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Johannes Brahms: Brahms - Requiem - Score: SATB: Parts
Chorale SATB
Hinshaw Music Inc.
Instrumental Accompaniment Set-Instrumentation Includes: Picc 2Fl 2Ob 2Cl 2 ...
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Instrumental Accompaniment Set-Instrumentation Includes: Picc 2Fl 2Ob 2Cl 2 Bsn Contra Bsn 4 Hns 2 Tpts 3 Trombones Tuba Violin I & II Viola _x000D_Cello Contra Bass 2hp 3 Timp Organ String Count (12 12 8 6 4)._x000D_Regarding The Harp Brahms Specifically Stated: ' At Least Doubled'_x000D_Also Although The Standard String Set Of Parts Is 12 10 8 6 4 Brahms_x000D_Scoring For Violin Ii Indicates It Should Be Of Equal Strength With_x000D_Violin I. Therefore Two Additional Violin II Parts Are Included.Full Score Available: (Hmb145a)String Supplemental (Hmb145s):8-Violin I 8-Violin II 5 Viola 4 Cello 4 Bass.Can Only Be Sold As A Set String Parts Not Available Separately.
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Johannes Brahms: Cradle Song: TTBB: Score
2.25
Johannes Brahms: Cradle Song: TTBB: Score
Chorale
[ ]
J. Curwen and Sons
Cradle Song was first written in 1868 and published in German as Wiegenlied (Op...
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Cradle Song was first written in 1868 and published in German as Wiegenlied (Op. 49 No. 4). It has since become commonly known as Brahms' Lullaby.The lyrics have been translated intoEnglish by Florence Hoare and the music arranged for Male Voice Chorus (TTBB) by Percy E. Fletcher. A Piano reduction is provided for rehearsal purposes.The German composer and pianist JohannesBrahms (1833-1897) spent most of his working life in Vienna where his influence and stature were unmatched during his lifetime. He was a noted perfectionist and often destroyed works he thought unworthy of publication.
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Johannes Brahms: Choral Works: Mixed Choir: Vocal Score
20.30
Johannes Brahms: Choral Works: Mixed Choir: Vocal Score
Chorale, Orchestre
[Vocal Score]
Dover Publications
with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel...
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with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel sources this collection features a variety of Brahmss most cherished choral works with orchestral accompaniment. Selections include:- Rhapsodie für eine Altstimme Männerchor und Orchester Op. 53 (Rhapsody for an Alto Mens Choir and Orchestra)- Schicksalslied von Friedrich Hölderlin für Chor und Orchester Op. 54 (Song of Destiny by Friedrich Hölderlin for Choir and Orchestra)- Nänie von Friedrich Schiller für Chor und Orchester Op. 82 (Nänie by Friedrich Schiller for Choir and Orchestra)- Gesang der Parzen von Goethe für sechsstimmigen Chor und Orchester Op. 89 (Song of the Fates by Goethe for Six-Part Chorus and Orchestra)- Ave Maria für Frauenchor mit Orchester oder Orgel-Begleitung Op. 12 (Ave Maria for Womens Chorus with Orchestral or Organ Accompaniment)- Begräbnisgesang für Chor und Blasinstrumente Op. 13 (Funeral Song for Chorus and Wind Instruments)- Gesänge für Frauenchor mit Begleitung von zwei Hörnern und Harfe Op. 17 (Songs for Womens Chorus Accompanied by Two Horns and Harp)- Ellens zweiter Gesang aus Walter Scotts 'Fräulein vom See' von Schubert für Sopran dreistimmigen Frauenchor vier Hörnern und zwei Fagotte Op. 52(Ellens Second Song from Walter Scotts 'Lady of the Lake' by Schubert for Soprano Solo Three-partWomens Chorus Four Horns and Two Bassoons)This edition features a new English translation of the original Editors Commentary as well as new translations of song lyrics.
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Johannes Brahms: We Are God's People: SATB: Vocal Score
13.75
Johannes Brahms: We Are God's People: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Uses: General Reformation Hymn ArrangementScripture: I Corinthians 6:19-20; Ph...
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Uses: General Reformation Hymn ArrangementScripture: I Corinthians 6:19-20; Philippians 2:5-11; I Peter 2:9“Music of the masters for the Master” is exemplified in this sturdy adaptation of an illustriousBrahms melody. A faith-affirming text reminds the church of its mission while stately part-writing and solid organ support lifts the piece into the hearts of the listener. This is an encouraging word for the church triumphant. Dont miss this one!
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
11.50
Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violon et Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Sonata For Violoncello And Piano F Major Op. 99
17.34
Sonata For Violoncello And Piano F Major Op. 99
Violoncelle, Piano
Barenreiter
Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. T...
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Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano
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NANIE OP (BRAHMS JOHANNES) (BRAHMS JOHANNES)
12.85
NANIE OP (BRAHMS JOHANNES) (BRAHMS JOHANNES)
Chorale SATB
SATB, Piano
Carus Verlag
Par BRAHMS JOHANNES. Brahms? elegy Nänie op. 82, based on the poem by Friedrich...
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Par BRAHMS JOHANNES. Brahms? elegy Nänie op. 82, based on the poem by Friedrich von Schiller, was composed in 1880/81 following the death of the painter Anselm Feuerbach, whom Brahms greatly admired. In contrast with the poem, Brahms? Nänie ends full of hope: after earthly decline, beauty can live on in art. As in his Deutsches Requiem op. 45, in Nänie Brahms creates a musical connection between mourning and consolation in an incomparable way. Inspired by the model of classical Roman-Greek laments, the work adopts the classical verse form chosen by Schiller ? surely alluding to Feuerbach?s classically-inspired art.Scored for mixed chorus and orchestra, we are publishing the work in a modern Urtext edition. One or more harps can be used ad lib. The primary source is the first printed edition of 1881. The latest scholarly discoveries as well as practical requirements have been taken into consideration. Performance material is available on sale as well as a vocal score, based on Brahms?s original vocal score, but in a revised performing version. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano
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Johannes Brahms: Sonatas Scherzo and Ballads pb: Piano: Instrumental Collection
47.99
Johannes Brahms: Sonatas Scherzo and Ballads pb: Piano: Instrumental Collection
Piano seul
G. Henle
With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes B...
(+)
With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich. With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich.
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Intermezzo Op. 117 No 1
10.00
Intermezzo Op. 117 No 1
En Français
Alto, Piano
Billaudot
Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pou...
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Avec les opus 116 et 117 de Brahms nous sommes dans les quatre derniers opus pour piano seul composés à Ischl en 1892, de même que pour les opus 118 et 119 en 1893. Brahms a abandonné l'écriture symphonique dont la dernière oeuvre fut le double concerto pour violon et violoncelle et plus tardivement celle qui concerne la musique de chambre.Cherchant une oeuvre inédite pour alto et piano représentative de la fin de la période romantique, mon choix s'est porté sur l'opus 117 #1 car il convenait parfaitement à un arrangement pour piano et alto, la partie mélodique étant de ce registre.A ce propos, n'oublions pas l'admirable oeuvre vocale du compositeur ainsi que les opus symphoniques antérieurs, mais également ceux de musique de chambre et pianistiques où la mélodie est confiée de manière épisodique à une ' voix intermédiaire ' que Brahms affectionnait particulièrement.L'opus 117 #1 est un paysage d'automne en demi-teinte, en clair-obscur cher au Brahms des dernières années dont il cite deux vers en exergue, extraits d'une berceuse écossaise. Dans ses derniers opus pour piano, Brahms retourne complètement à ses origines, avec une inspiration nordique affirmée. Sur la fin de sa vie le compositeur s'abandonne progressivement à un état d'esprit mélancolique qui reflète le sentiment de ses contemporains allemands en cette fin de XIXème siècle.Ce sentiment confus, ce ' Weltschmerz ' traduisant cette ' vague douleur du monde ' incita Brahms à surnommer certaines de ces pièces ' berceuses de ma douleur ' dont l'opus 117 #1 pourrait être un exemple. Ces ultimes opus s'inscrivent dans les quatre grands cycles de rêveries et de méditations pianistiques du célèbre compositeur. / Alto Et Piano
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Johannes Brahms: Sonatas Scherzo and Ballads pb: Piano: Instrumental Collection
32.25
Johannes Brahms: Sonatas Scherzo and Ballads pb: Piano: Instrumental Collection
Piano seul
G. Henle
With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes B...
(+)
With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich. With opuses 1 2 4 5 and 10 this volume contains virtually all of Johannes Brahms??? early piano oeuvre with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851???53 as a substantial single movement that particularly delighted Robert Schumann leading him to direct the public???s special attention to his young colleague in his famous article ???New Paths??? in 1853. Written the following year the Four Ballades op. 10 complete the volume. Already they strike a new more Romantic note that Brahms described to Clara Schumann thus: ???They are not very difficult and even less difficult tounderstand???. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition with an extensive preface by editor Katrin Eich.
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Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
12.50
Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
Violon et Piano
Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
14.50
Johannes Brahms: Sonata in G major for Violin and Piano op. 78: Violin:
Violon et Piano
Barenreiter
A pioneering set of Urtext editions.String editions include an Urtext solo part ...
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A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.
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Brahms, Johannes : Waltzes op. 39 / Easy Edition
8.25
Brahms, Johannes : Waltzes op. 39 / Easy Edition
Piano seul
[Partition]
-
Facile
Barenreiter
A year after their composition in 1866, Brahms?s popular 16 Waltzes op. 39 for...
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A year after their composition in 1866, Brahms?s popular 16 Waltzes op. 39 for piano duet were arranged by the composer for piano solo, thus fulfilling the request of his publisher for a simplified version.
Brahms himself described the first version as suitable for reasonable hands , that is for proficient players, and the easier version as perhaps for prettier hands , that is, for domestic music-making. He initially described the latter version to his publisher as a children?s edition . The catchy and musically easily accessible pieces are among the composer?s most popular works and are particularly suitable for piano students and lovers of the Romantic repertoire.
Both versions of the Waltzes op. 39 (BA9602, BA9603) are available in separate editions and form an important contribution to Bärenreiter?s series of Brahms?s works in scholarly-critical Urtext editions. Both editions include fingering, a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms, an informative foreword on the genesis, sources and significance of the works together with comments on the primary sources.
- A key work in the Romantic piano repertoire
- All known sources and the latest research findings taken into account
- Well-presented musical layout with optimum page-turns
- Includes fingering
- Suggestions on performance practice and interpretation (Ger/Eng)
- Informative foreword (Ger/Eng) and critical commentary (Eng)
The editor
Christian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.
He has released 24 CDs to date, including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold. / [Valses op. 39 / Versions Simplifiées] / Classique / Partition / Agrafé /
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Brahms, Johannes : Walzer op. 39
8.25
Brahms, Johannes : Walzer op. 39
Piano seul
[Partition]
-
Intermédiaire
Barenreiter
A year after their composition in 1866, Brahms?s popular 16 Waltzes op. 39 for...
(+)
A year after their composition in 1866, Brahms?s popular 16 Waltzes op. 39 for piano duet were arranged by the composer for piano solo, thus fulfilling the request of his publisher for a simplified version. Brahms himself described the first version as suitable for reasonable hands , that is for proficient players, and the easier version as perhaps for prettier hands , that is, for domestic music-making. He initially described the latter version to his publisher as a children?s edition . The catchy and musically easily accessible pieces are among the composer?s most popular works and are particularly suitable for piano students and lovers of the Romantic repertoire.
Both versions of the Waltzes op. 39 (BA9602, BA9603) are available in separate editions and form an important contribution to Bärenreiter?s series of Brahms?s works in scholarly-critical Urtext editions. Both editions include fingering, a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms, an informative foreword on the genesis, sources and significance of the works together with comments on the primary sources.
- A key work in the Romantic piano repertoire
- All known sources and the latest research findings taken into account
- Well-presented musical layout with optimum page-turns
- Includes fingering
- Suggestions on performance practice and interpretation (Ger/Eng)
- Informative foreword (Ger/Eng) and critical commentary (Eng)
The editor
Christian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.
He has released 24 CDs to date, including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold. / [Valses op. 39] / Classique / Partition / Agrafé /
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Johannes Brahms: Symphony No.2 In D Op.73: Orchestra: Score
16.75
Johannes Brahms: Symphony No.2 In D Op.73: Orchestra: Score
Orchestre
[Conducteur d'étude / Miniature]
G. Henle
Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?t...
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Symphony no. 2 D major op. 73-Lorsqu?il composa sa premi?re symphonie Brahms ?tait encore largement influenc? par l??uvre de Beethoven. Mais ce n??tait plus le cas pour la deuxi?me qui s?en d?marque tr?s nettement. Le principe de traitement des motifs ne se cantonne plus uniquement au d?veloppement mais s??tend ? tout le premier mouvement. Dans les mouvements suivants tout semble d?ailleurs aussi ?tre apparent?. La cr?ation de cette symphonie dans la salle du Musikverein de Vienne fut pour Brahms l?un des plus grands triomphes de son existence qu?il d?crivit avec enthousiaste: ?L?orchestre ici a r?p?t? et jou? avec passion et m?a f?licit? comme cela ne m?est encore jamais arriv?.? Gr?ce ? cette partitiond??tude les chefs d?orchestre ?tudiants et passionn?s de Brahms pourront appr?cier la partition tir?e de l??dition compl?te des ?uvres de Brahms (?galement parue chez G. Henle) en version urtext dans un petit format facile ? manier. Dans la pr?face l??diteur et sp?cialiste de Brahms Robert Pascall apporte des informations int?ressantes sur la gen?se et l?histoire de l??dition de cette ?uvre.
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Ballades Op. 10
13.97
Ballades Op. 10
Piano seul
[Partition]
Barenreiter
La ballade instrumentale était une forme de musique populaire au 19ème siècle...
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La ballade instrumentale était une forme de musique populaire au 19ème siècle et ces quatre pièces pour piano sont la seule contribution de Brahms au genre. Le compositeur a écrit des ballades à l'époque de son amitié étroite avec Clara Schumann, et il s'en dégage une intimité plus typique d'une ballade vocale. Les pièces, qui fait l'éloge de Schumann avec enthousiasme, ont été décrits par Brahms comme étant 'pas trop difficile à jouer et encore moins difficile à comprendre.'Ballades de Brahms op. 10 font partie intégrante de la littérature pianistique avancée. Cette publication représente un ajout précieux au répertoire des oeuvres pour piano de Brahms dans les éditions Urtext Bärenreiter. Le doigté de Brahms spécialiste Christian Köhn, la notation claire et la page se tourne optimale satisfaire aux exigences d'une édition pratique de la scène. Un avant-propos détaillé avec des informations sur la pratique d'exécution, le processus de composition, les sources et l'importance du travail complète l'édition.- Urtext édition basée sur toutes les sources connues et de la recherche actuelle- Eh bien, présenté disposition musicale avec des tours de page optimum- Avec doigté et des suggestions pour la pratique d'exécution (ENG / Ger)- Avec page dépliante pour un tour de page facile- Avec un commentaire instructif avant-propos (Eng / Ger) et critique (Eng) / Piano
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Organ Works (BRAHMS / MENDELSSOHN / SCHUMANN)
26.90
Organ Works (BRAHMS / MENDELSSOHN / SCHUMANN)
Orgue
[Partition]
Dover Publications
Par BRAHMS / MENDELSSOHN / SCHUMANN. When Brahms, Mendelssohn and Schumann compo...
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Par BRAHMS / MENDELSSOHN / SCHUMANN. When Brahms, Mendelssohn and Schumann composed for the organ, all three turned for inspiration to the musical style of the late Baroque period. Includes 11 'Choral Preludes' by Brahms, three 'Preludes And Fugues' by Mendelssohn, six 'Fugues' by Schumann and other works by the composers. When Brahms, Mendelssohn and Schumann composed for the organ, all three turned for inspiration to the musical style of the late Baroque period. Includes 11 'Choral Preludes' by Brahms, three 'Preludes And Fugues' by Mendelssohn, six 'Fugues' by Schumann and other works by the composers./ Répertoire / Orgue
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Brahms J. - Concerto Pour Violon En Re Majeur Op.77 - Violon and Piano
26.40
Brahms J. - Concerto Pour Violon En Re Majeur Op.77 - Violon and Piano
Violon et Piano
G. Henle
Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Stru...
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Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Struck, Linda Correll Roesner Réduction pour piano: Johannes Umbreit Doigtés vl.: Frank Peter Zimmermann Edition Urtext, réduction pour piano, reliure paperback parties avec ou sans indications de doigté Pages: 123 (X, 50, 33, 30), Dimension 23,5 x 31,0 cm N° d'article HN 818 · ISMN 979-0-2018-0818-5 Déjà accueilli avec enthousiasme par les contemporains, l'unique concerto pour violon de Brahms reste encore aujourd'hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s'était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l'objet d'un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des 'uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu'ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann.?
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String Sextet No. 2 In G Major Op. 36 (BRAHMS JOHANNES)
39.04
String Sextet No. 2 In G Major Op. 36 (BRAHMS JOHANNES)
G. Henle
No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cor...
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No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cordes de Brahms ait connu un vif succès depuis sa parution en 1861, l’éditeur Simrock hésita lorsque le compositeur lui en proposa en 1865 un deuxième «dans le même caractère joyeux». Entre temps Brahms s’adressa même à la concurrence avant que Simrock ne finît par consentir à sa publication. Alors que l’oeuvre fit tout d’abord l’objet de comptes rendus plutôt sceptiques, l’opus 36 publié en 1866 trouva en revanche au sein du cercle des amis de Brahms un accueil des plus chaleureux: Clara Schumann fit l’éloge du travail d’élaboration des motifs particulièrement réussi, tandis que d’autres étaient enthousiasmés par la féerie des effets sonores. L’édition de travail établie par Katrin Eich sur la base de l’édition intégrale des oeuvres de Brahms offre désormais la possibilité de vérifier ces jugements – soit lors d’une exécution de l’oeuvre à partir des parties séparées dont les petites notes et les tournes optimales répondront aux attentes des musiciens, soit à la lecture de notre édition d’étude./ Répertoire / Eich, Katrin
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6 Quartets Op. 112 (BRAHMS JOHANNES)
15.42
6 Quartets Op. 112 (BRAHMS JOHANNES)
4 Voix SATB et Piano
[Partition]
Breitkopf & Härtel
Par BRAHMS JOHANNES. During his summer vacation in 1891 Brahms composed six voca...
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Par BRAHMS JOHANNES. During his summer vacation in 1891 Brahms composed six vocal quartets which would appear in print later that autumn. This set, to become Brahms’s opus 112, clearly falls into two groups. The first two in the melancholic tone of the poems Sehnsucht (Longing) and Nächtens (At Night) by Franz Kugler come upon four Zigeunerlieder (Gypsy Lieder) bursting with vitality and power. The first public performances of the work were very positively received. Even while Brahms was still alive, the work was performed not only by the four solo voices originally intended, but also by choruses. Breitkopf & Härtel’s new practical edition of the Quartette follows the music text of the critical edition of the Johannes Brahms Complete Edition./ Répertoire / 4 Voix SATB et Piano
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Trio Für Violine, Violoncello Und Klavier
42.86
Trio Für Violine, Violoncello Und Klavier
Piano Trio: piano, violon, violoncelle
Barenreiter
In addition to Bärenreiter's scholarly-critical editions of Brahms' trios, an a...
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In addition to Bärenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823-1903).Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.- A much welcomed edition to the piano trio literature- Includes an informative introduction (Eng/Ger) and a Critical Commentary (Eng) / Violon, Violoncelle Et Piano
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German Requiem Full Score (BRAHMS JOHANNES)
24.50
German Requiem Full Score (BRAHMS JOHANNES)
Chorale
[Partition]
Dover Publications
Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work...
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Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful features. Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1868. The occasion — attended by many distinguished musicians, among them Clara Schumann — provided the 34-year-old composer with his first great public success. Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms' virtuosic grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms' stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world. More than a century after its debut, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition. A reproduction of the Breitkopf and Hartel edition. / Musique religieuse / Répertoire / Choeur
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Sonate pour violon en Sol majeur op. 78 (BRAHMS JOHANNES) (BRAHMS JOHANNES)
17.94
Sonate pour violon en Sol majeur op. 78 (BRAHMS JOHANNES) (BRAHMS JOHANNES)
Violon et Piano
[Partition]
G. Henle
Par BRAHMS JOHANNES. La première Sonate pour violon en Sol majeur de Brahms est...
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Par BRAHMS JOHANNES. La première Sonate pour violon en Sol majeur de Brahms est également connue sous le surnom allemand de Regenliedsonate («Sonate du chant de la pluie»), puisqu?elle cite dans son Finale des motifs mélodiques issus de deux des lieder du compositeur: Regenlied («Chant de la Pluie») et Nachklang («Écho», qui a également la pluie pour thématique). Le motif pointé initial du Finale parcourt déjà les deux premiers mouvements, contribuant ainsi à la cohérence interne de cette ?uvre merveilleusement expressive et élégiaque. Achevée en 1879, cette sonate fut accueillie avec enthousiasme par ses contemporains - Elisabeth von Herzogenberg, liée à Brahms par une profonde amitié, affirma qu?on devait «l?aimer, comme peu de choses en ce monde». Le texte musical de cette édition Urtext révisée repose sur la mise à jour parue dans la Nouvelle édition des ?uvres complètes de Brahms, gage suffisant de fiabilité scientifique. / Date parution : 2023-03-11/ Répertoire / Violon et Piano
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Johannes Brahms: Schumann - Brahms - Kirchner Band 4: Piano: Instrumental Album
13.99
Johannes Brahms: Schumann - Brahms - Kirchner Band 4: Piano: Instrumental Album
Piano seul
Wiener Urtext
Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wie...
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Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a Piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. Thepieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and Piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 4 combines works of the German Romanticism by Schumann Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms’ Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces.
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Johannes Brahms: Concerto: Violin: Parts
Orchestre, Violon
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
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Johannes Brahms: Two Rhapsodies Op 79 Piano Urtext: Piano: Instrumental Work
10.25
Johannes Brahms: Two Rhapsodies Op 79 Piano Urtext: Piano: Instrumental Work
Piano seul
G. Henle
Revised edition of HN 119-In 1879 about ten years before Johannes Brahms compos...
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Revised edition of HN 119-In 1879 about ten years before Johannes Brahms composed his late melancholic piano pieces he wrote the two Rhapsodies op. 79 two markedly passionate and comparatively extensive works. In a letter to the convalescent ClaraSchumann Brahms spoke in a typically understated fashion about the two pieces ?with which you can really run riot and test whether the course of treatment has actually had any effect?. We prefer to agree with Brahms? friendElisabeth von Herzogenberg: ?the fact that the g minor is my favourite does not make me insensitive towards the intensely prickly beauty of the one in b minor?. Both of these popular works have now been revised on the basis of thenew Brahms Complete Edition.
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