrezia Borgia) [Donizetti, Gaetano] L'amour Est Un Oiseau Rebelle (Carmen) [Bizet, Georges] Lullaby (The Consul) [Menotti, Gian Carlo] Mon Coeur S'ouvre A Ta Voix (Samson Et Dalila) [Saint-Saens, Camille] Must The Winter Come So Soon? (Vanessa) [Barber, Samuel] Nobles Seigneurs, Salut (Les Hugenots) [Meyerbeer, Giacomo] Non Piu Mesta (La Cenerentola) [Rossini, Gioacchino] Non So Più Cosa Son (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] O Mio Fernando (La Favorita) [Donizetti, Gaetano] Pres Des Remparts (Carmen) [Bizet, Georges] Printemps Qui Commence (Samson Et Dalila) [Saint-Saens, Camille] Que Fais-tu, Blanche Tourterelle (Romeo Et Juliette) [Gounod, Charles] Smanie Implacabili (Cosi Fan Tutte) [Mozart, Wolfgang Amadeus] Stride La Vampa (Il Trovatore) [Verdi, Giuseppe] Una Voce Poco Fa (Il Barbiere Di Siviglia) [Rossini, Gioacchino[ Va Laisse Couler Mes Larmes (Werther) [Massenet, Jules] Voce Di Donna (La Gioconda) [Ponchielli, Amilcare] Voi Che Sapete (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Voi Lo Sapete (Cavelleria Rusticana) [Mascagni, Pietro] We Cannot Retrace Our Steps (The Mother Of Us All) [Thomson, Virgil] When I Am Laid In Earth (Dido And Aeneas) [Purcell, Henry]

Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano

Arr. Manu Mellaerts. Par MASCAGNI PIETRO. / Répertoire / Concert Band ou Harmonie