Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual's preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage and develop improvisational skills with a full written solo on one page and an alternative, extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing, Latin, gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians. / Niveau : Assez Facile / Recueil / Flûte Traversière et Piano

Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual's preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage and develop improvisational skills with a full written solo on one page and an alternative, extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing, Latin, gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians. / Niveau : Assez Facile / Jazz / Recueil / Piano

Par GLAZOUNOV ALEXANDER. Glazunov' s compositions are often noted for their distinctive emotionality and underlying heroic mood. This also applies to the known organ works of this Russian master, all of which bear the characteristic traits of the Russian symphonic style: epic breadth and monumentality as well as a close proximity to folk music, all combined with supreme contrapuntal skill. This Urtext edition contains not only the well-known Prelude and Fugue in D major op. 93 (1906), Prelude and Fugue in D minor op. 98 (1914) and Fantasy op. 110 (1935) but also the Prelude and Fugue in D minor op. 62 (1899), an expressive piano piece presented here in a revised transcription for symphonic organ by B. L. Sabaneyev (1909). - New Urtext edition of the complete organ works plus a historic transcription - Detailed Foreword (Russ/Ger/Eng) and a Critical Commentary (Eng)/ Répertoire / Orgue

Reducción para Trompeta y Piano). Par AROUTIOUNIAN ALEXANDER. Nueva Versión Y Cadencia De Timofei Dokchitzer / Classique / Répertoire / Trompette et Piano

Arrangeur: Alexander L'Estrange. Par L'ESTRANGE ALEXANDER. More Songs of a Rainbow Nation brings you four more songs from South Africa for mixed voices, in beautifully crafted arrangements by Alexander L'Estrange. The selection opens with Freedom is Coming, a joyful, infectious celebration of hope and freedom from oppression, and the hugely popular Siyahamba is also featured. Both songs form part of L’Estrange's hit cantata Zimbe! Come sing the songs of Africa. Part of the Choral Basics series, the four songs are arranged for soprano and alto with combined men's voices - ideal for beginner choirs and those in which the male singers are few or at the stage when their voices are changing. All Choral Basics publications feature a straightforward piano accompaniment to support the singers. More Songs of a Rainbow Nation brings you four more songs from South Africa for mixed voices, in beautifully crafted arrangements by Alexander L'Estrange. The selection opens with Freedom is Coming, a joyful, infectious celebration of hope and freedom from oppression, and the hugely popular Siyahamba is also featured. Both songs form part of L'Estrange's hit cantata Zimbe! Come sing the songs of Africa. Part of the Choral Basics series, the four songs are arranged for soprano and alto with combined men's voices - ideal for beginner choirs andthose in which the male singers are few or at the stage when their voices are changing. All Choral Basics publications feature a straightforward piano accompaniment to support the singers. / Niveau : Débutant / Répertoire / Choeur

Par AROUTIOUNIAN ALEXANDER. Alexander Arutiunian's Sinfonietta for String Orchestra. Alexander Arutiunian's Sinfonietta for String Orchestra./ Répertoire / Orchestre à Cordes

Par ARUTIUNIAN ALEXANDER. Alexander Arutiunian's Sonata Retro for Viola and Piano. Alexander Arutiunian's Sonata Retro for Viola and Piano. / Classique / Répertoire / Alto et Piano

Arrangeur: Youri Kasaprov. Par MOSSOLOV ALEXANDER. Alexander Mosolov's Concerto for Violin & Ensemble arranged by Youri Kasaprov. Alexander Mosolov's Concerto for Violin & Ensemble arranged by Youri Kasaprov./ Répertoire / Orchestre

Par MOSSOLOV ALEXANDER. Alexander Mosolov's Quarter Pieces for Bassoon and Piano. Alexander Mosolov's Quarter Pieces for Bassoon and Piano./ Répertoire / Basson et Piano

Par ZEMLINSKY ALEXANDER. La musique d’Alexander Zemlinsky est longtemps injustement restée dans l’ombre de la deuxième École de Vienne, considérée comme «plus progressiste». Certes, Zemlinsky était amicalement très proche de l’une des personnalités les plus en vue de cette école, Arnold Schönberg, mais il n’a jamais franchi le pas de la radicalité dodécaphonique. Il n’en composa pas pour autant des œuvres moins originales ou moins personnelles. Et c’est justement son deuxième Quatuor à cordes, élaboré dans les années 1913-1915, qui conduisit la forme et la tonalité, telles qu’on se les représentait alors, jusqu’à leurs dernières limites. L’œuvre, en un seul mouvement, mais qui comprend plus de 1200 mesures, est d’une grande diversité, et fait partie des contributions les plus frappantes de son époque; elle avait depuis longtemps besoin d’une nouvelle édition critique. L’édition Urtext de la maison Henle corrige un grand nombre de fautes et d’imprécisions figurant dans l’édition originale, qui apparurent lors de la comparaison minutieuse faite avec les sources manuscrites autographes de Vienne et de Washington. Même les indications métronomiques transmises par Zemlinsky dans une seule correspondance épistolaire ont été pour la première fois prises en considération. Ces travaux éditoriaux ont été aimablement soutenus par le Fonds Alexander Zemlinsky de Vienne./ Répertoire / Quatuor à Cordes