Paris, ochet, s.d. (= c.1800)Trois caprices pour violon seul. Exemplaire ayant appartenu à J.B. Cartier. / Violon / 12 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

with examples from the violin repertoire. Par KREUTZER RODOLPHE. / Date parution : 2022-02-17/ Etude / Violon

Paris, Baillon, 178723 caprices numérotés de 1 à 23 - 6 airs variés numérotés de 18 à 23. La pagination de la page 2 à la page 29 est par contre régulière. Cette anomalie correspond à l'édition originale française de 1787. / Violon / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

Les maîtres du violon nous ont laissé un héritage de nombreux livres d'études remarquables et de caprices. Mais l'abondance même de cet héritage précieux rend qu'une partie importante de celle-ci reste sans but lucratif, parce qu'il est impossible pour le pup / Violon

per violino - Edizione critica di Italo Vescovo-The Caprice d?Adieu (autograph unknown) is appended to Eduard Eliason?s Six Caprices Caractéristiques pour le Violon Op. 12 which was published in Mayence by B. Schott in 1833. This piece which Paganini dedicated to Eliason is part of a series ofcompositions for violin solo that have been widely ignored by both performers and scholars of the great Genoese musician. It is a composition whose size and structure (A-B-A with two refrains) follows the pattern of some of his Capricci Op. 1 but unlike these proper studies the Caprice d?adieu is lighter and more lively in character. Although not as brilliant musically as the Capricci it still contains some original musical ideas mostly articulated in two parts with a few complextechnical passages and a central contrasting section featuring different dynamics and a range of chords and trills.This critical edition is based on the first edition and is collated with the most important nineteenth and twentieth-century editions.