Par . If you\'re new to the bass guitar, you are probably eager to learn some songs. This book provides a combo of tab, lyrics and chord symbols for 50 of the biggest pop hits bassists love to play. / Date parution : 2022-07-20/ Recueil / Guitare Basse

Par . If you\'re new to the bass, you are probably eager to learn some songs. This book provides easy arrangements in tab with lyrics for the most popular songs bassists want to play. / Niveau : Facile / Date parution : 2022-12-08/ Recueil / Guitare Basse

Le Rifftionary pour basse comporte plus d'une centaine des plus célèbres riffs de basse. Vous y retrouverez des artistes comme Marvin Gaye, Pink Floyd, Radiohead, Nirvana, James Brown, Pantera, The Temptations, Green Day et encore plein d'autres. En plus des riffs, vous pourrez lire les faits marquants de la chanson, les paroles, le nom du bassiste et une citation de sa part sur la chanson. Tout ceci en anglais./ Tablatures / Guitare Basse Tablatures

Showcasing the tremendous often unrealized potential of the bass guitar Steve Bailey and Victor Wooten have put together this version of their groundbreaking Bass Extremes album/book project now available on DVD for the first time ever. Steve and Victor demonstrate how the bass guitar can supply bass lines piano and guitar-like comping figures lead solos and percussion parts in styles ranging from bebop to new age and heavy metal. Each piece highlights different aspects of their amazing techniques - like Steve's three-finger technique or his awe-inspiring command of harmonics and chord voicings or Victor's incredible funk grooves or his thumb and two-handedtapping techniques. Between each performance segment Steve and Victor walk you note-for-note through the licks and techniques that make up each song explaining and demonstrating everything at slow speeds.

Par BAILEY STEVE / WOOTEN VICTOR. 8 complete album tracks featuring Steve, Victor and Greg Bissonette, followed by 8 instructional tracks, paired with a book of complete transcriptions in standard notation and tablature. In styles ranging from bebop to new age to heavy metal, each pighlights different aspects of their amazing techniques./ Recueil / Guitare Basse

Par TAUZIN BRUNO. Cet ouvrage recense précisément 100 riffs de basse. Mais pas n'importe quels riffs... des riffs dans l'esprit des plus grands tubes de la musique moderne, ces morceaux qui ont traversé les décennies, qui font partie de la culture 'bassistique', qu'il faut absolument connaître et savoir jouer. Chacun des 100 riffs de basse présentés dans ces pages est agrémenté d'une explication pouvant être technique et/ou théorique, afin de vous aider à les affronter plus aisément. Tous les riffs, sans exception, sont repris sur le CD MP3 joint à la méthode, ce qui vous permettra de lever le voile sur des mises en place parfois difficiles à aborder avec la seule partition. La plupart de ces riffs sont abordables par le plus grand nombre... le principe même d'un riff réussi reposant souvent sur la simplicité et l'efficacité ! Bref, voici un ouvrage 100% plaisir... qui vous permettra d'épater rapidement votre entourage ! A la manière de Money, Cissy Strut, The Chicken, Wild thing, Come together, Seven nation army, Peter Gunn, Good times, Can't stand losing you, Another one bites the dust, Sir Duke, Cheap sunglasses, Smoke on the water, Miss You, I want you back, Respect, Knock on wood, Ain't too proud to beg, Walk this way, I got you (I feel good), Bulls on parade, Give it away, Le freak, Let's groove, Beast of burden, Under pressure, Bombtrack, Lady Madonna, I love rock 'n' roll, I just want to celebrate, Sweet emotion, Come as you are, Pea, Feel good inc., Sunshine of your love, For whom the bell tolls, Billie Jean, Susie Q, Uptight (everything's alright), Soul Man, What's going on, Walking on the moon, Stand by me, Stir it up, Celebration, New year's day, On the road again, The lemon song, With or without you, You're the one I want, Roxanne, Black night, You really got me, Welcome to the jungle, t's the same old song, Paranoïd, Another brick in the wall, Mission impossible, I can't help myself, Get down on it, Black dog, This love, I shot the sheriff, Everybody needs somebody to love, Killing in the name, Starlight, Peggy sue, So Lonely, Pretty woman, Reach out I'll be there, Message in a bottle, I was made to love her, Smells like teen spirit... et tant d'autres encore !/ Méthode / Guitare Basse

Cet ouvrage recense précisément 100 riffs de basse. Mais pas n?importe quels riffs... des riffs dans l?esprit des plus grands tubes de la musique moderne, ces morceaux qui ont traversé les décennies, qui font partie de la culture «bassistique», qu?il faut absolument connaître et savoir jouer. Chacun des 100 riffs de basse présentés dans ces pages est agrémenté d'une explication pouvant être technique et/ou théorique, afin de vous aider à les affronter plus aisément. Tous les riffs, sans exception, sont repris sur le CD MP3 joint à la méthode, ce qui vous permettra de lever le voile sur des mises en place parfois difficiles à aborder avec la seule partition. La plupart de ces riffs sont abordables par le plus grand nombre... le principe même d?un riff réussi reposant souvent sur la simplicité et l?efficacité ! Bref, voici un ouvrage 100% plaisir... qui vous permettra d?épater rapidement votre entourage ! A la manière de Money, Cissy Strut, The Chicken, Wild thing, Come together, Seven nation army, Peter Gunn, Good times, Can't stand losing you, Another one bites the dust, Sir Duke, Cheap sunglasses, Smoke on the water, Miss You, I want you back, Respect, Knock on wood, Ain't too proud to beg, Walk this way, I got you (I feel good), Bulls on parade, Give it away, Le freak, Let?s groove, Beast of burden, Under pressure, Bombtrack, Lady Madonna, I love rock ?n? roll, I just want to celebrate, Sweet emotion, Come as you are, Pea, Feel good inc., Sunshine of your love, For whom the bell tolls, Billie Jean, Susie Q, Uptight (everything?s alright), Soul Man, What's going on, Walking on the moon, Stand by me, Stir it up, Celebration, New year?s day, On the road again, The lemon song, With or without you, You?re the one I want, Roxanne, Black night, You really got me, Welcome to the jungle, t's the same old song, Paranoïd, Another brick in the wall, Mission impossible, I can?t help myself, Get down on it, Black dog, This love, I shot the sheriff, Everybody needs somebody to love, Killing in the name, Starlight, Peggy sue, So Lonely, Pretty woman, Reach out I?ll be there, Message in a bottle, I was made to love her, Smells like teen spirit... et tant d'autres encore !

Par SNIDERO JIM. Exact transcription, as played by Dennis Irwin, plus 21 simple bass lead sheets.See and hear how a well known bass player phrases and articulates and comp for the soloist on the mp3 CD.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Use the book/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the bass lines off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.Please note that mp3 CDs may not work on some (older) CD players./ Recueil / Guitare Basse

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Kantate Zum Sonntag Jubilate. Par BACH JOHANN SEBASTIAN. On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing 'new pieces monthly' for the church. Following the cantata 'Himmelskönig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister./ Répertoire / Solistes ATB, Choeur SATB, Trompette, HautboiSBass

Après le succès mondial de la collection Ultra Smooth Jazz Grooves que j\'ai co-écrite avec le saxophoniste Frank Villafranca, basée sur des compositions que nous avons écrites pour notre groupe The Super Groovers, je suis maintenant l\'auteur de la collection Smooth Jazz pour les instruments suivants : Piano/Clavier, Guitare/Basse, Flûte, Clarinette, Violon, Saxophones Alto et Ténor, Trompette et Trombone.
Le Smooth Jazz couvre une grande variété de styles différents et j\'ai combiné des éléments de Jazz, Rock, Pop, Blues, Latin, Gospel, Funk et RandB, Classique, Folk, New Age dans les exemples du livre.
Le Smooth Jazz est un genre de musique essentiellement instrumental, généralement très mélodique et qui, dans la plupart des cas, comporte une part d\'improvisation jazz. Il est généralement interprété à un tempo moyen et tend à mettre en avant le piano/clavier, le saxophone, la trompette et la guitare comme instruments principaux jouant la mélodie.
La plupart du temps, le Smooth Jazz est bien produit et présente des mélodies mémorables sur un fond de plusieurs pistes d\'instruments rythmiques, de claviers, de guitare, de cordes, de synthétiseurs, de batteries et de percussions.
Chaque riff a été enregistré avec l\'instrument mélodique solo ainsi qu\'une piste d\'accompagnement rythmique de guitare, de claviers/synthés, de basse, de batterie/percussion, puis uniquement les pistes d\'accompagnement pour que vous puissiez vous entraîner. Sont également incluses des pistes d\'accompagnement jouant la progression des accords 10 fois, ce qui vous donne plus de temps pour pratiquer vos compétences d\'improvisation en utilisant les riffs du recueil et en les développant dans votre propre style. / Partitions jazzandblues / Guitare / Basse / ADG PRODUCTIONS