German composer and pianist Johannes Brahms’ popularity and influence were considerable even during his lifetime. Brahms composed for Piano chamber ensembles symphony orchestra and for Voice and chorus. Avirtuoso pianist he premiered many of his own works. He worked with some of the leading performers of his time including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of hisworks have become staples of the modern concert repertoire. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the 'Three Bs'.This beautiful edition of Three BrahmsWaltzes includes Lullaby Waltz in B minor and Waltz in D minor arranged for Grade 5 solo Piano.

Herausgeber: Katrin Eich Fingersatz: Andreas Boyde Johannes Brahms? späte Klavierstücke gehören in Gestalt der beiden Ausgaben HN 36 (Broschur) und 37 (Leinen) seit den frühen 1950er Jahren zum Urgestein des Henle-Kataloges. 2011 erschien in der neuen Brahms Gesamtausgabe der Band mit Klavierstücken (HN 6014), dem es mustergültig gelingt, die Edition dieser wichtigen Werke auf eine neue musikwissenschaftliche Basis zu stellen. Nachdem unsere Urtextausgaben der Opera 76, 79 und 116?119 bereits in Einzelheften auf den Stand der Gesamtausgabe gebracht wurden, krönen wir dieses Brahms-Projekt nun mit der Publikation des revidierten Sammelbandes, erhältlich in klassischer Broschur oder in hochwertigem Leinen oder als handliche Studien-Edition. Eine Einladung an alle, die Brahms? faszinierenden Klavier-Kosmos neu entdecken wollen. Klavierstücke op. 76 Capriccio fis-moll op. 76,1 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Capriccio h-moll op. 76,2 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Intermezzo As-dur op. 76,3 Schwierigkeitsgrad (Klavier): mittel (Stufe 5) Intermezzo B-dur op. 76,4 Schwierigkeitsgrad (Klavier): mittel (Stufe 5/6) Capriccio cis-moll op. 76,5 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Intermezzo A-dur op. 76,6 Schwierigkeitsgrad (Klavier): mittel (Stufe 5/6) Intermezzo a-moll op. 76,7 Schwierigkeitsgrad (Klavier): mittel (Stufe 5) Capriccio C-dur op. 76,8 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) 2 Rhapsodien op. 79 Rhapsodie h-moll op. 79,1 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Rhapsodie g-moll op. 79,2 Schwierigkeitsgrad (Klavier): mittel (Stufe 5/6) Fantasien op. 116 Capriccio d-moll op. 116,1 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Intermezzo a-moll op. 116,2 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Capriccio g-moll op. 116,3 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Intermezzo E-dur op. 116,4 Schwierigkeitsgrad (Klavier): mittel (Stufe 5) Intermezzo e-moll op. 116,5 Schwierigkeitsgrad (Klavier): mittel (Stufe 5/6) Intermezzo E-dur op. 116,6 Schwierigkeitsgrad (Klavier): mittel (Stufe 4/5) Capriccio d-moll op. 116,7 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) 3 Intermezzi op. 117 Intermezzo Es-dur op. 117,1 Schwierigkeitsgrad (Klavier): mittel (Stufe 5) Intermezzo b-moll op. 117,2 Schwierigkeitsgrad (Klavier): mittel (Stufe 5/6) Intermezzo cis-moll op. 117,3 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Klavierstücke op. 118 Intermezzo a-moll op. 118,1 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Intermezzo A-dur op. 118,2 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Ballade g-moll op. 118,3 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Intermezzo f-moll op. 118,4 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Romanze F-dur op. 118,5 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Intermezzo es-moll op. 118,6 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Klavierstücke op. 119 Intermezzo h-moll op. 119,1 Schwierigkeitsgrad (Klavier): mittel (Stufe 5/6) Intermezzo e-moll op. 119,2 Schwierigkeitsgrad (Klavier): mittel (Stufe 6) Intermezzo C-dur op. 119,3 Schwierigkeitsgrad (Klavier): schwer (Stufe 6/7) Rhapsodie Es-dur op. 119,4 Schwierigkeitsgrad (Klavier): schwer (Stufe 7/8)

Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale

Entre 1859 et 1885 avec ses quatre symphonies ses deux concertos pour piano un concerto pour violon des danses des variations et des ouvertures Brahms était devenu le représentant incontournable de la grande musique orchestrale. En 1887 il choisit d?écrire son double concerto en la mineur op. 102 pour le violon et le violoncelle car il disposait pour ces instruments de solistes de premier plan: après la création de la deuxième sonate pour violoncelle de Brahms le violoncelliste Robert Hausmann lui avait demandé une pièce de concert quant au fameux violoniste Joseph Joachim il entretenait avec Brahms des liens d?amitié et avait notamment créé son concerto pourviolon. Après la tonalité sombre de la quatrième symphonie ce concerto apparaît comme particulièrement optimiste et réconciliateur. Également paru dans le cadre de la nouvelle édition complète des ?uvres de Brahms il est proposé ici sous la forme très maniable de partition d?étude.

Paperback booklet.Bärenreiter?s pioneering scholarly-critical editions of Brahms? works for one instrument and piano (BA 9429 BA 9430 BA 9431 BA 9432 BA 9433 BA 10911 BA 10908 BA 10907 BA 10906) are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.An integral part of Bärenreiter?s Brahms publication complex is this text booklet which approachesgeneral performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own piano playing as well as that of his circle and contemporaries are discussed.

Mozart's Quintet In A K.581/Brahms's Quintet In B Minor Op.115-Mozart's friendship with Anton Stadler the clarinettist in Vienna's Royal-Imperial Court Orchestra led to the composition of Mozart's Clarinet Quintet In A Major. The four-movement piece is arranged for Clarinet two Violins Viola and Violoncello.Brahms's Clarinet Quintet in B minor also in four movements is equally popular and often recorded with Mozart's work.Professional and amateur musicians alike will appreciate this convenient single-volume publication of these frequently performed quintets. Both scores were reproduced from authoritative sources. Durable but inexpensive this edition features a sturdy binding that allows pages to remainopen on music stands for years of enjoyment.

Croquis de Brahms de son ' Vier Ernste Gesänge ' suggère la possibilité d'orchestration. ' Detlev Glanert a pris cette suggestion et développée encore davantage. Il a orchestré les chansons pour orchestre, comme l'exigeaient de Brahms pour ses symphonies, leur encadrement par préludes et un court postlude. L'orchestration s'étend et différencie de l'espace sonore dans laquelle les chansons se déplacent. Les préludes, a cependant, prolonger le temps et l'espace réfléchissant pour les idées contenues dans les pièces. Comme il s'agissait, ils servent de zones de préparation et de considération, renforçant ainsi le caractère liturgique du travail. ' (Habakuk Traber) / Baryton-Basse Et Orchestre

Johannes Brahms dedicated his only Violin Concerto to the great Hungarian violinist Joseph Joachim. Joachim's suggestions have been sought by the composer for creating the solo part. At the same time he wrote a Cadenza that metwith Brahms' approval and is perhaps the most often performed cadenza of the Concerto. This edition is the first to unite the critical Urtext versions of the Concerto the Cadenza by Joachim and the corresponding Sevcíkop. 18 and op. 25 studies.

Terry Kenny’s Wind Ensemble series provides highly flexible, four-part arrangements of well-known classics. Parts are offered for flute, oboe, clarinet, alto and tenor saxophone and bassoon. A score is provided and all the parts can be downloaded free of charge from the publisher’s website. Kenny takes care in his arrangements that all four parts are interesting to the player and caters for students of varying technical ability. There are two volumes: Volume one includes Mozart’s “Eine Kleine Nachtmusik”, two Hungarian Dances by Brahms and the Prelude from “L’Arlésienne” by Bizet. Volume two includes Mozart’s “Musical Joke” (the movement known to many as the theme to the “Horse of the Year Show”!), “Champagne Polka” by Strauss and three Slavonic Dances by Dvorak. These simple packages provide excellent value and are especially suitable for the UK GCSE Music practical exams./ Recueil / Ensemble Flexible d'Instruments à Vent

Composer : Brahms, Johannes Edition : Score, urtextEditor : Pascall, R. / Struck, M.. Separate Parts available on demand

Composer : Brahms, Johannes Edition : Score, urtext Separate Parts available on demand