No. 3 of At the Turn of the Year-A lively and original wassail for SS(S) and piano The strong no-nonsense tune breaks into canon while the brisk piano part propels the music to a joyous 'good cheer' ending. It is No. 3 of a suite of three songs 'At the Turn of the Year' depicting scenes of winter.

Sleep baby sleep is a setting of a Victorian Christmas poem for SATB choir and piano or organ. The music alternates between the calm manger scene and the outside world of the shepherds wise men and angels providing an expressive carol which is both dramatic and peaceful.

Travelling Tales: tales of travel in our imagination and in reality: mysterious travellers from unknown lands journeys by train by sea and on horse-back and visions of the future. Combining poems of the past with poems by today's young people the music of this accessible cantata is designed to appeal to all choirs and their audiences.The eight movements are scored for SATB choir with optional parts for youth choir: the accompaniment is for either piano or piano duet and percussion.

Pictures of Night is a suite of five movements all but one with piano accompaniment. The moods are varied and the texts range from the beauty of a still night to the excitement of a firework display and from the storms mystery and terror of darkness to the calm of the new moon. Originally written for upper voice and SATB choirs all the movements of this edition may be sung by SATB choir and two of the movements may alternatively be sung by upper voices.

This expressive and colourful song for SSAA and piano is a setting of a poem of Robert Bridges with a Christian message which is suitable for concert and church performance. It was first performed by its commissioners the Newstead Singers (director Lesley Cooper) at their 40th anniversary concert in 2012. It is also available in an arrangement for SATB and piano (CE52)

A Suite of songs for unaccompanied choir poems by Thomas Campion. Four Sacred Songs was commissioned by the Essex Baroque Choir conductor Simon Thompson and was given its first London performance at St James Piccadilly in September 1990. It is a setting of poems from Thomas Campion's First Book Of Ayres: Intended chiefly for concert performance it gives choirs the chance to present these beautiful seventeenth-century poems in a new light.

Psalmos Penitentiales is an extended sacred work comprising three settings of sections from the Penitential Psalms linked by four arrangements of the well-known Ubi caritas plainchant. The three psalms (Nos. 6 101 and 129) may also be performed separately giving the work added flexibility in performance. The work is suited for Lent and Passiontide.