This energetic setting of a tuneful Israeli folk song “A Joyful Israeli Canon” is wonderful for teaching syncopated rhythms independent/unison singing as well as part singing intonation and rhythmic precision. Theaccessible keyboard part outlines the melodic and rhythmic changes. You may consider adding hand drum and finger cymbals to enhance the folk-like sound of this exuberant dance.

George Perlman's Israeli Concertino for Violin in the 1st-2rd position with Piano accompaniment.

La partition Annee Liturgique Israelite a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition

Level 1 Elementary Level-NFMC 2016-2020 Piano Hymn Event Primary B Selection 9 Jewish folk and holiday songs: Artza Alinu (folk dance) - Avinu Malkeynu (traditional) - Eliyahu Havavi (Israeli National Anthem) - Hava Nagila (Israeli folk song) - Hevenu Shalom Aleychem (Sabbath Greeting Song) - Mazel Tov (traditional Yiddish) - Purim Day (traditional) - Zum Gali Gali (Israeli folk tune).

Israeli Concertino est l'une des oeuvres la plus connue de George Perlman (1897 - 2000) grand compositeur du XXe siècle. Enseignant et violoniste il laisse un répertoire empreint d'influences de son héritage juif.Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné d'un compact disc qui apporte un plus à votre routine de travail.Le compact disc vous permet de jouer ce Concertino tant dans le tempo normal que dans un tempo d'étude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeu tout en ayant unmeilleur aperçu de la structure de la pièce. Vous pouvez continuer à travailler dans cette optique jusqu'à ce que vous ayez atteint le résultat souhaité. Lisez avec attention les informations relatives au compact disc pour pouvoir pleinement exploiter ce concept.Le titre de la pièce évoque le contexte d'un concert : l'interprétation d'une partie soliste avec accompagnement. On compte des milliers d'oeuvres similaires pour violon mais un grand nombre d'entre elles ne peuvent être abordées sans expérience et pratique musicales considérables. Israeli Concertino vous permet d'acquérir l'expérience nécessaire à l'interprétation de ce genre de pièces c'est-à-dire être capable de dominer les aspects techniques et musicaux propres à votre instrument tout en ayant le soutien d'un accompagnateur lors de l'interprétation. Choisi avec soin ce Concertino enrichira votre répertoire.

A traditional Israeli folk song with text from the Torah Hashivenu means “Cause Us to Return ” and is scored sensitively for strings in this stirring rendition by John Leavitt. Here's a chance to give yourstudents the opportunity to perform and understand some meaningful cultural music from another land. Dur: 2:40

This Israeli folk song with a text from the Bible makes an excellent concert feature for any combination of voices. The tune first appears as a unison melody then in canon and finally in unison again. Easily learned! Performance Time: Approx. 2:40

Carol Matz's Famous and Fun Jewish Songs, Book 2 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli, and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method and have optional duet parts for teacher or parent. / Piano

Carol Matz's Famous and Fun Jewish Songs, Book 4 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method. / Piano

Suite of Israeli Folk Songs-The long history of Jewish folk song has resulted in a rich and varied repertoire of songs which deal with religion history festival and celebration. The melodies featured in Shalom! reflect this panoply of subjects and range widely in mood from lament to rejoicing.

This volume contains favourite Israeli Hassidic and liturgical songs as well as selections for the Sabbath and Festivals. The arranger Albert Rozin has created sensitive settings which are easy to play but which do notsacrifice the flavour of the original harmonies. Organists and guitar players will find little difficulty in playing the songs harmonically by using the chord symbols indicated in the music. Complete with lyrics.

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Par SCHOENBERG ARNOLD. Schönberg?s Suite op. 25 of 1923 refers to pre-classical forms in its movement titles Präludium, Gavotte?Musette, Intermezzo, Menuett?Trio and Gigue, yet at the same time it was the first work to be based entirely on a twelve-tone row. But anyone who believes that emotions can be left out of this completely new-sounding music is mistaken: Schönberg requires the player?s full commitment, reflected in a whole palette of new articulation markings which he added to the musical text in order to ensure a nuanced and expressive performance. A challenge for all pianists! In the Henle Urtext edition, the Israeli-American pianist Shai Wosner, a true connoisseur of the Suite, provides indispensable assistance with the fingering to help decode this magnificent work. The Henle Urtext edition publishes this modern classic in a new, generously laid out music setting. / Date parution : 2022-04-05/ Répertoire / Piano