Par HEIM NORMAN. Easy to intermediate solos scored for clarinet with keyboard accompaniment. An ideal seasonal supplement to any clarinet method. / Niveau : Débutant / Christmas - Solos / Recueil / Clarinette

This book was written specifically for beginning students working with a private teacher or in an entry-level clarinet class. The author emphasizes correct hand positions, breath control, and tone production needed for a successful start on the instrument, all the while encouraging the student to develop fundamental musicianship. Particular attention is given to the concept of playing in the rich, low chalumeau range of the clarinet as well as to playing over the break between registers. Finger exercises, daily warmups, a chromatic fingering chart, and helpful tips on accessories, beginning repertoire and care of the instrument complete this insightful volume?essential for any beginning clarinetist?s bookshelf!

Par PUSCOIU COSTEL. Clarinet/Solos. A small, but representative collection of well-known and lesser-known beautiful melodies from the Balkans. The carefully-chosen melodies offer a rich, enjoyable and varied book. The arrangements and other adaptations (keys, ornaments, etc.) have been introduced to make this beautiful South-Eastern European music more suitable for performance on the clarinet. It is recommended to repeat each piece 3-4 times because the melodies (like all folk songs in the world) are very short. A free piano accompaniment plus audio downloads are available for use with this title. Free audio files and piano accompaniment available. / Niveau : Débutant à Intermédiaire / Baltic - Solos / Recueil / Clarinette

With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger's last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube. / Quintette De Clarinettes

IntonationContent : Introduction - 1. Intonation exercises - 2. Examples from the literatur - A) Examples from the literature in more than one voice - B) Examples from the literature in octaves and in unison - 3. The theory - 4. The practice - A) The clarinet - B) The basic tuning of the instrument - C) Tuning up - D) Adjusting the intonation - E) Dynamics and reeds - F) Special hints

Performed by Stanley Drucker clarinetAccompaniment: Sondra Bianca pianoIn this third volume of intermediate repertoire for clarinet with piano accompaniment Stanley Drucker of the New York Philharmonic preparesyou for the steps toward advanced-level playing. A must-have for all clarinetists moving toward the challenging orchestral repertoire which is part of every first-chair clarinetist's musical world. Includes a high-quality printedmusic score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist.

Par STAMITZ JOHANN WENZEL. Part for Clarinet in B flat/ Répertoire / Clarinette et Piano

Bass Clarinet In Bb Version-'Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary.' - Thomas Simaku

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Three Duos for Clarinet and Bassoon WoO 27 pour Clarinette et plus particulièrement pour Clarinette Et Basson. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Clarinette Et Basson / Chanson En Séparée

Clarinet and Piano. Par SCHUMANN ROBERT. On a peine à croire dans quel environnement ces «Soiréestücke» (c’est le titre initial) ont vu le jour: en 1849, Dresde est affectée par de graves troubles politiques, qui contraignent finalement Schumann et Clara à se réfugier à la campagne. Rien de tout cela ne transparaît dans la musique, le caractère idyllique de ces trois mouvements évoquant plutôt l’aspiration à l’harmonie et à la paix de la vie privée. Les Fantasiestücke sont écrits à l’origine pour la clarinette, mais la première édition est accompagnée, au choix, de parties de violon et de violoncelle. Nous avons soumis nos éditions à une révision critique approfondie et adjoint des commentaires détaillés. ? / Partition brochée / Date parution : 1905-06-10/ Répertoire / Clarinette et Piano

Par HITTLER LOUIS. An extremely simple, big-note method ideal for young children. This beginner's guide to the clarinet is especially useful for the trial or rental period. Great emphasis has been placed on sound fundamentals and other basic techniques. / Niveau : Débutant / All Styles - Methods / Méthode / Clarinette

Arranged by Harry Dexter The First Year Clarinettist includes eight famous melodies for Clarinet in B-flat with Piano Accompaniment.

Clarinet In Bb Version-'Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary.' - Thomas Simaku