Une superbe collection pour guitare solo par de célèbres compositeurs espagnols, dont Arcas, Azpiazu, Calatayud, Diaz Cano, Llobet, Moreno Torroba, Palau, Romero Ruiz-Pipo et Sainz De La Maza. / Guitare / 56 pages / Partition

Intermediate-advanced level. Contains 15 solos carefully written and edited to build technique. Ideal for solo performances and recitals this volume contains works by Joplin J.S. Bach Tarrega Arcas Mozzani Sor and others.All solos are written in notation and tablature.

Les Dix Grimaces pour piano sont un hommage à Prokofiev à plusieurs égards : le titre du recueil est une référence aux ' Sarcasmes ' op,17, et l'esprit des pièces est celui du Prokofiev soviétique, qui tente d'atténuer, sans y parvenir vraiment, l'humour et l'ironie caractéristiques de toute son oeuvre,Ce sont des pièces pédagogiques, écrites pour un niveau de deuxième cycle, offrant aux jeunes pianistes l'occasion d'exprimer toute une gamme de caractères peu conformistes parfois attirants à l'adolescence : la moquerie, le ridicule, l'humeur sombre, la causticité? et la naïveté d'un Pierre et le loup pastiche qui conclut le cycle dans la ' révérence ' finale, 1, Tempo di valser beffada (1'13)2, Andante irritante (1'45)3, Veloce e furbo (1'45)4, Largo sostenuto (2'30)5, Allegro giocoso (1'35)6, Minuetto lamentoso (1'50)7, Sarcastico (1'45)8, Andante tranquillo (2'21)9, Allegro malizioso (1'30)10, Allegretto ingenuo (1'46) / Piano

Par KISSIN EVGENY. Le Quatuor à cordes op. 3 d'Evgeny Kissin, dont le langage musical est proche de la musique de Dimitri Chostakovitch, est constitué de quatre mouvements fortement contrastés: au modéré 'Adagio liberamente' du début succède un 'Allegro inquieto' extrêmement vivant, parsemé de glissandi et se mouvant entre des dynamiques extrêmes. Le 3e mouvement, intitulé 'Largo drammatico', est animé d'un insistant motif rythmique fortement pointé, tandis que le dernier mouvement, après une introduction surmontée de l'indication 'Pensierosamente, ma mantenendo strettamente il ritmo puntato' ('Pensivement, mais en conservant strictement le rythme pointé'), enchaîne sur un Finale 'Moltoallegro e sarcastico' fulminant traversé d'éléments de fugato et, comme tous les autres mouvements, imprégné de dodécaphonisme. Cette oeuvre exigeante d'un bon quart d'heure a été conçue en 2015-2016 et enregistrée pour la première fois chez Nimbus Records par le Quatuor Kopelmann en 2018. Le Quatuor à cordes op. 3 d'Evgeny Kissin, dont le langage musical est proche de la musique de Dimitri Chostakovitch, est constitué de quatre mouvements fortement contrastés: au modéré 'Adagio liberamente' du début succède un 'Allegro inquieto' extrêmement vivant, parsemé de glissandi et se mouvant entre des dynamiques extrêmes. Le 3e mouvement, intitulé 'Largo drammatico', est animé d'un insistant motif rythmique fortement pointé, tandis que le dernier mouvement, après une introduction surmontée de l'indication 'Pensierosamente, ma mantenendo strettamente il ritmo puntato' ('Pensivement, mais en conservant strictement le rythme pointé'), enchaîne sur un Finale 'Moltoallegro e sarcastico' fulminant traversé d'éléments de fugato et, comme tous les autres mouvements, imprégné de dodécaphonisme. Cette oeuvre exigeante d'un bon quart d'heure a été conçue en 2015-2016 et enregistrée pour la première fois chez Nimbus Records par le Quatuor Kopelmann en 2018./ Répertoire / 2 Violons, Alto, Violoncelle

Tous les Flamands connaissent Raymond van het Groenewoud (°1950). Symbole indestructible du rock à la belge le poète-philosophe cherche toujours la vérité derrière les mots et écoute les histoires du monde au quotidien. Rêveuses ou sarcastiques ses chansons fleurent bon les couleurs de la musique latino-américaine ou le rock pur et dur. Ce medley signé Filip Sandras réunit quatre succès emblématiques de cet artiste engagé : Cha-cha-cha Warme Dagen Ik wil de grootste zijn et Vlaanderen Boven.

ANNE SYLVESTRE - ALBUM N°1Partitions pour piano, chant et accords (grilles guitare)Recueil de 15 partitions des chansons d?Anne SylvestrePages : 76Nathalie Miravette, fidèle pianiste et arrangeur d?Anne Sylvestre a réalisé les transcriptions.Des photos inédites d?Henri Droux (contrebassiste et compagnon de vie d?Anne Sylvestre des années 60 à 80) ont été glissées dans ce recueil.Titres :Avec toi le délugeLe lac Saint-SébastienDes calamars à l?harmonicaLes gens qui doutentCarcasseLettre ouverte à EliseThérèseLe p?tit grenierMa chérieVioletteLes grandes baladesZenRoseNon tu n?as pas de nomBelle parenthèse / Piano voix guitare / Capte Note

Par OFFSPRING THE. A special collection of songs by the Southern California punks that celebrates seven albums and more than 32 million record sales since their humble beginnings in the early 1990s. Dexter Holland, Noodles, Greg K and Atom Willard have long been the maof blistering, feel-good punk rock, sporting razor-sharp guitars, biting, playful and sarcastic lyrics, and some of the most addictive tunes in rock! Their breakthrough album Smash went on to become the biggest selling independent release ever, and tilarious videos saw the band become bona fide MTV favourites. From the frantic start-stop of Come Out and Play (Keep 'Em Separated) to the teen-angst comedy of Pretty Fly (For A White Guy), this songbook has them all - with each song carefully transcin accurate Guitar Tab. / Pop & rock / Tablatures / Guitare Tablatures

Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May1948 in Ribe. Exactly between 5:45 and 6:45 in the morning(“normal time”). Rued Langgaard indicates the time of dayin both the sketch for the composition and the fair copy of thescore. Fair-copying of the score took place on 10 May 4:30 to6:00 in the morning (“summertime”) after it should be noted Langgaard had taken his obligatory morning constitutional inRibe (he suffered from insomnia and arose in the early morninghours). After the work’s final measure Langgaard wrote:“Short razor-sharp line of thought in music excluding allextraneous ‘developmental’ fussiness and with lightning fastmovement in all the parts”. The same day 10 May he sent thescore as program suggestion to the State Broadcasting Servicein Copenhagen under the title Denmark’s Radio Fandfare forGrand Orchestra – “fandfare” as a sarcastically meant spellingmistake with an allusion to “the Devil” (fanden = the Devil inDanish). Langgaard had as is known an ambivalent relationshipwith the State Broadcasting Service. The work was not acceptedand the score was therefore returned to Langgaard whonevertheless submitted it again. The State Broadcasting Serviceclearly regarded the piece as a joke from the composer’s side.When Langgaard died in 1952 the unperformed score was tobe found in broadcasting corporation’s music

The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)

Par KRZANOWSKI ANDRZEJ. Composed in Czechowice-Dziedzice, in 1984, Relief I for accordion opens a cycle of nine works for solo or chamber forces. This work is of a sarcastic character, and its multi-segmented form consists of the alternating of dissonant ?quick? segments, dominated by sevenths, with two-part dolce segments led in contrary motion, as well as series of chords repeated with a surprising nebbioso (nebulous). Relief I is a work full of nervous tension, meticulously built up, and broken variant phrases, with a striking conclusion on a falling cluster, ending with an F sharp major chord ? like the many faces of a clown: thumbing its nose, sneering, reflective, mocking, pulling silly faces and? triumphing. This composition was dedicated to friends from France ? the Menards and their children. It was first performed by the composer during the Summer Courses for New Music in Darmstadt, in August 1988. / Date parution : 2022-11-08/ Recueil / Accordéon

Par SCHUMANN ROBERT. Les hauts et les bas d’un amour déçu. . . Qui pourrait ne pas ressentir ce que Schumann a mis en musique de façon si convaincante dans son cycle, sur des vers de Heine? De l’attente pleine d’espoir («Im wunderschönen Monat Mai») en passant par la douleur solitaire («Und wüßten’s die Blumen, die kleinen»), ce cycle va jusqu’à l’amertume sarcastique («Die alten bösen Lieder»). Schumann savait de quoi il parlait: sa composition date en effet de l’année de son mariage avec Clara, pour qui il a lutté tant d’années. Initialement, le cycle en 16 parties comprenait 20 lieder- en annexe de la présente édition se trouvent aussi les quatre lieder écrits ultérieurement. ? / Partition brochée / Date parution : 1905-06-20/ Répertoire / Voix et Piano (Voix Aigüe)