Originally recorded by Charles Mingus on his Mingus Ah Um album in 1959 Sy Johnson has transformed this through-composed ballad into a stunningly beautiful setting for full jazz ensemble. Featuring effective dynamiccontours a nice variety of textures and solos for trumpet and tenor this will become a focal point for concerts or festivals.

Exciting new compositions and arrangements for Jazz and Pop choirs. In 'A Jazzy Dozen' eight established arrangers have presented a diversity of styles in vocal jazz and jazz- related music. A cappella ballads, Latin groove, swing and writing in close harmony appear alongside popular songs, gospel and new compositions. Not only the stylistic variety, but also the cooperation between internationally renowned arrangers make this a very special collection. / Pop & rock / Recueil / Choeur Jazz ou Pop

3rd Trombone parts for this collection of jazz charts arranged for mixed ensemble. 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Grade 1.5 What better way to introduce the music of Duke Ellington to your young jazzers than with this wonderfully scored arrangement by Michael Sweeney? Even at this easy level this chart really swings and will sound great with limited rehearsaltime. Your pianist gets a rare chance to shine as he or she is featured on the melody while the ensemble answers. Later every section gets to play the melody and there is a solo section for any sax. The final section starts softly with saxes alone then builds as various layers are added. A great-sounding chart for beginning bands. Enjoy great flexibility with the Discovery Jazz series! Playable with 3 saxes 2 trumpets 1 trombone piano and drums.

Grade 1.5What better way to introduce the music of Duke Ellington to your young jazzers than with this wonderfully scored arrangement by Michael Sweeney? Even at this easy level this chart really swings and will soundgreat with limited rehearsal time. Your pianist gets a rare chance to shine as he or she is featured on the melody while the ensemble answers. Later every section gets to play the melody and there is a solo section for any sax.The final section starts softly with saxes alone then builds as various layers are added. A great-sounding chart for beginning bands.

Based on the blues in F and featuring a catchy riff traded around the band here is the perfect swing chart for beginning jazzers! Rick carefully uses tutti rhythms for ease in learning and the sample solo can be played by any sax or by the entire section.

A favorite tune with jazzers for years now even younger groups can enjoy one of the best known TV themes ever written!

A clever adaptation of the familiar holiday tune, 'God Rest Ye Merry Gentlemen.' With an easy swing feel at MM=120, trumpet 1 range to written E top space, no solos, a smooth modulation, and all the usual optional parts plus vibraphone. An accessible and well-written holiday arrangement. / Ensemble De Jazz

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Advanced Jazz Ensemble Method-The comprehensive tutorial method for all Jazz ensemble instruments reaches the advanced level complete with a full CD of accompaniments.The Standard Of Excellence Jazz Ensemble Method is designed to introduce anddevelop Jazz playing styles either individually or in group instruction. The method combines a strong performance-centred approach with music theory music history ear training and listening but always with the emphasis uponimprovisation.The book is divided into three sections covering Swing Rock and Latin Jazz styles. Each section contains improvisation studies advanced improvisations and suggested solos that may be played with othermembers of the Jazz ensemble or with the accompanying CD. Disciplines covered include scale modes articulation understanding Jazz chord harmony and much more.This method is ideal for school-based teaching allowingstudents to study the tunes and techniques individually before coming together to enjoy the excitement and energy of a full Jazz ensemble!

Advanced Jazz Ensemble Method-The comprehensive tutorial method for all Jazz ensemble instruments reaches the advanced level complete with a full CD of accompaniments.The Standard Of Excellence Jazz Ensemble Method is designed to introduce anddevelop Jazz playing styles either individually or in group instruction. The method combines a strong performance-centred approach with music theory music history ear training and listening but always with the emphasis uponimprovisation.The book is divided into three sections covering Swing Rock and Latin Jazz styles. Each section contains improvisation studies advanced improvisations and suggested solos that may be played with other membersof the Jazz ensemble or with the accompanying CD. Disciplines covered include scale modes articulation understanding Jazz chord harmony and much more.This method is ideal for school-based teaching allowing students tostudy the tunes and techniques individually before coming together to enjoy the excitement and energy of a full Jazz ensemble!