Il s'agit d'une anthologie de belles pièces niveau de facile à modéré par XIXe siècle, les maîtres de la guitare : Dionisio Aguado, Antonio Cano, Federico Cano, Matteo Carcassi, Fernando Sor et Francisco Tárrega, adapté à une technique de droite moderne qui inclut le petit doigt. Professeur d'allemand de guitare Leonhard Beck a compilé cette collection avec l'aide de Charles Postlewate, pionnier de l'utilisation de la main droite petit doigt. Il montre l'avantage d'utiliser le petit doigt à jouer à des échelles, des accords, des arpèges, des tremolos et des harmoniques pour la rapidité, la précision, la force et la balance. Ces études faire des pièces de répertoire bon pour le guitariste de début ou pour le guitariste avancé qui souhaite ajouter le petit doigt à une technique de droite déjà développé. Ils sont classés en trois niveaux de Easy (7 études), Easy-intermédiaire (9 études) et intermédiaire (11 études) pour le développement progressif de la main droite. Un compagnon idéal pour MB98710 - Studie main droite... / Guitare Classique / 56 pages / niveau : Multiple Levels / Partition - Format: 11 X 8,5

Une série de 40 Solea por Bulerias études pour guitare flamenco convenant à tous les niveaux. Mesures et falsetas (variations) sont peu à peu étudiés, atteignant le niveau pour jouer falsetas des guitaristes célèbres flamenco. Une fois que vous dominer toutes les études, vous serez capable de jouer vos pièces différentes falsetas étudiés dans ce DVD de mélange. Espagnol et anglais. / Guitare Classique / niveau : Multiple Levels / Partition/Dvd Set - Format: 7,5 X 5,25

Une série d'études de Solea 44 pour guitare flamenco convenant à tous les niveaux. Mesures et falsetas (variations) sont peu à peu étudiés, atteignant le niveau pour jouer falsetas des guitaristes célèbres flamenco. Une fois que vous dominer toutes les études, vous serez capable de jouer vos pièces différentes falsetas étudiés dans ce DVD de mélange. Espagnol et anglais. / Guitare Classique / niveau : Multiple Levels / Partition/Dvd Set - Format: 7,5 X 5,25

Bridges: A Comprehensive Guitar Series serves as the official resource for guitar assessments of the Royal Conservatory Music Development Program. Innovative in its structure, Bridges supports students from the beginner to advanced levels with carefully sequenced repertoire, etudes, and technique. Each of the Repertoire and Etudes books in the series spans all major style periods and a variety of genres, presenting an organized compilation of pieces appropriate for that level of technical development. Nine progressive levels of Repertoire and Etudes scaffold student learning at every stage of musical development. Each book contains a balanced and representative selection of works from the Renaissance, Baroque, Classical, Romantic, and contemporary style periods. From the classics of Aguado to the modern compositions of Zenamon, Bridges connects students to both essential literature and enticing masterpieces never before found together. The Etudes have been carefully selected to support the repertoire and isolate specific technical and musical challenges, making Bridges an ideal collection and a comprehensive teaching resource. / Guitare

This book includes a multitude of beginning to intermediate studies, designed to build right-hand picking technique and coordination between both hands. The material includes vertical picking exercises across various string combinations, linear picking studies, tremolo studies, warm-ups, picking etudes, triplet exercises and picking solos-essential material that will supplement any guitar method. Written in standard notation and tablature. / Niveau : Facile / Etudes et exercices / Tablatures / Guitare Fingerpicking

Par SAL SALVADOR. This is an excellent technique study text. It is divided into two sections. The first, 'The Art of Single String Soloing,' presents concepts and ideas for improvisation. Chord relationships are explored in each key, phrasing and progressions are discussed and a wealth of single string studies are given. Part two, 'Jazz Single String Studies,' presents a thorough grounding in jazz scales and related technique studies. Written in notation with appropriate chord symbols. The aspiring jazz guitarist will gain a wealth of picking technique and linear improvisational ideas by working through and mastering this text. / Niveau : Intermédiaire / Jazz - Technic / Recueil / Guitare

The product of a 14 year research project this book contains over 350 studies to thoroughly train the right hand of classical guitarists in the use of all five fingers - adding the little finger to the present four fingertechnique. These studies build a five-finger technique in the playing of chords arpeggios tremolos and harmonics beginning with the thumb and one-finger combinations and increasing in complexity to the thumb and four fingers.The studies are played over easy yet interesting left hand progressions up and down the fingerboard. Postlewate demonstrates how to develop your own right hand studies by including examples from standard classical guitarrepertoire pieces by Fernando Sor Federico Moreno Torroba and Heitor Villa-Lobos at the end of the book. This book is a companion to MB 98711 - HOMAGE TO VILLA-LOBOS and other compositions (music composed transcribed arrangedand edited by Charles Postlewate for the guitar using five fingers of the right hand) and its accompanying 60-minute CD HOMAGE TO VILLA-LOBOS (MB 98711CD). Spanish Description [Este libro es el resultado de unproyecto de investigación de 14 años de duración. Este incluye más de 350 estudios para entrenar la mano derecha del guitarrista clásico a usar los cinco dedos-añadiendo el dedomeñique a la técnica actual de cuatro dedos. Estos estudios desarrollan una técnica de cinco dedos para tocar acordes arpegios trémolos y armónicos empezando con combinaciones del pulgar y undedo y aumentando en complexidad al uso del pulgar con los cuatro dedos. Los estudios se tocan sobre progresiones fáciles pero interesantes de la mano izquierda por el diapason. Postlewate le muestra cómodesarrollar sus propios estudios para la mano derecha a base de ejemplos del repertorio tradicional de la guitarra clásica por Fernando Sor Federico Moreno Torroba y Heitor Villa-Lobos incluídos al final del libro.

Par FILIBERTO ROGER. A great supplement to any note-reading guitar method. Helps students methodically learn the fretboard from the second position upward. The book contains fun-to-play studies and songs in upper fretboard positions, as well as giving the student scales, rhythmic studies, and periodic reviews of positions previously studied. In the author's words, 'Learning the positions is a must if you are ever to become expert on the guitar.' Written in standard notation only. / Niveau : Intermédiaire / All Styles - Technic / Etude / Guitare

The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligentstudy of these works. Sor's studies address an impressive array of technical and musical topics including proper left-hand fingering training of the right hand interval and chord formations scales arpeggios repeated notes ligados barring natural harmonics control of note duration balance of melody versus accompaniment and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique andallow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications but incorporated some alterations that appear inthose studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore Mr. Grimes has corrected misprints modernized the notation and rectified some inconsistencies. Finally some developments in technique since Sor's day have been incorporated in this edition.

A travers cette méthode d'apprentissage Guitare vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Giuliani 120 Right Hand Studies Op.1A Classical Guitar a été écrit par Giuliani Mauro et éditée par les éditions FJH Music Company sous la référence FJH1014. / Guitare / niveau : Débutant / Partition

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Carcassi published a progressive method for learning the guitar Op.59 and also published the Melodious And Progressive Studies Op.60 which were probably intended to be used in conjunction with his method. From his method important details of performance practice particularly execution of ornaments have been incorporated into this edition of the Carcassi studies.This edition provides an accurate realisation of the composer's original manuscripts with right and left-hand fingering added for clarification.