A Method For Mandolin And Bandolim-Brazilian Choro: A Method for Mandolin focuses on teaching 'bandolim' technique for playing Choro. The combination of method book and online audio offers a great opportunity to add performance practice to theblack-and-white notes on the page. The book presented in both English and Portuguese is written for two different groups--Brazilians learning to play bandolim in the Choro tradition and non-Brazilians who play otherstyles and want to learn Choro. Paulo Sa a native Carioca who has played Choro since childhood understands Choro intuitively and brings a Brazilian perspective to the project. Marilynn Mair aclassical mandolinist who has spent much of the past four years refining her Choro technique in Rio brings an outsider's viewpoint recognizing the subtle distinctions that make Choro style unique. Together these renownedperformers and university professors have created a pathway to help you play Choro with a true Carioca accent. Music presented in standard notation. Includes access to online audio.

Mandolin 2-Manhã De Carnaval is the title of the popular song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. Manhã De Carnaval appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro (Black Orpheus). Manhã De Carnaval became one of the first compositions identified with Bossa Nova to gain popularity outside Brazil. The title was particularly popular in the United States where the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establishthe Bossa Nova movement in the late 1950s. Here it has been arranged for Mandolin Orchestra. This is the part for Mandolin 2.