SKU: BT.DHP-1185860-401
ISBN 9789043155489. English-German-French-Dut ch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on euphonium or alto saxophone. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op euphonium of altsaxofoon worden gespeeld.Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Euphonium oder Altsaxophon gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un euphonium ou saxophone alto.
SKU: MH.1-59913-060-2
ISBN 9781599130606.
Ense mble instrumentation: 1 Piccolo 1, 1 Piccolo 2, 3 Flute 1, 3 Flute 2, 1 Oboe 1, 1 Oboe 2, 1 Bassoon 1, 1 Bassoon 2, 3 Solo and Bb Clarinet 1 - top of divisi, 3 Bb Clarinet 1 - bottom of divisi, 6 Bb Clarinet 2, 2 Eb Alto Clarinet, 2 Bb Bass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 2 Solo and Bb Trumpet 1 - top of divisi, 2 Bb Trumpet 1 - bottom of divisi, 2 Bb Trumpet 2 - top of divisi, 2 Bb Trumpet 2 - bottom of divisi, 2 F Horn 1, 2 F Horn 2, 3 Trombone 1, 3 Trombone 2, 1 Euphonium 1 treble clef, 1 Euphonium 2 treble clef, 1 Euphonium 1 bass clef, 1 Euphonium 2 bass clef, 3 Tuba 1, 3 Tuba 2, 1 Snare Drum 1 and Cymbals 1, 1 Snare Drum 2 and Cymbals 2, 1 Orchestra Bells, 1 Chimes and Xylophone.
SKU: HL.49013814
ISBN 9790204001354.
1 Direktion - 2 Flauto - 1 Flauto piccolo - 2 Clarinetto in Eb (Mib) - 2 Clarinetto I in Bb (Sib) - 2 Clarinetto II in Bb (Sib) - 2 Clarinetto III in Bb (Sib) - 2 Oboi I/II - 1 Saxophon I tenore in Bb (Sib) - 1 Saxophon II tenore in Bb (Sib) ossia Saxophon baritone in Eb (Mib) - 2 Saxophon I alto in Eb (Mib) - 2 Saxophon II alto in Eb (Mib) - 2 Fagotti I/II - 1 Bariton (Euphonium) (Violinschlussel) - 1 Bariton (Euphonium) (Bassschlussel) - 2 Trombone I - 1 Trombone II - 1 Trombone III - 1 Piston (Cornet) in Eb (Mib) - 2 Flugelhorn I in Bb (Sib) - 1 Flugelhorn II in Bb (Sib) - 3 Schlagwerk - 1 Peitsche und Schellenkranz - 1 Glockenspiel - 1 Tenorhorn I in Bb (Sib) - 1 Tenorhorn II in Bb (Sib) - 1 Tenorhorn III in Bb (Sib) - 1 Corno I in Eb (Mib) - 1 Corno II in Eb (Mib) - 1 Corno III in Eb (Mib) - 1 Corno IV in Eb (Mib) - 1 Bass I - 1 Bass II - 2 Trompete I in Bb (Sib) - 1 Trompete II in Bb (Sib) - 2 Trompete III in Bb (Sib) (ossia in in Eb (Mib)) - 1 Trompete IV in Bb (Sib)1 Direktion - 2 Flauto - 1 Flauto piccolo - 2 Clarinetto in Eb (Mib) - 2 Clarinetto I in Bb (Sib) - 2 Clarinetto II in Bb (Sib) - 2 Clarinetto III in Bb (Sib) - 2 Oboi I/II - 1 Saxophon I tenore in Bb (Sib) - 1 Saxophon II tenore in Bb (Sib) ossia Saxophon baritone in Eb (Mib) - 2 Saxophon I alto in Eb (Mib) - 2 Saxophon II alto in Eb (Mib) - 2 Fagotti I/II - 1 Bariton (Euphonium) (Violinschlussel) - 1 Bariton (Euphonium) (Bassschlussel) - 2 Trombone I - 1 Trombone II - 1 Trombone III - 1 Piston (Cornet) in Eb (Mib) - 2 Flugelhorn I in Bb (Sib) - 1 Flugelhorn II in Bb (Sib) - 3 Schlagwerk - 1 Peitsche und Schellenkranz - 1 Glockenspiel - 1 Tenorhorn I in Bb (Sib) - 1 Tenorhorn II in Bb (Sib) - 1 Tenorhorn III in Bb (Sib) - 1 Corno I in Eb (Mib) - 1 Corno II in Eb (Mib) - 1 Corno III in Eb (Mib) - 1 Corno IV in Eb (Mib) - 1 Bass I - 1 Bass II - 2 Trompete I in Bb (Sib) - 1 Trompete II in Bb (Sib) - 2 Trompete III in Bb (Sib) (ossia in in Eb (Mib)) - 1 Trompete IV in Bb (Sib).
SKU: MA.EMR-47064C
Possible instrumentations:Trumpet (Cornet), Euphonium & CD Playback (Play Along)Trumpet (Cornet), Euphonium & CD Playback (Play Along).
SKU: MA.EMR-50369
Possible instrumentations:Eb Horn, Euphonium & CD Play Back / Play AlongEb Horn, Euphonium & Organ (+ CD Play Back / Play Along optional)Eb Horn, Euphonium & Piano (+ CD Play Back / Play Along optional).
SKU: FL.FX073566
Instruments: 1 Bb Trumpet 1 Bb Euphonium T.C. 1 Piano Additional Parts: 1 Bb Euphonium B.C. 1 C Euphonium B.C.; Difficuly Level: Grade 4.
SKU: BT.AMP-233-130
9x12 inches. English-German-Dutch.
A Final Fling was written at the request of David Childs for a CD recording with a Celtic theme, which he released in 2007. The phrase ‘a final fling’ means a last quick effort at doing something, perhaps when this item is used as an encore, and also, a fling is a type of Scottish Highland dance, which tied in with the Celtic theme. A light- hearted piece, A Final Fling starts in the mood of a folk dance and quotes from The Irish Washerwoman before flying to a close. A perfect way to put your euphonium player in the spotlight.A Final Fling wurde für David Childs geschrieben, für eine CD mit einem keltischen Thema, die 2007 herauskam. A Final Fling bedeutet soviel wie eine letzte, schnelle Anstrengung und bot sich damit als idealer Titel für eine Zugabe an; ein Fling ist außerdem ein schottischer Tanz, was sich wiederum gut in das keltische Thema einfügt, wenn das Stück auch einen eher irischen Charakter hat. Das fröhliche Stück bietet eine gute Gelegenheit, das Euphonium ins Rampenlicht zu rücken.
SKU: FL.FX071592
Instruments: Piccolo / Flute 1 (1 part) Flute 2 (1 part) Flute 3 (1 part) Oboe 1 (1 part) Oboe 2 (1 part) Bassoon 1(1 part) Bassoon 2(1 part) Bb Clarinet 1 (4 parts) Bb Clarinet 2 (4 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophones 1&2 (2 parts) Baritone Saxophone (1 part) Bb Trumpet 1 (1 part) Bb Trumpet 2 (1 part) Bb Trumpet 3 (1 part) Bb Trumpet 4 (1 part) F Horn 1 (1 part) F Horn 2 (1 part) F Horn 3 (1 part) Trombone 1 (1 part) Trombone 2 (1 part) Bass Trombone (1 part) Bb Baritone / Euphonium B.C. (1 part) C Tuba (1 part) Double Bass (1 part) Timpani (1 part) Glockenspiel & Xylophone (1 part) Triangle/Castagnettes/Tam bourine/Snare Drum (2 parts) Chimes/Suspended Cymbal/Cymbal/Bass Drum (2 parts)Additional Parts: C Baritone / Euphonium T.C. (1 part) Bb Baritone / Euphonium T.C. (1 part) C Euphonium B.C. (1 part) Bb Tuba (1 part) Eb Tuba (1 part) Bass Saxophone (1 part); Difficuly Level: Grade 4.
SKU: HL.44012271
UPC: 888680057664. English-German-French-Dut ch.
Looking Up, Moving On was commissioned by the Tokyo Kosei Wind Orchestra and was part of a tour programme they gave in May 2012, a tour which included many areas that had been devastated by the 2011 earthquake and tsunami.The theme of the piece is the powerful ability of mankind to overcome such disasters and look forward to a positive future; it opens in an appropriately optimistic mood, featuring bright orchestral colours and extensive syncopation. A chorale-like fanfare is soon introduced on horns and euphonium, answered by chirpy woodwinds. The mood subsides until an alto saxophone introduces a brief quotation from the composer's The Sun Will RiseAgain, which was written to raise funds for victims of the 2011 disaster. The mood soon changes and the horns introduce a noble theme under woodwind flourishes. This leads to the main Vivo section of the piece which is characterised again by strong syncopations as part of a florid theme in the low woodwinds. This melody undergoes varied development by all sections of the band until the horn fanfare returns triumphally on the brass. This is extended and leads to a faster coda which brings together previous material in counterpoint to close the work in optimistic mood. Looking Up, Moving On is gecomponeerd in opdracht van het Tokyo Kosei Wind Orchestra. Het werk maakte deel uit van een programma uit mei 2012, dat werd uitgevoerd tijdens een tournee waarbij veel regio's werden bezocht die waren verwoest door de aardbeving en tsunami van 2011.Het thema van het werk is het buitengewone vermogen van de mens om dergelijke rampen te boven te komen en vooruit te kijken naar een positieve toekomst. De opening is dan ook optimistisch van karakter, met heldere orkestrale kleuren en een rijkelijke syncopering. Al snel wordt er een koraalachtige fanfare geintroduceerd door de hoorns en het euphonium, waarop een levendig antwoord volgt in dehoutblazerssectie. De sfeer wordt dan steeds kalmer totdat een altsaxofoon een kort citaat laat horen uit een eerder werk van de componist, The Sun Will Rise Again, dat werd geschreven om geld in te zamelen voor de slachtoffers van de ramp uit 2011. De stemming slaat vlug weer om: de hoorns introduceren een nobel thema, dat weerklinkt onder versieringen in het hout. Dit leidt naar het Vivo, het hoofdgedeelte, dat eveneens wordt gekenmerkt door sterke syncoperingen, als onderdeel van een sierlijk thema in het lage hout. De melodie ondergaat een gevarieerde ontwikkeling binnen alle secties van het orkest, totdat de hoornfanfare op triomfantelijke wijze terugkeert in het koper. De fanfare wordt vervolgens verder uitgewerkt en voert ons mee naar een snellere coda, die voorafgaand materiaal in contrapunt samenbrengt en de compositie in optimistische stemming afsluit. Looking Up, Moving Down wurde vom Tokyo Kosei Wind Orchestra in Auftrag gegeben und war Teil des Konzertprogramms einer Tour im Mai 2012, welche viele Gebiete einschloss, die vom Erdbeben und Tsunami im Jahr 2011 zerstort worden waren. Thema dieses Stuckes ist die gewaltige Fahigkeit der Menschheit, uber solche Katastrophen hinwegzukommen und voll Optimismus in die Zukunft zu blicken; es beginnt dementsprechend in einer positiven Stimmung mit strahlenden Orchesterfarben und einer ausgepragten Synkopierung. Schon bald wird eine choralartige Fanfare auf den Hornern und im Euphonium vorgestellt, die von munteren Holzblasern beantwortet wird. Die Stimmung flaut ab, bis einAltsaxophon ein kurzes Zitat aus The Sun Will Rise Again anspielt, das der Komponist zur Spendenbeschaffung fur die Opfer des Unglucks 2011 geschrieben hatte. Kurz darauf folgt ein Stimmungswechsel und die Horner prasentieren ein stattliches Thema, begleitet von Fanfaren in den Holzblasern. Dies fuhrt zum mit Vivo uberschriebenen Hauptteil des Stuckes, der wiederum von starken Synkopierungen gepragt ist, die Teil eines bluhenden Themas in den tiefen Holzblasern sind. Diese Melodie durchlauft eine vielgestaltige Entwicklung durch alle Instrumentengruppen des Blasorchesters, bis das Blech mit der Hornfanfare triumphal zuruckkehrt. Dies wird erweitert und fuhrt zu einer schnelleren Coda, in dem verschiedenes zuvor gehortes Material kontrapunktisch zusammenkommt, um das Werk in einer optimistischen Stimmung zu beenden. Looking Up, Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette piece faisait partie du programme de la tournee effectuee par l'orchestre en mai 2012, qui s'est produit dans de nombreuses regions devastees par le tremblement de terre et le tsunami de 2011.La composition a pour theme l'immense capacite humaine a surmonter de telles catastrophes et envisager l'avenir de facon positive. Elle debute justement dans un climat optimiste comportant de vives couleurs orchestrales et des passages syncopes. Les cors et les euphonium introduisent bientot une fanfare en forme de choral a laquelle repondent des bois petillants. L'ambiance s'apaise jusqu'a ce qu'unsaxophone alto introduise un court extrait de The Sun Will Rise Again, du meme compositeur, une piece ecrite pour collecter des fonds en faveur des victimes du desastre de 2011. Le climat change hativement lorsque les cors introduisent un theme noble par-dessus des fioritures executees par les bois. Vient ensuite la principale section vivo de la piece, qui se caracterise, encore une fois, par des syncopes tres marquees dans le cadre d'un theme fleuri assure dans le registre grave des bois. Cette melodie fait l'objet de divers developpements par tous les pupitres de l'orchestre jusqu'au retour triomphant de la fanfare soutenue par les cuivres. Celle-ci se prolonge pour mener a une coda plus rapide qui rassemble les elements precedents en contrepoint pour clore la piece dans un climat optimiste.
SKU: ET.TU197
ISBN 9790207021335.
Fast en Your Seatbelt is a septet in two movements for solo euphonium (with alternative parts for solo trombone or solo tenor saxophone), alto saxophone, trumpet, bass guitar, electric piano, drum set and marimba/congas. It is a typical example of the versatile composing talent of Roland Szentpali. His approach to jazz is well structured, with virtuoso written sequences over a dynamic rhythm section sustaining the three melodic wind instruments (with optional improvisation spaces for them). I. Hunting Instinct is a 7/4 speedy groove music running over long basso continuo ostinati of the rhythm section including collectiv virtuoso intrusions of the wind instruments and improvised sequences. II. Transfer Passenger is pushing another kind of speedy groove, here on a more traditional 4/4, inspired by the human traffic jam in crowded international airports... Indeed, fasten your seatbelt... World premiere: 30th of June 2017, Theater 'de Schalm' in Veldhoven, the Netherlands with the Jazz Combo of “The Band of the Royal Netherlands Army Mounted Regiment and soloist Rodin Rosendahl on the euphonium.
SKU: HL.4008324
ISBN 9781705198018. UPC: 196288148364.
The “Doobidoo for Christmas†books are the result of a collaboration between the composer Otto M. Schwarz and the trombonist and composer Leonhard Paul. Leonhard Paul is known the world over as one of the creative minds behind the ensemble Mnozil Brass. He studied music pedagogy and jazz and is now a lecturer at the University of Music and Performing Arts Vienna (MDW). These books are containing works (Solo Instrument and Piano Accompaniment) in various styles, often equipped with ironic instructions.
SKU: MA.EMR-47032C
Possible instrumentations:Eb Horn, Euphonium & CD Playback (Play Along)Eb Horn, Euphonium & CD Playback (Play Along).
SKU: HL.4008606
ISBN 9798350112559. UPC: 196288183167.
This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the “BlechReiz BrassQuintett†ensemble, in which he himselfplays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a widerepertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the “BlechReiz BrassQuintetâ€. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true 'earworm'.
SKU: CF.CPS238
ISBN 9781491158166. UPC: 680160916764. 9 x 12 inches.
Wiregrass March was written to celebrate the southern portion of Georgia and Alabama known as Wiregrass Country, because of the type of grass that grows in this sandy soil. This march is written in the traditional style of Henry Fillmore. After a short introduction, the first strain has a light, happy melody with a simple flourish from the low brass. The second strain is highlighted by chromatic harmony to add depth. The new melodic content introduced by the low clarinets and euphonium first time through the trio add to the beauty of this march. This is followed by a flourish of brass to the end.Wiregrass March was written to celebrate the southern portion ofGeorgia and Alabama known as Wiregrass Country, because of thetype of grass that grows in this sandy soil. This march is written inthe traditional style of Henry Fillmore. After a short introduction, thefirst strain has a light, happy melody with a simple flourish from thelow brass. The second strain is highlighted by chromatic harmony toadd depth. The new melodic content introduced by the low clarinetsand euphonium first time through the trio add to the beauty of thismarch. This is followed by a flourish of brass to the end.
SKU: BT.DHP-1135404-010
9x12 inches. English-German-French-Dut ch.
The piece was commissioned by Shobi College of Music (Tokyo, Japan) for their entrance ceremony for freshman students in 2010, premiered by Shobi Ceremonial Wind Orchestra (Hirohisa Takanashi, conductor).In the introduction, woodwinds and euphonium play a solemn passage, followed by a brilliant fanfare in brass and percussion. After the heart-warming middle section, banda trumpets and trombones play a polyphonic passage, which leads to a grand andmagnificent finale to conclude the work. This is a short but solemn and impressive piece that suits any kind of festival, ceremony and concert.Een statige introductie, een prachtige fanfare, een hartverwarmend middendeel en een grootse finale. Deze compositie heeft het allemaal! Houtblazers en euphonium nemen de introductie voor hun rekening. Vervolgens schitteren het koper en het slagwerkin een prachtige fanfare. Na het middengedeelte speelt de banda, bestaande uit trompetten en trombones, een polyfone passage. Deze mondt uit in een grootse finale, waarmee het werk op grandioze wijze besluit. Uitstekend eindigt voor festivals,ceremonies en concerten. Plechtig en indrukwekkend!Mit einer feierlich angehauchten Einführung mit Holzbläsern und Euphonium, einer strahlenden Fanfare im Blech und Schlagzeug, einem Mittelteil, den eine Banda aus Trompeten und Posaunen dominiert und einem prachtvollen Finale kann sich das komplette Blasorchester gleich im Eröffnungsstück des Konzertes vielfältig und glanzvoll präsentieren! L’introduc tion débute avec un passage solennel joué par les bois et l’euphonium, suivi d’une éclatante fanfare réservée aux cuivres et la percussion. Après une section centrale pleine de chaleur, les trompettes et les trombones exécutent un passage polyphonique menant une conclusion grandiose. Solennelle et impressionnante, cette courte composition convient toutes sortes d’occasions - festival, cérémonie ou concert. Il brano, scritto su incarico dell’Accademia di Musica di Shobi in Giappone, debutta con un passaggio solenne eseguito dai legni e dall’eufonio, seguito da una festosa fanfara riservata agli ottoni e alle percussioni. Il grandioso finale coinvolge l’intero organico. Solenne e di sicuro effetto, questa breve composizione è perfetta per tutte le occasioni festive.
SKU: FL.FX074048
Daydreaming for young instrumentalists at the edge of an emerald sea - Pascal PROUST ; A piece to be played from 1-2 years of instrument practice. ; Instruments: 1 C Euphonium B.C.or 1 Bb Euphonium/Saxhorn B.C. 1 Piano; Difficuly Level: Grade 2.
SKU: MA.EMR-50365
Possible instrumentations:Trumpet (Cornet), Euphonium & CD Play Back / Play AlongTrumpet (Cornet), Euphonium & Piano (+ CD Play Back / Play Along optional)Trumpet (Cornet), Euphonium & Piano (Organ) (+ CD Play Back / Play Along optional).
SKU: FL.FX073036
Instruments:Eup honium and Clarinet Quartet: 1 Euphonium 3 Bb Clarinets 1 Bass Clarinet; Difficuly Level: Grade 4.
SKU: MA.EMR-47068C
SKU: BT.DHP-1155647-130
English-German-French- Dutch.
In this beautiful composition, melodic fragments of the hymn tune Beecher are morphed into a series of variations, showing the melody in various moods from expressive, then quiet and soft, to bright and triumphant in the end. Written as a testpiece in the 4th division for the Dutch Brass Band Championships in 2015, the music features challenging solo parts for cornet, soprano cornet, flugelhorn and euphonium. A great work for the concert stage!In deze fraaie compositie zijn melodiefragmenten uit de hymne Beecher omgevormd tot een reeks variaties, waarbij de melodie wordt gepresenteerd in verschillende stemmingen, van rustig en zacht tot vrolijk en triomfantelijk tegen het slot. Beecher Variations, dat is geschreven als verplicht werk voor de Nederlandse Brassband Kampioenschappen van 2015, bevat uitdagende solopartijen voor cornet, sopraancornet, bugel en euphonium. Een weergaloos werk voor het concertpodium!In diesem schönen Werk werden melodische Fragmente des Kirchenlieds Beecher in eine Reihe von Variationen verwandelt, welche die Melodie in verschiedenen Stimmungen von ausdrucksvoll über ruhig und leise, strahlend bis zu strahlend undtriumphal präsentieren. Als Pflichtstück in der 4. Division für die Holländischen Brass-Band-Meisterschafte n 2015 geschrieben, enthält die Musik anspruchsvolle Solopartien für Cornet, Soprancornet, Flügelhorn und Euphonium. Ein großartiges Werk fürdie Konzertbühne!D ans cette composition magnifique, les fragments mélodiques du cantique Beecher sont transformés en une série de variations, démontrant la mélodie en plusieurs ambiances ; expressif, puis calme et doux, et enfin vif et triomphant la fin. Composé comme morceau imposé de la 4e division pour les Dutch Brass Band Championships en 2015, des parties de solos stimulants pour cornet soprano, bugle et euphonium y figurent. Une superbe œuvre pour chaque concert !
SKU: BT.OKP118-212
English.
Followi ng the huge success of their instrumental method Look, Listen & Learn, Michiel Oldenkamp and Jaap Kastelein have focussed their attention on school bands and devised a completely new method that can be used in both instrumental lessons and class bands or wind ensembles.
Learning Music Together is the new method for young wind players and percussionists, aged eight and above.
Learning Music Together has been developed in close collaboration with professionals from the class band world, music schools, and academies in the Netherlands and Germany.
Learning Music Together combines instrumental lessons with a course for class band. The euphonium lessons offer euphonium -specific items such as new notes and technical exercises while at the same time supporting the learning of the class band, with a focus on rhythm, melodic structure and playing music together. The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts.In addition, supplementary material is available on the extensive website, e.g. demo- and accompaniment tracks for all pieces, additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way - a perfect combination for young musicians!
The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts.In addition, supplementary material is available on the extensive website, e.g. demo- and accompaniment tracks for all pieces, additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way - a perfect combination for young musicians!
SKU: FL.FX072470
Instruments: Flutes 1&2 (4 parts) Oboes 1&2 (2 parts) Bassoon (2 parts) Bb Clarinets 1&2&3 (6 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophone (2 parts) Baritone Saxophone (1 part) Bb Trumpets 1&2&3 (3 parts) F Horns 1&2&3&4 (4 parts) Trombones 1&2 (2 parts) Bass Trombone (1 part) C Euphonium B.C. (1 part) Bb Contrabass (1 part) Piano Opt. (1 part) Electric Guitar Opt. (1 part) Electric Bass Opt. (1 part) Timpani (1 part) Cymbals (1 part) Drum Set (1 part) Marimba(1 part) Bass Drum (1 part)Additional Parts: Eb Horns 1&2&3&4& (2 parts) Bb Baritone / Euphonium T.C. (1 part) C Baritone / Euphonium T.C. (1 part) Bb Euphonium T.C. (1 part) C Tuba (1 part) Bb Tuba (1 part); Difficuly Level: Grade 3.
SKU: BT.OKP118-232
SKU: FL.FX071878
Instruments: Piccolo (1 part) Flutes 1&2 (4 parts) Oboe (2 parts) Bassoon (2 parts) Eb Clarinet (1 part) Bb Clarinet 1 (3 parts) Bb Clarinet 2&3 (4 parts) Bass Clarinet (1 part) Alto Saxophones 1&2 (2 parts) Tenor Saxophones 1&2 (2 parts) Baritone Saxophone (1 part) Bb Trumpet 1 (1 part) Bb Trumpets 2&3 (2 parts) F Horns 1&2&3&4 (4 parts) Trombones 1&2 (2 parts) Bass Trombone (1 part) C Euphonium B.C. 1&2 (2 parts) Bb Contrabass (1 part) Timpani (1 part) Cymbals and Triangle (1 part) Glockenspiel and Marimba(1 part) Tubular Bells (1 part) Drums (1 part) Bass Drum (1 part)Additional Parts: Eb Horns 1&2&3&4& (2 parts) Bb Baritone / Euphonium T.C. 1&2 (1 part) C Baritone / Euphonium T.C. 1&2 (1 part) Bb Euphonium T.C. 1&2 (1 part) C Tuba (1 part) Bb Tuba (1 part); Difficuly Level: Grade 4.
SKU: CF.CPS224F
ISBN 9781491153185. UPC: 680160910687.
Rainb ow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds. Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students. This would serve as a welcome change of pace piece on your program for concert or contest.Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.†In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds†for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.
SKU: SU.27020090
Five movements: 1. Proclamation; 2. Chorale; 3. Relentlessly; 4. Lament; 5. March; approximate duration: 12'Euphonium, Organ Composed: 2006 Published by: Distributed Composer.
SKU: HL.4008036
Otto M. Schwarz is not only a composer of symphonic music, but he also composes for films and documentaries. This is the genre in which Pictures of Vienna for string orchestra were written, depicting various sights, events, or characters from Vienna's golden age. By writing this work as if composed in that time, the composer has created an immediate link to the era.
