Passionskantate. Par MOZART WOLFGANG AMADEUS. Siedel, Mathias (Arr. ) - KV 42 (35a)/ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Kantate Am Fest Mariae Reinigung, Oder Am Dritten Osterfesttag. Par BACH JOHANN SEBASTIAN. Possibly composed during the time at Weimar [1708-1717]/ Répertoire / Solistes SB, Choeur SATB, Hautbois, Violon Solo, V

Kantate Zum 1. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. BWV 32/ Répertoire / Solistes SB, Choeur SATB, Hautbois, Violon Solo, I

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Kantate Zum 17. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Drinker, Henry (Trad. ) - BWV 47/ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, Orgue Obliga

Kantate Zum 1. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. BWV 32/ Répertoire / Solistes SB, Choeur SATB, Hautbois, Violon Solo, I

Par SCHREKER FRANZ. Weltliche Chorsätze - Langue : Allemand/ Répertoire / Solistes SB, Choeur SATB et Piano

Passionskantate. Par MOZART WOLFGANG AMADEUS. The Carus critical new edition is the very first edition of the Grabmusik which is based on Mozart’s separate autographs for movements 1–6, and 7–8, respectively. The fact that the final movement also contains two horn parts which have never appeared in print is an absolutely sensational discovery. Now the work may be again performed using Mozart’s last, original instrumentation./ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, 2 Cors, 2 Vi

Kantate Zum 2. Pfingsttag. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 68/ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, Taille (Cor

Nach Worten Der Heiligen Schrift. Par BRAHMS JOHANNES. Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. / Requiem / Répertoire / Solistes SB, Choeur SATB, Piccolo, 2 Flûtes Traver

Kantate Am Fest Mariae Reinigung, Oder Am Dritten Osterfesttag. Par BACH JOHANN SEBASTIAN. Possibly composed during the time at Weimar [1708-1717]/ Répertoire / Solistes SB, Choeur SATB, Hautbois, Violon Solo, V

Michaelskantate. Par BORNEFELD HELMUT. BoWV 62/ Répertoire / Solistes SB, Choeur SATB, 4 Trompettes, 4 Trombone

Kantate Zum 1. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. BWV 32/ Répertoire / Solistes SB, Choeur SATB, Hautbois, Violon Solo, I

Kantate Zum 2. Pfingsttag. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 68/ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, Taille (Cor