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Romantic: String Quartet: Score and Parts
14.95
Romantic: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
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Spartan Press
1st & 3rd Position String Quartet: Romantic contains 4 pieces from some of the...
(+)
1st & 3rd Position String Quartet: Romantic contains 4 pieces from some of the most famous composers of the Romantic period all expertly arranged by William McConnell for String Quartet.William McConnell grew up and was educated in Dundee where he started his musical education at the age of 9 learning to play Fiddle. Shortly after the war McConnell joined the Royal Marines School of Music where he enjoyed making music world-wide as well as taking on the traditional role of The Ship's Fiddler. After coming out of the services he began to educate at The King's School in Canterbury. Nowin his 80's McConnell still spends his time as an educator of music and restoring stringed instruments.
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1St Position String Quartet: Romantic
17.90
1St Position String Quartet: Romantic
Quatuor à cordes: 2 violons, alto, violoncelle
Spartan Press
A well presented set of short pieces from the 'Romantic Era', all strictly in 1s...
(+)
A well presented set of short pieces from the 'Romantic Era', all strictly in 1st position. Score with parts for vln 1, 2, vla (with vln 3 option), Vc. / Quatuor A Cordes
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Nicolas Bacri: Capriccio romantico op.129: Cello and Accomp.: Instrumental Work
20.00
Nicolas Bacri: Capriccio romantico op.129: Cello and Accomp.: Instrumental Work
En Français
Violoncelle, Piano
Chant du Monde
Capriccio romantico op.129. Work for cello (or viola) and piano, commissioned b...
(+)
Capriccio romantico op.129. Work for cello (or viola) and piano, commissioned by the "Sommets Musicaux de Gstaad" Festival ? Adagio liberamente, Allegro moderato
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Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
64.00
Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI)
Piano Quatuor: piano, violon, alto, violoncelle
Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad...
(+)
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano
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Tchaikovsky P.i. - Nocturne Op. 19 N. 4 - Violoncelle Et Piano
9.50
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Violoncelle, Piano
EMB (Editio Musica Budapest)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musi...
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Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musicaux for VioloncelloGenre: RomanticPages: 8 ppDate du parution: 1988
9.50 EUR - vendu par Woodbrass
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Gounod - Ave Maria - Violoncelle Et Piano
9.50
Gounod - Ave Maria - Violoncelle Et Piano
Violoncelle, Piano
EMB (Editio Musica Budapest)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musi...
(+)
Publié par Pejtsik ÁrpádInstrument: Violoncello and PianoSérie: Moments Musicaux for VioloncelloGenre: RomanticPages: 6 ppDate du parution: 1991
9.50 EUR - vendu par Woodbrass
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Musique De Chambre (CHOPIN FREDERIC / PADEREWSKI)
38.80
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Divers
[Partition]
PWM (Polskie Wydawnictwo Muzyczne)
for Cello and Piano, Violin, Cello and Piano, Flute and Piano. Par CHOPIN FREDER...
(+)
for Cello and Piano, Violin, Cello and Piano, Flute and Piano. Par CHOPIN FREDERIC / PADEREWSKI. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, highly reflective, the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski, L. Bronarski and J. Turczy ski./ Répertoire / Divers
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Sonata For Violoncello And Piano E Minor Op. 38
20.80
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Violoncelle, Piano
Barenreiter
The first three movements of Johannes Brahms' E minor Cello Sonata were composed...
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The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann's advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata op. 38 by Cornelius van Vliet and Edwin Hughes, Hugo Becker and Carl Friedberg, as well as Julius Klengel. The cellists' van Vliet, Becker and Klengel's fingering and bowing allows for a better understanding of their performance practice. As such, the Bärenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works' origins, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms' Chamber Music', text booklet BA 9600 / Violoncelle Et Piano
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Chanson de nuit
23.60
Chanson de nuit
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
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8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Chanson de matin
23.60
Chanson de matin
Quatuor à cordes: 2 violons, alto, violoncelle
Schott
8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Ros...
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8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes
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Astor (CHATROU PAUL)
20.00
Astor (CHATROU PAUL)
Violoncelle, Piano
Metropolis Music Publishers
Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and compo...
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Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique./ Répertoire / Violoncelle et Piano
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Piano Quintet In C Minor (Pno Sc And Pts) (VAUGHAN WILLIAMS RALPH)
52.10
Piano Quintet In C Minor (Pno Sc And Pts) (VAUGHAN WILLIAMS RALPH)
Piano Quintette: piano, violon, alto, violoncelle, contre basse
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Intermédiaire
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. The Piano Quintet in C is a substantial and superbly...
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Par VAUGHAN WILLIAMS RALPH. The Piano Quintet in C is a substantial and superbly written work lasting some 30 minutes. The first movement, marked Allegro con fuoco, is expansive, loquacious and filled with late romantic passion, its harmonies Brahmsian for the most part but tinged with modality in the quieter passages. The expressive romantic melody of the Andante second movement is fully characteristic of the composer and resembles the song Silent Noon that he composed in the same year. The finale is a set of five well-differentiated variations, ending with a beautiful bell-like coda. This work was written in 1903. / Niveau : Intermédiaire / Répertoire / Quintette à Cordes
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Sonata For Violoncello And Piano F Major Op. 99
18.90
Sonata For Violoncello And Piano F Major Op. 99
Violoncelle, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
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Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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Butt-Chen: Cellowise: Cello: Instrumental Album
11.99
Butt-Chen: Cellowise: Cello: Instrumental Album
Violoncelle, Piano
[Conducteur et Parties séparées + CD]
Spartan Press
CELLOWISE is an exciting new collection of arrangements from the popular classic...
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CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and
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Schott Cello Library
29.10
Schott Cello Library
Violoncelle, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
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Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
26.40
Piano Trios on Stage (AUTEURS DIVERS / BROOKER DAVID (Arr)
Violon Ou Flûte, Violoncelle Et Piano
[Partition]
Universal Edition
Intermediate-level arrangements of well-known Classical and Romantic works. Par ...
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Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano
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String Quartet No. 4 (POHJOLA SEPPO)
62.20
String Quartet No. 4 (POHJOLA SEPPO)
String Quartet
Fennica Gehrman
Par POHJOLA SEPPO. According to Jouni Kaipainen, the fourth string quartet (2006...
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Par POHJOLA SEPPO. According to Jouni Kaipainen, the fourth string quartet (2006) is one of key works of Seppo Pohjola (b. 1965) and holds a place as a landmark in Finnish quartet literature. Of the composer's five string quartets, it is the longest and has the widest thematic arcs of his quartets. Seppo Pohjola has gone through a variety of styles in his musical career. He began as a strict Modernist, progressed towards Expressionism and took on board Romantic influences before ending up in the early 2000s in (a reformed brand of) Modernism again. Osmo Tapio Räihälä describes the end result thus: “The ‘new' Pohjola often anchors his style in a frenetic pulse through which he builds musical processes.” Duration c. 33 minutes. Score (A4) and parts (B4)./ Répertoire / String Quartet
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
12.95
Mark Tanner: French Baguettelles: Cello: Instrumental Album
Violoncelle
-
Facile
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
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Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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String Quartet - Youthful Work (BACEWICZ GRAZYNA)
35.10
String Quartet - Youthful Work (BACEWICZ GRAZYNA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her mai...
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Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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Cadenzas KV 299 (MOZART WOLFGANG AMADEUS)
17.60
Cadenzas KV 299 (MOZART WOLFGANG AMADEUS)
Harpe, Flûte (duo)
Schott
of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEU...
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of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe
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Philip Glass: String Quartet No 2 'Company': String Quartet: Study Score
12.99
Philip Glass: String Quartet No 2 'Company': String Quartet: Study Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur d'étude / Miniature]
Dunvagen Music Publishers
The second string quartet by Philip Glass is a lyrical almost romantic piece wi...
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The second string quartet by Philip Glass is a lyrical almost romantic piece with strong prominant melodies and deceptively simplistic arrangement that reflects his pioneering minimal compositions. The piece began life as a scorefor Mabou Mines the New York theater company that counted him as 'unofficial' composer for almost three decades and the name comes from the Samuel Beckett play Company.
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David Baker: Quintet for String Quartet and Cello: String Quintet: Score & Parts
106.99
David Baker: Quintet for String Quartet and Cello: String Quintet: Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Lauren Keiser Music Publishing
Written for his colleague Janos Starker David Baker's Quintet (also called the ...
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Written for his colleague Janos Starker David Baker's Quintet (also called the Two Cello Quintet) was premiered at Indiana University's Eva Janzer Memorial Concert. The Bloomington press wrote of the performance: a romantic work...eclectic and conservative but in this instance (Baker's) writing had a special sense of urgency that grabbed one's attention and kept it focused on the piece.
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Trio Für Klavier, Violine Und Violoncello (SPOHR LOUIS)
56.10
Trio Für Klavier, Violine Und Violoncello (SPOHR LOUIS)
Trio
[Partition]
Barenreiter
Par SPOHR LOUIS. Piano Trio in B-flat major Op. 133 for Piano, Violin and Cello....
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Par SPOHR LOUIS. Piano Trio in B-flat major Op. 133 for Piano, Violin and Cello. One year after the completion of the 'Quartett-Konzert', Op. 131, Louis Spohr finished his fourth Piano Trio, Op. 133 (1846). The first Piano Trio was greeted by the musical world with 'uncommon joy'. Whilst Spohr often wrote a final movement in virtuoso form in order to secure an effective ending, the strength of the final movement in Op. 133 lies in its pleasant lightness, transparency and rhythmic pithiness. This Trio is earnestly recommended to professional artists and amateur musicians as a graceful chamber composition of the romantic period./ Répertoire / Trio
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Philip Glass: String Quartet No.2 'Company': String Quartet: Instrumental Work
16.99
Philip Glass: String Quartet No.2 'Company': String Quartet: Instrumental Work
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Dunvagen Music Publishers
The second string quartet by Philip Glass is a lyrical almost romantic piece wi...
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The second string quartet by Philip Glass is a lyrical almost romantic piece with strong prominant melodies and deceptively simplistic arrangement that reflects his pioneering minimal compositions. The piece began life as a scorefor Mabou Mines the New York theater company that counted him as 'unofficial' composer for almost three decades and the name comes from the Samuel Beckett play Company.
16.99 GBP - vendu par Musicroom GB
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Camille Saint-Saëns: Romance opus 36: Cello and Accomp.: Instrumental Work
11.99
Camille Saint-Saëns: Romance opus 36: Cello and Accomp.: Instrumental Work
Violoncelle, Piano
Durand
pour violoncelle et piano. ?Musique française? is a series designed for student...
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pour violoncelle et piano. ?Musique française? is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. The second half of the 19th century saw the growth in popularity of instrumental Romances. These, which one could categorise as morceaux de salon, continued the characteristics of the vocal Romance, which was born in the middle of the Age of Enlightenment and which, at the beginning of the Romantic period, had achieved great success among composers, performers and audience alike.
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Frederick Delius: Creole Dance: Cello: Instrumental Work
6.99
Frederick Delius: Creole Dance: Cello: Instrumental Work
Violoncelle, Piano
[Partition]
-
Intermédiaire
Thames Publishing
Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello...
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Koanga - La Calinda-The Creole Dance La Calinda from Koanga arranged for Cello and Piano by Christopher Palmer. Delius’ romantic third opera Koanga produced a number of interesting pieces infused with sensuality and notable for its nostalgic and folkish languor. Fenby’s orchestral arrangement was a stripped down affair and it is this version that is most performed and recorded and forms the basis of Palmer’s arrangement.
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Cyril Scott: String Quartet No.3: String Quartet: Score
10.99
Cyril Scott: String Quartet No.3: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Scott's String Quartet No.3 was published in 1960. It was premiered by the Aeoli...
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Scott's String Quartet No.3 was published in 1960. It was premiered by the Aeolian Quartet at the Wigmore Hall in London in the following year.Cyril Scott (1879-1970) was a British composer pianist and poet. His most popular works which he is largely remembered by today were written in the years preceding the Second World War however he continued to compose prolifically in the face of indifference from the outside world right up until his death at the age of 91. His music is predominantly in the Romantic style and serves as a tasteful reminder of a bygone age.
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Trio For Piano, Clarinet (Violin) And Violoncello In D Minor Op. 3
38.20
Trio For Piano, Clarinet (Violin) And Violoncello In D Minor Op. 3
En Français
Clarinette, Violoncelle, Piano (trio)
G. Henle
Alexander Zemlinsky is mainly known for his operas and orchestral songs with the...
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Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier, inspired hit, the Trio for Clarinet op. 3, written in 1896, owes a great deal to his first important role model Johannes Brahms as far as inflection and instrumentation are concerned. And it was none other than Brahms himself who enthusiastically recommended the trio to his publisher Simrock, following the first performance in Vienna. As the autograph has disappeared, our edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous, partly blatant engraver's errors. Alongside the piano score, our edition comprises a part for clarinet in Bb/A, an authentic alternative part for violin as well as a cello part. / Trio De Pianos
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Easy String Quartets Book One (Parts Only)
31.80
Easy String Quartets Book One (Parts Only)
Quatuor à cordes: 2 violons, alto, violoncelle
[Sheet music]
-
Facile
Chester
This collection of Easy String Quartets includes 5 pieces suitable for players G...
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This collection of Easy String Quartets includes 5 pieces suitable for players Grade 1-3. The pieces cover a wide range of musical periods and European styles, from Baroque to Romantic, from Italy to Austria and England, to give young players a broad spectrum while acquainting them with the basics of playing chamber music. The compositions included are: Allegretto Op. 72 #3 (Mendelssohn), Allegro Op. 72 #1 (Mendelssohn), Chaconne (King Arthur) (Purcell), Ecossaise In B Minor (Schubert) and Gavotte In A (Martini). Arranged for 2 or 3 Violins, Viola and Cello by Watson Forbes. Includes Parts Only. / Quatuor A Cordes
31.80 EUR - vendu par LMI-partitions
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