En 1955, alors qu'en train de travailler sur une version musicale de Candide de Voltaire avec le dramaturge américain distingué Lillian Hellman, Leonard Bernstein compose choeurs français et le Latin comme musique de scène pour la pièce The Lark adapté par Miss Hellman de la version française originale par Jean Anouilh. Depuis le drame a propos de la Jeanne d'arc, la musique -s Bernstein and rsquo a été délibérément évocateur de l'époque médiévale -s Saint and rsquo. / Choeur Mixte Ou 7 Solistes (SSMezTTBB) A Cappella Et Percussions Ad Libitum

Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale

Edition no.: BA 5690-90ISMN: 9790006542819Volume / Series: Female ChoirArranger: Breuer, Heribert / Focke, MartinLanguage(s) of work: LatinLanguage(s) of text: German, EnglishProduct format: Piano reductionComments: For performance material please see BA 5342Binding: StapledPages / Format: IV, 53 S. - 27,0 x 19,0 cmThe choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691), a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90), a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.

Wq 215. Par BACH CARL PHILIPP EMMANUEL. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : B-Dur -. Par DURANTE FRANCESCO. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas

Wq 215. Par BACH CARL PHILIPP EMMANUEL. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : Es-Dur - Horn, Paul (Arr.) - Kv 243. Par MOZART WOLFGANG AMADEUS. Gattungen: Litaneien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Eucharistie, Abendmahl, Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Fronleic cor am - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par ROSSINI GIOACHINO. Messen, lateinisch - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Tonalité : C-Dur - D 452. Par SCHUBERT FRANZ. Gattungen: Messen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

Wq 215. Par BACH CARL PHILIPP EMMANUEL. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : C-Dur - Hochstein, Wolfgang (Arr.) -. Par HASSE JOHANN ADOLF. Psalmvertonungen, Stundengebet - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Fedtke, Traugott (Arr.) Cw E 4. Par BACH JOHANN CHRISTIAN. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Messe / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Fedtke, Traugott (Arr.) Cw E 4. Par BACH JOHANN CHRISTIAN. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Latin / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : Es-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Requiem - Verwendung / Anlässe: Trauer, Tod - Langue : Latin / Requiem / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par MENDELSSOHN-BARTHOLDY FELIX. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Kommunion, L Hautbois und Dank - Langue : Latin/Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,