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Partitions De Groupes [ 95 ]
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Accordéon et Orchestre [ 86 ]
Quatuor à cordes: 4 violons [ 84 ]
Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
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Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
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Quatuor à cordes : 4 altos [ 63 ]
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Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
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Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
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2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
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Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
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Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
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2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
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Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Piano Concerto In A Minor And Other Works For Piano And Orchestra (SCHUMANN ROBERT)
26.90
Piano Concerto In A Minor And Other Works For Piano And Orchestra (SCHUMANN ROBERT)
Piano et Orchestre
[Partition]
Dover Publications
Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, R...
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Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ Répertoire / Piano et Orchestre
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
57.50
Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestre
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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Schumann R. - Great Works For Piano And Orchestra
24.50
Schumann R. - Great Works For Piano And Orchestra
Orchestre
[Partition]
Dover Publications
Clara Wieck?s sincerest wish was that her future husband, Robert Schumann, turn ...
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Clara Wieck?s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ?it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano?? In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara?s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann?s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann?s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann?s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.
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Eulenburg Audio+Scores - Boxed Set
240.80
Eulenburg Audio+Scores - Boxed Set
Orchestre
[Conducteur d'étude / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Gustav Mahler: Symphony No. 10: Orchestra: Study Score
32.50
Gustav Mahler: Symphony No. 10: Orchestra: Study Score
Orchestre
Associated
Score-Just as the Payne/Elgar Symphony No. 3 is not Edward Elgar's definitive st...
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Score-Just as the Payne/Elgar Symphony No. 3 is not Edward Elgar's definitive statement Mahler did not complete a Symphony No. 10. He did however leave 'a work fully prepared in the sketch ' the complete unorchestrated musical material. Had he lived Mahler would almost certainly have shaped the material further. This means that the performance edition prepared by Deryck Cooke in the early 1960s is not a completion it's an orchestration of the short score left at Mahler's death in 1911. It nevertheless sounds very 'complete ' both in itself and as a summation of the romantic-epic 19th century German musical tradition.
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Alexander Tcherepnin: Romantic Overture: Orchestra: Study Score
10.99
Alexander Tcherepnin: Romantic Overture: Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Score-Alexander Tcherepnin's Romantic Overture for Orchestra. Study score.
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
21.40
Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestre, Violon
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
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E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
79.40
Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestre, Violon
[Partition]
Barenreiter
Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX....
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Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Orchestre
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Bedrich Smetana: Vltava - Ma Vlast No.2: Orchestra: Score and Parts
42.50
Bedrich Smetana: Vltava - Ma Vlast No.2: Orchestra: Score and Parts
Orchestre
Bosworth
Vltava (The Moldau) is the second in Smetana's Ma Vlast set of symphonic poems w...
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Vltava (The Moldau) is the second in Smetana's Ma Vlast set of symphonic poems written for his native Czechoslovakia and named after the river that passes through Prague. The music is very programmatic in the Romantic sense carefully and vividly depicting the journey of the water from the springs to the rapids. Deeply and affectionately nationalistic the music carries the listener through a Peasant Wedding and a Forest Hunt with touches of enchantment from the Moonlight: Dance of the Water Nymphs. Vltava is a work very much of its time featuring so many of the characteristics that now define the Romantic era from our modernperspecyive and is unsurprisingly one of the most popular and widely performed Symphonic Poem of the repertoire.Scored for: 2.1.3.2/2(1asax)(1tsax).2.2.0/timp.1perc/str
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Play The 1St Oboe (Romantic..+Cd)
30.50
Play The 1St Oboe (Romantic..+Cd)
Hautbois et Orchestre
[Partition + CD]
Editions Marc Reift (Swiss import)
Romantic Moods. Play The 1St Oboe With The Philharmonic Wind Orchestra / Niveau ...
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Romantic Moods. Play The 1St Oboe With The Philharmonic Wind Orchestra / Niveau : Elémentaire à Confirmé / Répertoire / Hautbois et Orchestre
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Play The 1St Horn (Romantic..+Cd)
30.50
Play The 1St Horn (Romantic..+Cd)
Cor, Orchestre
[Partition + CD]
Editions Marc Reift (Swiss import)
Romantic Moods. Play The 1St Horn With The Philharmonic Wind Orchestra / Niveau ...
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Romantic Moods. Play The 1St Horn With The Philharmonic Wind Orchestra / Niveau : Elémentaire à Confirmé / Répertoire / Cor et Orchestre
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Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
21.95
Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
Orchestre à Cordes
PWM (Polskie Wydawnictwo Muzyczne)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) ...
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Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]
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Great Romantic Cello Full Scor (SCHUMANN / SAINT-SAENS / DVORAK)
26.90
Great Romantic Cello Full Scor (SCHUMANN / SAINT-SAENS / DVORAK)
Orchestre
[Partition]
Dover Publications
Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete sc...
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Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition./ Répertoire / Orchestre
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Carl Maria von Weber: Concert 01 F Op.73: Orchestra: Miniature Score
7.99
Carl Maria von Weber: Concert 01 F Op.73: Orchestra: Miniature Score
Orchestre
Eulenburg
German composer Carl Maria Von Weber was the quintessential romantic turning hi...
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German composer Carl Maria Von Weber was the quintessential romantic turning his hand to many art forms including poetry composing as well as virtuosic playing. This is typified by his 1811 Concerto No.1 for Clarinet and Orchestra in F Minor and demonstrates his understanding of the instruments of the orchestra particularly the Clarinet. It is more serious and less playful than his earlier concertino but dramatic and with expressive passages creating a superb showpiece. This Eulenberg Edition is a celebrated and highly authoritative miniature score serving as the definitive reference source for study performance preparation or simply for those with alove of the great orchestral works.
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Anton Bruckner: Symphony N 4/1 E B Major (1874 Version Romantic): Orchestra:
24.50
Anton Bruckner: Symphony N 4/1 E B Major (1874 Version Romantic): Orchestra:
Orchestre
Eulenburg
Symphony N 4/1 E B Major (1874 Version Romantic)
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Carlo Giorgio Garofalo: Romantic Symphony of St. Louis: Orchestra: Full Score
156.99
Carlo Giorgio Garofalo: Romantic Symphony of St. Louis: Orchestra: Full Score
Orchestre
Lauren Keiser Music Publishing
Romantic Symphony of St. Louis
156.99 GBP - vendu par Musicroom GB
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Magnus Lindberg: Arena For Orchestra: Orchestra: Score
54.99
Magnus Lindberg: Arena For Orchestra: Orchestra: Score
Orchestre
[Partition]
Chester
Commissioned by the first Sibelius Conductor's Competition held in Helsinki in M...
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Commissioned by the first Sibelius Conductor's Competition held in Helsinki in May 1995 as an obligatory piece to be rehearsed by all the competitors Arena was performed in its totality at the annual Avanti! Chamber Orchestra'sfestival in Porvoo (Finland). Thematic thinking has never been a main feature in Lindberg's music but here horizontal lines (one would not yet dare to call them melodies) gain some independence for example in ornamental figuresand in the intense cello solo around the middle of the piece. Arena also reveals some clearly new material - Lindberg has talked about Beethoven-like formal thinking referring to a passage where the sense of movement seems toaccelerate to an extreme so that finally one perceives only a motionless surface. Another new element - which was already used to some extent at the warmly hovering ending of Aura - is the almost romantic sound world and thesuspension of the harmonies in the final climax which can make one think of Mahler and Berg or Lindberg's grand predecessor and compatriot Sibelius.This is the Score published by Chester Music; the duration of thepieces is approximately 16 minutes.
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Camille Saint-Saëns: The Swan: String Orchestra: Score & Parts
39.99
Camille Saint-Saëns: The Swan: String Orchestra: Score & Parts
Orchestre à Cordes
Southern Music Ltd
The Swan by Saint Saens is one of the most recognizable themes of the Romantic p...
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The Swan by Saint Saens is one of the most recognizable themes of the Romantic period. This arrangement for string orchestra by Lauren Keiser captures the essence of this beautiful melody while adapting it to the abilities of beginning and intermediate musicians.
39.99 GBP - vendu par Musicroom GB
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Peng-Peng Gong: Symphony No. 3: Eines Helden Tr?ne (A Hero's Tear): Orchestra:
99.99
Peng-Peng Gong: Symphony No. 3: Eines Helden Tr?ne (A Hero's Tear): Orchestra:
Orchestre
Lauren Keiser Music Publishing
The Third Symphony is scored for full orchestra constructed in four movements s...
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The Third Symphony is scored for full orchestra constructed in four movements strictly following the High Classical and Romantic traditions with a tragic and expansive overture (Adagio lamentoso & Allegro marziale) a symphonicnocturne (Andante molto expressivo) a light and quick scherzo (Presto) and a vibrant rondo-finale (Molto allegro). The “Hero” in the subtitle does not represent any human figure but to art itself and its failingsocial status. The music is grand and highly emotional containing rich folk elements that strive to prove the unity between an ethnical spirit and the meaning of selfhood. (2012) ca. 32'
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Carl Maria von Weber: Great Overtures In Full Score: Orchestra: Score
18.30
Carl Maria von Weber: Great Overtures In Full Score: Orchestra: Score
Orchestre
Dover Publications
This convenient playing and study edition marks the first single-volume publicat...
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This convenient playing and study edition marks the first single-volume publication of five great staples of the orchestral repertoire: Jubilee Overture overture to the play Preciosa and overtures to the operas Der Freischütz Euryanthe and Oberon.One of the Romantic school's first composers of note Carl Maria von Weber devised novel conceptions of orchestration and subject matter that helped to lay the foundations for nineteenth-century opera. Marschner Meyerbeer and Wagner were influenced by Weber's works as well as latter-day composers such as Hindemith Mahler Stravinsky and Debussy who remarked that the sound of the Weber orchestra derived from thecomposer's scrutiny of the soul of each instrument.Reprint of 'Preciosa' from a Breitkopf and Härtel Leipzig n.d. edition. All others from Overtüren für Orchester von C.M. von Weber C. F. Peters Leipzig n.d.
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Nico Muhly: Wish You Were Here: Orchestra: Score
22.99
Nico Muhly: Wish You Were Here: Orchestra: Score
Orchestre
St Rose Music Publishing
Wish You Were Here written for the Boston Pops pays homage to Colin McPhee on...
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Wish You Were Here written for the Boston Pops pays homage to Colin McPhee one of the first western musicologists to study Balinese gamelan as well as to the great illustrators Carl Barks and Herge (responsible for Donald Duck & Tintin respectively). Muhly has written a completely romantic and fanciful gamelan-influenced piece. On top of this twittery and excited music a long lonesome melody unfolds. After a desolate interlude with severe ship’s-horn brass the energetic patterns start again and the long line returns this time with a triumphant revelatory ending. Arranged for orchestra this piece has a duration ofapproximately 8 minutes.
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Camille Saint-Saëns: The Swan: String Orchestra: Score
10.99
Camille Saint-Saëns: The Swan: String Orchestra: Score
Orchestre à Cordes
Southern Music Ltd
Full Score-The Swan by Saint Saens is one of the most recognizable themes of the...
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Full Score-The Swan by Saint Saens is one of the most recognizable themes of the Romantic period. This arrangement for string orchestra by Lauren Keiser captures the essence of this beautiful melody while adapting it to the abilities of beginning and intermediate musicians.
10.99 GBP - vendu par Musicroom GB
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Reza Vali: The Darness of Fury for Orchestra: Orchestra: Score
49.99
Reza Vali: The Darness of Fury for Orchestra: Orchestra: Score
Orchestre
Lauren Keiser Music Publishing
The Darkness of Fury is a contemplation of the brutality of war especially the ...
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The Darkness of Fury is a contemplation of the brutality of war especially the wars of the Middle East since 1948. Following a brief and violent introduction a terse chromatic Fugue from Hell ensues--demons chasing demons. A romantic transition played by the strings is a fleeting ray of hope for peace. But this is short lived as the Fugue returns bringing the piece to its brutal and violent end.
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Anton Dvorak: Four Romantic Pieces: String Ensemble: Score and Parts
10.00
Anton Dvorak: Four Romantic Pieces: String Ensemble: Score and Parts
Orchestre à Cordes
[Conducteur et Parties séparées]
Forton Music
Four Romantic Pieces
10.00 GBP - vendu par Musicroom GB
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Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
28.99
Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
Orchestre
[Partition]
Chester
Caroline Mathilde Act I (Concert Suite)-The story centres on the English princes...
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Caroline Mathilde Act I (Concert Suite)-The story centres on the English princess Caroline Mathilde (1751-1775) sister of George III who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The balletportrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influential physician which leads to their arrest his execution and her exile at the age of 20 separated from hertwo young children. In keeping with the period and perhaps also with the traditions of Romantic ballet the music is relatively simple in harmony and form and most of the action is conveyed in set-piece dances. The suite which consists essentially of the second half of Act I begins with one of these a bristling interplay of wind and string ensembles in D major portraying in the ballet a curious nuptial game with the king and princess on movablepedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite like the act is capped by a pair of pas-de-deux thefirst savage and bizarre for the royal couple the second rich and passionate for the queen and the miracle-working doctor.Score (miniature). Duration c. 25mins.
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Gustav Mahler: Symphony No.7 'Song Of The Night': Orchestra: Study Score
Orchestre
Dover Publications
Gustav Mahler's seventh symphony ranks among the composer's most popular and acc...
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Gustav Mahler's seventh symphony ranks among the composer's most popular and accessible works. Possessing neither a 'program' nor a folk-song theme it is a purely instrumental composition both hopeful and romantic in mood with a harmonic and stylistic structure that evokes the daily journey from dusk till dawn.This miniature score is reproduced from an authoritative edition complete with numbered movements for easy reference. Affordable and compact it is ideal for use in the classroom at home or in the concert hall.Reprint of Siebente Sinfonie von Gustav Mahler: Orchester-Partitur Ed. Bote & G. Bock Berlin 1909.
12.20 GBP - vendu par Musicroom GB
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Anton Bruckner: Symphony No. 4/2 Eb major: Orchestra: Miniature Score
15.99
Anton Bruckner: Symphony No. 4/2 Eb major: Orchestra: Miniature Score
Orchestre
Eulenburg
1878/80 Version Romantic
15.99 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Brandenburg Concertos Nos.4-6: Orchestra: Miniature Score
14.50
Johann Sebastian Bach: Brandenburg Concertos Nos.4-6: Orchestra: Miniature Score
Orchestre
Eulenburg
Nr. 4 G-Dur/Nr. 5 D-Dur/Nr. 6 B-Dur-The more you read the more you hear!The Eul...
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Nr. 4 G-Dur/Nr. 5 D-Dur/Nr. 6 B-Dur-The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear read and understand music.
14.50 GBP - vendu par Musicroom GB
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The Orchestral World'S Treasures 50 Scores: Orchestra: Study Score
340.00
The Orchestral World'S Treasures 50 Scores: Orchestra: Study Score
Orchestre
[Conducteur]
-
Avancé
Eulenburg
To celebrate the completion of the Eulenburg Audio Score publishing project all...
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To celebrate the completion of the Eulenburg Audio Score publishing project all 50 volumes are now available in a presentation box. With the help of Eulenburg Audio Score professional amateur and student musicians can familiarize themselves with the works by reading and listening at the same time. Each score contains an informative preface in English and German providing a brief introduction to each work with information on its genesis creation and reception. The Series is an anthology in 50 volumes offering you a treasury of the most famous orchestral works of the baroque classical and romantic repertoire. Each volume consists of a clearly-presentedand authoritative score an informative preface detailing the biographical and creative background and a CD of the complete work. Press Reviews:â''This beautifully presented multimedia collection will be invaluable to students teachers and music-loversâ' Mary Nemet Stringendo (Australian String Teacherâ''s Association) Magazine. â''I enthusiastically recommend this series of scores they are very affordable to music students indeed to anyone and are ideal for anyone reluctant to invest in both a score and recording.â' David Floyd Sheet Music Review.
340.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Symphony No.39 In E Flat K.543: Orchestra: Miniature
12.50
Wolfgang Amadeus Mozart: Symphony No.39 In E Flat K.543: Orchestra: Miniature
Orchestre
Eulenburg
The more you read the more you hear!The Eulenburg Audio+Score Series contains t...
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The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length.Eulenburg Audio+Score is the new way to hear read and understand music.
12.50 GBP - vendu par Musicroom GB
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